Venom

Peter Sasdy made a lot of films that were disappointing; Demons of the Mind and To the Devil a Daughter were two of the worst of all the Hammer films and House in Nightmare Park was not nearly as entertaining as it could have been. The Legend of Spider Forest is actually Sasdy's least disappointing film, but that's only because I had no expectations going into it. The film really does make little sense and while the fantasy elements of it might have lifted it out of the bottom of the barrel, they unfortunately don't. The plot has something to do with a mad scientist, a mythical 'spider woman' and some spider venom; there's a forest involved too. It actually gets off to an interesting start as we witness an interesting sequence taking place in a forest but the rest of the film is an absolute mess. It's far too easy to get lost in what's going on, and since the film is not very interesting, it's difficult to find the motivation to actually care what is going on - which kind of makes watching this film rather pointless. I guess this might appeal to people who like daft films that don't make sense, but everyone else can feel free to leave this one languishing in obscurity!

In an opening scene in black and white with a blue tint to it, a young man and woman skinnydip together, and then go into the woods for a little sex. A large shadow of a spider looms, and the man is attacked. The woman has a birthmark or tattoo of a spider on her. There's seemingly some full-frontal nudity in a longshot, and there is toplessness despite the PG rating! Later there's some sadistic beatings and whippings. The Legend of Spider Forest almost makes this sound like it's for kids: nope!

I watched this on a double-sided DVD as Spider's Venom (the other title is Virgin Terror). Unfortunately full-screen, and I had to actually zoom the picture out a bit since it went beyond the edges of the screen. Probably taken from a videotape rather than a film print, given a weird glitch about thirty-five minutes in. Additionally, the sound quality is awful - whoever did the transfer wasn't checking the levels and it's particularly bad when the music swells and some notes just become loud hums and there's pops and crackles. So "Miracle Pictures a Division of PMC Corp. - Delaware," thanks for releasing this, but what a terrible job you did!

After the opening scene, the picture turns to color. Paul, a photographer/artist drives into a small German village and he manages to take a photo of the woman with the spider marking that he calls a scar. However, his pictures are stolen. He's met with a mixture of friendliness and hostility at the local pub. The mill owner shares a bottle of wine with him, and tries to interest him in his daughter. He does in fact wind up in bed with her shortly later, where they have a vigorous session, though it isn't graphic at all.

Paul wants to find out who the young woman is, and the townspeople want him to leave. He knows that there had been some paintings, including a Bosch, that had disappeared during WWII from the church. He finds one by a fresh body in the forest, but they too disappear.

The villagers do speak some German that isn't subtitled (putting us in Paul's shoes, I guess). The girl with the spider mark also sings some song in German as well.

Eventually, the mystery is solved along with a bizarre bit of transvestism that adds nothing. Cue the big fire, so common in Gothic horror movies of the 60s and 70s. Not bad, but a better release is clearly needed for a real idea of the quality of the movie.

Simon Brent ("Softly Softly") stars here as Paul Greville, an artist / photographer on an outing in the Bavarian countryside. He becomes smitten with Anna (Neda Arneric, "Shaft in Africa"), a mysterious young beauty who really is something of a puzzle. He also finds locals who are deeply into superstition and who mostly prevent him from having a warm welcome.

It's best not to know too much about the story (concocted by Donald & Derek Ford, "A Study in Terror") going in, because then at least the viewer can be rightfully amused at the places that "Venom" goes. It doesn't mean that the story is airtight - far from it. But it does an entertaining job of utilizing "folk horror" elements and eventually introducing mad scientist tropes. Best of all is the excellent European atmosphere, although the music score (composed by John Simco Harrison) is simply wonderful, and the ethereal attractiveness of the Yugoslavian-born Arneric (just 17 or 18 at the time) is a real selling point.

The solid European cast also includes the sexy Sheila Allen ("Love Actually"), an effectively brutish Derek Newark ("The Blue Max"), Terence Soall ('Our Miss Pemberton') as the nefarious Lutgermann, Gerard Heinz ("The Fallen Idol") as the amiable Huber, and Gertan Klauber ("Top Secret!") as eager-to-please innkeeper Kurt. Brent is a reasonably engaging hero who refuses to be intimidated, although the antagonists do their best at keeping him in line. For example, he's tied up in the forest with a tarantula for company. The imagery and visuals are enjoyable: one of the hooks here is that spiders are part of the iconography of this region.

Overall, "Venom" supplies agreeable entertainment, somewhat along the lines of typical Hammer fare. Unsurprisingly, "Venom" director Peter Sykes went on to direct the Hammer pictures "Demons of the Mind" and "To the Devil...a Daughter".

It's probably best if one doesn't take this one too seriously. Otherwise, people may find themselves getting annoyed with the muddled tale being told.

Seven out of 10.

Before Tom Hardy comes along and ruins one of the most popular Marvel characters (Venom) we had another movie by the same title but no supervilliany is to be found here.

Venom otherwise known as Spider Venom otherwise known as The Legend of Spider Forest is a curious little tale that I suppose would be horror, but just barely.

It tells an absolute mess of a story that revolves around a painter visiting a small town, a mysterious girl who lives in the forest who the locals call the spider queen and a Nazi conspiracy to weaponize spider venom.

It all sounds fairly interesting but the delivery is awful, worse than I could actually put into words. Sure the cast are competent enough, but they can't save a movie with the writing quality of a Sharknado (2013) film.

Venom is one of those titles I get the impression IMDB do not have the full brief on. It claims this is UK made and filmed exclusively in England but the movie comes across dubbed, has some foreign cast and some of the scenery is certainly not British.

I really wanted to like this but by about the half way point came to the conclusion that simply wasn't going to happen (And I wasn't wrong).

It looks the part, it's well acted and the concept is there but the writing is so appallingly bad it leaves the movie DOA.

The Good:

Neda Arneric

Some very interesting ideas

The Bad:

Plot is an unfettered mess

Things I Learnt From This Movie:

Men simply shouldn't wear scarves of any description

Most British horror films are good and I've enjoyed watching them ever since I was a kid. I've spent my adult years tracking down the ones I never got to see, for whatever reason, when I was growing up. Today I finally got to see VENOM, which I'd never heard of to be honest. It could have been one of those "hidden gems" we all come across from time to time. But sadly it isn't.

The plot revolves around a mad scientist trying to create a poisonous nerve gas from spider venom. The idea is interesting and one could imagine Hammer, Amicus or Tigon making an interesting film out of the premise. But sadly, VENOM is as dull as dishwater. It's also very incoherent and it seems that every five minutes or so, the main character is chasing this girl through the woods. The problem is that there really isn't much mystery other than the motive of the mad scientist. The characters aren't interesting and nor do they do anything that holds your attention through the film. If you stick with it, you're merely doing so just so you can "cross one off" your list of British horror films to see.

Director Peter Sykes has made only two other horror films besides this one - DEMONS OF THE MIND and TO THE DEVIL A DAUGHTER. What makes his style different from most other directors of British horror films is that he goes out of his way to try shocking the viewer. In TO THE DEVIL A DAUGHTER the shocks are quite effective in my opinion. But VENOM just fails to escape its flat feeling so much that one could be forgiven for falling asleep before the shocking moments arrive. I won't explain what happens but it's tame and not as compelling viewing as it should be.

The whole production has the feeling of everyone simply going through the motions. The acting isn't awful by any means. But the whole production just feels flat and lifeless most of the time. Derek Newark, usually cast as a police inspector or detective in films and TV shows from the 1960s and 1970s, is wasted here. Gertan Klauber is better in his brief appearances in the CARRY ON films, as well as his small role in SCREAM AND SCREAM AGAIN. The remaining cast members are nearly all unknown to me and Simon Brent is particularly bland as the lead.

Overall, VENOM is a very boring film. It remained obscure in the UK for a long time for good reason. Recommended only for British horror completists.