Werewolves on Wheels

I can't give this high marks because a lot was left unrevealed, as if there was no cohesive story from the start. Was there symbology in the grime-covered skin of the Satanists transferring over to the bikers as they scuffle, only for the last bikers to fall into the life of deviltry? Was there symbolism in the free and savage outlaw lifestyle of bikers who simply followed their leader, who then turn into tribal dust-covered chanters around a campfire? Was there symbolism in the monks removing everything holy from the church and making it their own, leading unknown bikers to use their land for partying, thinking Christian monks would leave them to their own devices, not knowing that Satanic monks would force themselves onto them? It was entertaining enough though. The soundtrack helped invoke the carefree outlaw biker feel along with grit and decadence. Seemingly asexual character Tarot was the spiritual voice of reason that could save the day, while leader Adam was too mean and angry to hear reason, and the rest were just Yes Men to Adam, but Tarot also lacks conviction and faith, depending too much on his own understanding to convince others to act differently. As bikers go, it definitely had the feel, as werewolves go, it could have used a lot more. I didn't like the intensity of the Satanic rituals but you can't say Tarot didn't try to turn the others away.

While shaky in premise, Werewolves on Wheels contains all the absurdity, excess and self-awareness necessary to maintain interest. The plot roams all over the place, the actors mumble a lot of their lines and the ending is distinctly dissatisfying - but nevertheless it's well worth 85 minutes of your time. A rowdy gang of bikers who call themselves the Devil's Advocates shows up at a gas station in the middle of the desert to terrorizes the attendant, then proceeds to stumble upon a monastery while partying in a nearby forest. The ominous monks share suspect bread and wine, greedily indulged upon by the rowdy gang. When they're too drunk to notice, head monk `One,' an interesting role for the usually funny Severn Darden, plucks a hair from one of their heads and places it in a bat buckle. He then prays to Satan and kills a cat. The fun begins at this point, and biker lady D. J. Anderson materializes for some sort of dark ritual. When the bikers realize she's gone missing, they seek out the monks and beat the living pulp out of them. The bikers think little of the events that have transpired, but the following night at the campfire Anderson seems to suck head biker Stephen Oliver's blood, and a mock Satanic dance culminates in the grisly deaths of two members of the gang. After terrorizing another gas station they roam around the desert pretending to make a movie, creating a distinctly self-reflective mood. Nonsense-preaching Duece Berry (whose character is named `Tarot') tries to warn Oliver that something's in the air but he'll have none of his buddy's mystic mumbo-jumbo. They burn a pile of old cars and Anderson sees foreboding signs in the flames. Much of the same insanity carries the film right up to its vague conclusion. Writer-director Michael Levesque, who worked on a couple of Russ Meyer films, is a decent enough filmmaker and the camera work and editing and enjoyable, but the film suffers from over-abuse of the zoom. At least three cast members also appeared in The Last Movie, also made in 1971, and folk singer Barry McGuire appears as a member of the bike gang. Most of the rest of the cast are stunt performers, including a number of the leads. Don Gere provides an excellent psychedelic soundtrack, by far the best of any biker movie I've seen. The unusually diverse cast and enthusiastic amateur creative spirit create an atmosphere more exciting than the majority of contemporary genre filmmaking. What it all comes down to is that this a movie for people who like to drink in the morning, like myself.

If you watch B movies long enough, you'll learn that movies with goofy titles usually aren't very good at all, and this one is no exception. It plays like they only had a rough outline connecting a few scripted scenes, because a lot of the time the movie forgets the story and has the bikers basically goofing around until something bad happens. A low budget and clumsy camera work just add to the aura of shabbiness.

I can't completely dismiss it, because there are a few small but good touches here and there. Some of the music isn't bad, and there are also a few visuals (a gigantic flock of birds, desert landscapes) that do pop out and grab your eye. And there are also a few surreal sequences that do show that the filmmakers were not completely without imagination. But such moments are very few, and don't even get this movie up to the rank of movies to watch with fast-forward.

if you're looking for late night viewing while riding out a rough weekend, this is one piece of C grade cinema that will definitely entertain. it's best not to attempt to follow the plot, and just try to enjoy it scene for scene. some surprisingly inventive dialog at times and inspired casting for backing roles...check out the disturbed gas station attendant. It's a mix of Ed Wood's guerilla film-making style and Roger Corman's sense of poetic bohemia. Then the acid kicks in. its apparent the filmmakers were partaking in some type of recreational or experimental activities. the subtle charm of the avant-gardeness of it all seems to almost offset the fact that most of it makes little or no sense. i'm sure someone somewhere has found deeper meaning in this film than it deserves. But how can you go wrong with Satanic bikers who turn into werewolves? gather up the family after Thanksgiving and drop this gem on your relatives.

A biker gang, The Devil's Advocates, is driving desert roads, perhaps a little lost. At a resting spot, some hooded monks serve them wine and bread, and they pass out. The monks have some sort of satanic ritual with the girlfriend of the gang's leader, who they call the bride of Satan. She winds up dancing on a table nude, when the bikers come to, grabbing her, and beating up the monks.

They hit the road again, but something's wrong. Whenever they stop, some of their members die, apparently killed by wild beasts.

At one point, the movie almost seems like a parody of a classic Universal monster movie, when a wolfman is riding on a motorcycle (!) being chased by bikers on their motorcycles who are wielding torches. What, no pitchforks?

I saw this on an old videotape, full-frame. If it was shot in widescreen, I'm sure it looks better that way, what with the desert locations. Still, the visuals are pretty nice at times, as when the bikers disappear in a cloud of smoke and the camera quickly pulls back from a truck. There's also a neat old gas station, with old-fashioned glass-topped pumps that actually need to be *pumped* with a lever.

The instrumental guitar songs on the soundtrack are enjoyable. A real fuzzed-out rock sound.

To the extent that it's not all that good, hey at least it's not that long either. The ending is weird, but maybe it's supposed to be a little trippy, man!