The Amazing Mr. Blunden

Like many films made by the British film industry at it's nadir in the 1970s, the Amazing Mr Blunden could be overlooked, but those willing to make the effort will find a gem. There's the wonderfully English setting of the film, mixing the nostalgia of a Georgian England of Mr Blunden and Langley Park, with the Edwardianism of Jamie and Lucy's world. Mixed with good background music and wonderful setting amongst a stately home and a traditional village and the film is playing to all the traditional strengths of British film and drama. Adults will perhaps prefer these aspects to the plot, but children will enjoy the 'good vs. evil' aspect of the children's fight to save the lives of Georgie and Sara against Mrs Wickens (played excellently by Diana Dors who steals the film). Sadly, the film misses much 'fun' that could be made out of the stark characters of Mr and Mrs Wickens and the rest of the cast (particularly the dandy-ish uncle played by James Villiers). There's also one cringe-worthy moment too - when all the actors and actress wave goodbye at the end. They don't make things that this anymore....

I first saw this film at the cinema when I was 9 years old when it was originally released (which gives you a clue as to how old I am now). I have never forgotten this film and while "The Railway Children" has justly taken its place in British cinema as a classic family film, this film deserves some love too. Everyone associated with this film is at the top of their game. Behind the camera, Lionel Jefferies provides a great script (adapted from Antonia Barber's original book "The Ghosts") and great direction too. Great atmosphere is provided courtesy of Wilfred Shingleton's production design, Gerry Fisher's excellent photography and one of Hollywood regular Elmer Bernstein's greatest scores (for what was a small British film - who'd have guessed?).

In front of the camera, the talent is equally impressive and it is sign of Lionel Jefferies unrecognised talent as a director that he draws some great performances from his cast, some of whom have never been better than they are here. Diana Dors shows a rare talent as a character actress and there are also good performances from David Lodge, James Villiers, Madeline Smith, Deddie Davies, Laurence Naismith, Graham Crowden, Garry Miller, Dorothy Alison and Rosalyn Landor.

And for the ill-fated Lynne Frederick who has given a number of poor performances in bit parts over the years before her death and who was unfortunately better known for her chaotic personal life and the unpleasant aftermath to her marriage to Peter Sellers, her appearance here is a revelation. I disagree with one of the previous posts that says that she is slightly too old for the role. To me she seems absolutely right and if she is too old, then so too are Jenny Agutter and Sally Thomsett in "The Railway Children". It is a tragedy that Lynne Frederick did not go on to fulfil the promise that she showed in this film and if she really was a mediocre actress, then Lionel Jefferies deserves even more credit for drawing such a great performance from her for this film as she is excellent here (especially during the scenes in which Langley Park burns at the end). It's a shame what happened to her in real life but instead of remembering her as the bloated alcoholic drug-addicted wreck that she became, I prefer to remember the Lynne Frederick forever immortalised on film here - a beautiful young woman who had so much promise.

By the way, when is someone going to release Elmer Bernstein's wonderful score to this film on CD?

This movie takes me back to my childhood, remembering how I used to sit in front of the tv and watch it.

I recently watched it in dvd and I live it just as much as I did then.

It's a child's ghost story, and all ages will love this movie. Shame they don't make movies like this now.

This movie worried me at first with a bit of a slow start, but it quickly changed into a wonderfully imaginative fairy tale. The characters are very good and the acting feels the period. Grahm Crowden from the British Sitcom "Waiting for God" does a very good job as well.

Everyone should give this one a try.

The concept is very intriguing and holds your interest well. I really loved the idea surrounding the ghosts and how they got where they were. The story is really one that I would love to share with my whole family.

This one feels like a Dickens Narrative due to the time period it is set in, which adds to the overall feel and believability.

The Amazing Mr. Blunden is directed by Lionel Jeffries who also adapts the screenplay from Antonia Barber's novel The Ghosts. It stars Lynne Frederick, Garry Miller, Rosalyn Landor, Marc Granger, Laurence Naismith, Diana Dors, Madeline Smith and James Villiers. Music is scored by Elmer Bernstein and cinematography by Gerry Fisher.

1918, London, England, and Mrs. Allen and her three children are visited on Christmas Eve by mysterious old solicitor Mr. Blunden. He offers them a way out of their impoverished surroundings in Camden Town. There's a housekeeping opportunity at a derelict country mansion called Langley Park, the place having been gutted by a major fire previously. There's a reason for the two eldest Allen children, Lucy and Jamie, being there, their help is needed....by child ghosts from 1818!

It has one of the worst posters ever made for a movie, a poster that hints at some guy called Blunden being some superman type magician! Which when coupled with the title of the film really sets up a bum steer for new viewers. To those in the know, the nostalgic Brits like myself, it's a lovely ghost/fantasy story about cross time redemption, resplendent in period flavours whilst operating from an intelligent script. The complex story is delicately crafted by director Jeffries (The Railway Children), this is never about scares, it's a Dickensian type drama that features ghosts of children clutching in the future for help in the past. Relationships are well formed, villains (Dors unrecognisable and immensely vile like) are afforded time to not be of the pantomime kind, and it all builds to a dramatic last quarter where sitting on the edge of your seat is a requisite. And then comes a moment to put warmth into the coldest of hearts.

A beautiful movie, directed and acted with appropriate skill from all involved. If you're looking for a family friendly period ghost story, this is for you. 8/10