Willard

A truly memorable 1971 thriller that has became a bit of an underground classic.

Handsom, shy Willard Stiles doesn't have an ideal life. He lives with his domineering widowed mother, is bullied by his boss, and doesn't have any friends. That is, until he befriends the rats in his garden and learns that he can make them do his bidding!

Highlighted by a touching and sympathetic performance from Davison, Willard is a different kind of "nature-strikes-back" film. It's a rare occasion where the human characters, rather than the animals, drive the film to its intense climax. There's plenty of twists and turns to be had, as well as a few moments of skin-crawl, especially for those who aren't fond of rodents! The movie also has a bit of a darkly humorous side to it. It's a bit of a rare movie to find these days, but seek it out and hope for a much-needed DVD release of this B movie classic.

Followed by a rather dark remake in 2003

*** 1/2 out of ****

The progenitor of the 'when-good-animals-go-bad' trend in '70s schlock films, "Willard" brings us the story of a boy and his rat, or eventually his rats, given the fecundity of rodents. The movie has the look of '70s TV and in places could be an extended episode of "The Night Stalker" or "Night Gallery" (especially the close-ups of busybody neighbour Charlotte (Jody Gilbert)). Bruce Davidson is quite good in the titular role, playing Willard as a normal looking nebbish, which makes his ascent to ratte-führer even more incongruous. His mother is played by the great Elsa Lanchester (one of the few actresses who could out-ham husband Charles Laughton) and Ernest Borgnine rounds out the main cast as Willard's lascivious dirt-bag of a boss. The story, script and direction are pretty simple, although there are some good jump-cuts to show people can be rats too (the best is the cut from the humans stuffing their faces at a particularly unappetizing buffet to the rats stuffing their snouts in Willard's basement). The rat wranglers earned their pay, as some scenes include hundreds of the rodents and Davidson seems completely at ease with the animals, which contributes to the film's verisimilitude. More fun than scary (unless you are musophobic) and not particularly gruesome, the movie appeals more to boomer nostalgia than to cinematic connoisseurship. Followed by a sequel "Ben", which contains the prettiest ode to a rat ever put on film.

Bruce Davison plays Willard, a repressed 29 year old with no social life outside of his mother (Elsa Lanchester) and her loudmouthed friends who constantly nitpick everything about him and tell him why he's never amounted to anything. Even worse, his boss (Ernest Borgnine at his nastiest) stole the company from Willard's deceased father and seems intent on running it into the ground and never giving Willard a chance to take over. Everything changes when he befriends a few rats he finds in his home and he realizes that he has the power to force them to do his bidding. It looks like everyone who ever doubted or wished ill will of Willard is about to get what's coming to them.

More psychological character study than outright horror film, Willard is blessed with a strong script with great characters and wonderful performances all around. If you're here for big shocks, jump scares, or buckets of blood, I'd suggest looking elsewhere, because this movie barely even earns its PG rating. What keeps it interesting are the characters and their human drama. If that sounds like something you might be interested in, then I highly recommend this movie.

A little flick that blends elements of psycho-drama and animals-run-amuck, along with a hint of old-dark-house. Willard is a socially-maladjusted young man who lives in a gloomy, Victorian house with his co-dependant mother. Their relationship constitutes the weird part of the movie, nudge, nudge. Willard is tolerantly allowed employment at his late father's business, presided over by passive-agressive Ernest Borgnine. With no social life and no friends, Willard resorts to training rats with above-average intelligence. Of course, things take a dark turn when Willard's mother dies and Borgnine's bully tendencies come to the fore, prompting the put-upon Willard to use his rodent buddies to even the score. Also on hand is Sondra Locke as caring co-worker who tries to enter into Willard's world and may be his means of salvation. You find yourself rooting for her to win out. Spawned a more (in)famous sequel, BEN, remembered primarily for it's theme song, which provided Michael Jackson with one of his first solo hits. Very appropriate, in hindsight.

My mom remembers seeing "Willard" when it first came out, and so she encouraged me to see it. It tells the story of Willard Stiles (Bruce Davison), an outcast who still lives with his mother Henrietta (Elsa Lanchester). But Willard discovers that their house has some other inhabitants: rats. He quickly befriends the critters, and then turns them into a sort of army who will obey all his commands. To add to this situation, Willard and his mother believed that his father died naturally, but it begins to look like Willard's boss Al Martin (Ernest Borgnine) may have been involved.

The old, dark house, and the young man living with his mother might bring to mind "Psycho", but "Willard" seems to me to be more of a story of an outcast taking revenge on the world that rejected him.