London, 1940. Aspiring jazz musician and future comedy legend Terence "Spike" Milligan reluctantly obeys his call-up and joins the Royal Artillery regiment at Bexhill, where he begins traini... Read allLondon, 1940. Aspiring jazz musician and future comedy legend Terence "Spike" Milligan reluctantly obeys his call-up and joins the Royal Artillery regiment at Bexhill, where he begins training to take part in the War. But along the way Spike and his friends get involved in many a... Read allLondon, 1940. Aspiring jazz musician and future comedy legend Terence "Spike" Milligan reluctantly obeys his call-up and joins the Royal Artillery regiment at Bexhill, where he begins training to take part in the War. But along the way Spike and his friends get involved in many amusing - and some not-so amusing - scrapes. Based on the first volume of Milligan's war me... Read all
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The film is about Spike being drafted into the army at the beginning of WWII and covered his basic training. There are some wonderful set pieces like Spike being conned into fighting a much bigger oppenant and when should have been a sidesplitting war games adventure, but the comic payoffs aren't there. It's like director Norman Cohen was influence by two then recent films, "MASH" and "Oh What A Lovely War", both anti war comic looks at war and what he should have done was a Carry On type of film.
The cast had a lot of potential too, We have Arthur Lowe of Dad's Army playing a similar role as the base Commander. There is also Bill Maynard as the sargent and fellow recruits Tony Selby and "Keeping Up Appearences" Onslow, Geoffrey Hughes but they don't do much with them Lowe who know's his character well comes off best of the supporting cast and Dale is wonderfully demented as Spike, but the film doesn't take off. It's just there, going from one situation to another with very little payoff. Like the potentilly funny scene where Spike and his sargent are being chased by a bull but find out that it's really a cow. The director let's on the joke from the beginning so when Spike and the sarge find out it's just not the belly laugh it should be. The direction and lackluster editing really let them down.
It is a pleasent hour and forty minute diversion, thanks to a fine cast, but what unfulfilled potential this film had.
I recognized some names in the cast, including Spike himself, and Jim Dale, who has reached a whole new audience as narrator for the Harry Potter audio books. So I thought I'd give it a try. I could never watch more than about 10 minutes at a time before my eyes started glazing over. I finally gave up before the half-way mark, and just fast-forwarded to the end to see if anything interesting popped up (it didn't). Maybe if you were part of the UK's "greatest generation" you might like all the slow-as-molasses Army humor, but the rest of mankind will let this dud sink into the dust of history. There are SO many great war comedies; this is not one of them.
Spike Milligan was the last goon to go and his unique sense of humour will be greatly missed, although it does live on in many of today's comedians. This is a film version of his memoirs of his time in the second world war. The plot sticks close to the book, focusing on the training rather than later in the war. However the film can't completely bring out the absolute madness inherent in Spike's writing. The film does occasionally have touches of him but mostly this feels a little like a carry on film without the smut.
The comments on the futility of war are OK but they feel like they're heavily thrown into the mix and don't sit well alongside the comedy. MASH did better than this later. This film is more like something between a Carry On film and MASH. It neither manages to do the satire well nor do the laughs as well as you'd hope. It does average with both but never feels comfortable with either.
The characters are quite well drawn. Dale does well as Spike and manages to do a good job without doing an impression but Spike himself is given little to do as his own father. The support cast are all good but don't manage to shine as much as one would have hoped. Maynard, Lowe, Davis and Hughes are all nice surprises but all the best stuff is kept for Dale to use.
Overall Spike fans will feel a little let down by the losses made in transition from page to screen. The comedy aspires to be Milliganesque but only occasionally does his hand shine through. The end result is still entertaining but never as funny as it should be. I suggest you all read the book rather than watching this. RIP Spike happily your legacy is with us everyday and not just in this film.
The film has a strong cast (but see below), but the script and direction are weak. It's as though they had no idea how to approach the material. Most of the time it's played as a "Carry On" style farce: then we get crude and jarring interludes of fashionable anti-war propaganda. The two styles just do not mesh or integrate.
As for the actors, they do their best, but the "recruits" are all too obviously in their mid-to-late-thirties, rather than the 18-22 year olds they are supposed to be. This problem makes their attempts at silliness and slapstick rather embarrassing, and the coming-of-age theme seems misplaced and irrelevant. Arthur Lowe is excellent as always, but could have been given much more to do. Jim Dale is just too cuddly to capture the central character, and has to resort to pulling faces and speaking in silly voices to compensate.
The one highlight comes very early, with Spike playing his own father- it's downhill from there.
The trouble with films that are supposedly based on books, they usually fall short. I have lost count of the reviews that compare the film to the source material and they typically follow the same path and end with the same conclusions. Directors come under fire for either sticking too closely or veering to far away. The current film is no exception and it mauled because its strays too far from the book. Here's a thought...maybe that's because the book cannot be filmed!! As one reviewer points out, the book is too crude and filthy, which doesnt translate itself to a great film. Another reviewer complains that the film is akin to a Carry On movie, which is unfair, there are no scantily clad ladies and minimal innuendo.
It's just a light hearted look at army life in the days before troops were sent off to the front. It is very loosely based on some of the stories in Spike Milligan's excellent memoir, but it is in no way an autobiographical film. There are one or two sad moments, but much silliness and whimsy. There is little or no smut or outright softcore, which became prevalent in the late 70s. Its just a little comedy portrayed by some well known faces.
Did you know
- TriviaSpike Milligan was 21 when he was conscripted into the army in WW2; Jim Dale (I) was 38 when he portrayed Milligan in this film.
- GoofsIn the dance hall, when they start to sing the national anthem after the director's announcement, the third girl from the front clearly mouths "Queen" while the soundtrack (and historical accuracy) provide "King".
- Quotes
Spike Milligan: [Having spent all night on sentry duty, Spike hears footsteps] Halt! Who goes there?
Unseen soldier: [In a broad Yorkshire accent] Adolf Bloody 'itler!
Spike Milligan: Pass... friend.
- ConnectionsReferences Dad's Army (1968)
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Details
- Release date
- Country of origin
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- Also known as
- Ware Hitorâ tokaku tatakaeri
- Filming locations
- Bluebell Railway, East Sussex, England, UK(Information from the railway company)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Sound mix
- Aspect ratio
- 1.78 : 1