Le retour des morts-vivants

I first saw the English version of this in the late 80s on a vhs. It was titled Return of the Evil Dead back in the 80s n i thot tht this might be related to the Evil Dead film. Naive kid back then. Revisited the Spanish version of this part recently. Although this is the second part in the series, i havent yet seen its first part.

The movie has plenty of genuinely chilling moments and plenty of silly ones, too. The film has decent amt of gore, graphic stabbings, decapitation, heart removal scenes, eye burning, etc. The plot is a lil similar to Night of the living Dead about people taking shelter in one place to safeguard themselves from the zombies outside. The guy who played the mayor looked like Ron Jeremy. This movie may have its flaws, but Amando De Ossorio does a great job using slow-mo and an eerie score to intensify the film. The editing is shoddy. The skeletons attacking the village people n the aftermath fighting is tedious.

It is hard to deny Amando De Ossorio's talent behind the camera--the man knows how to make even the most foreboding locales postcard-pretty. His writing, on the other hand, is a different story..."Return of the Evil Dead" is essentially a plot less rehash of "Tombs of the Blind Dead," with a liberal helping of "Night of the Living Dead" thrown into the mix. I don't have a problem with movies borrowing from each other, but "Return" is so bereft of story and interesting characters that the whole thing becomes kind of tedious. While "Tombs" didn't really spring to life until its impressive climax, Ossorio does a much better job integrating the resurrected Templars into the film--mostly filmed in mid- and long-shots set against dark sets, they exude more menace this time out (also drawing attention away from their creaky marionette movements); problem is, the action scenes revolving around the Templars go on far too long, diluting their presence. And underneath the surface, there isn't much going on here--a bunch of forgettable, cliché characters hole up in an unusually well-lit church to hold out against the Templar menace--subplots involving a greedy Mayor, a jealous lover, and a lost child ensue. Ho hum. To "Return"'s credit, the opening Templar slaughter is effective, as is a suspenseful child retrieval scene, and the climax is chilling. Too bad everything in between is beautiful to look at but aesthetically mediocre.

Those pervy devil worshipping Blind Dead Templar Knights return to ruin their own anniversary celebrations. As a follow up to the entertaining Tombs of the Blind Dead, the Return of the Blind Dead does a good job. The film has the usual mix of a deformed hunchback who kills a woman to bring back the Templars, a "hunky" hero who saves the day, an array of busty women for the Blind Dead to prey on, a little sex, and the usual villain who we don't mind being killed. Add into the mix a celebration in the village which soon gets overrun with Blind Dead, a comedy interlude with the mayor and his maid, a few chase scenes and a surprisingly good ending and you have a good concoction for 1970's horror. One of the greatest parts of these films is the use over and over again of the Templars rising from their coffins, women just managing to escape the Blind Dead, usually with one of their shoes stuck in a hole or ladder rung right up until the last second, and my personal favourite, a bony hand reaching through a hole or window. Classic Zombie/Vampire fun for all the family.

I started watching this sequel to Tombs of the Blind Dead, and at first was remarkably unimpressed. But by the final minute of the film, I had watched a stirring, atmospheric film that, by a slight nod, bested its original. Again we have the evil Knights Templar out for an evening of murder and mayhem at a village festival celebrating their deaths. The film drags a bit in the beginning, and the dubbing is rather poor on the Anchor Bay video(despite advertising subtitles instead). But once the leprous, rotting, decaying Knights break from their earthy pits to exact their vengeance on the villagers, the film starts and remains at a high, fast, tense, frightening pace with some wonderful filmed images. The basic premise of the film has a group of survivors holed up in a Church and what becomes of them through the dark night. The acting is fair, and the actor playing the mayor is humorous in a way. If you enjoyed the first film, I am sure you will like this sequel. I look forward with anticipation to watching the third and fourth installments of this gothic, moody series.

A rural Portuguese village is preparing to celebrate the annual festival commemorating when their village overran and killed the Templar Knights who had been sacrificing its villagers. The mayor of the village on the advice of his fiancé Vivian, hires a fireworks expert Jack Marlowe, to ensure the festival is a hit, little knowing they have a past. Jack and Vivian immediately rekindle their passions in the ruins of the local abbey, where they are spied on by the village idiot, Murdo, he regales them with the gory history of the abbey and how the Templars had their eyes burned out in case they returned to avenge their deaths, which they swore they would. He tells them that the Templars will return tonight during the festival and he duly has a secret plan to sacrifice a local girl to ensure the curse of the Templars comes true. Sure enough the dead arise, and seek to avenge their deaths, they ride into town to kill all they encounter, Jack and Vivian along with the mayor and his cronies hide out in the village church and with the mayors pleas to the local authorities ignored, they must fight for their lives. Pretty decent follow up to de Ossorio's Tombs of the Blind dead, some striking Gothic visuals and just a little gore make this a sight to behold, things are also spiced up by a bevy of local beauties. The Blind Dead makeup and costumes are also very effective even if their pace is a tad slower than a comatose sloth.