Valdez

Burt Lancaster is terrific in this well directed movie.Even with his pale blue eyes, he comes across as a believable character of the results a mixed relationship. Even though the storyline is typical of the era, wrong being righted against over powering odds, Lancaster pulls it off in believable fashion. The movie gets better and better as I age into an old man. With all the computer generated garbage being put in theaters today, it's good to be able to turn on the western channel and see some real acting again.

Screen legend Burt Lancaster plays Bob Valdez, an ageing Mexican-American lawman who is called upon to assist in the apprehension of a supposed murderer. The resulting confrontation was instigated by thoroughly nasty land baron Frank Tanner (Jon Cypher), who turns out to be a very bad guy indeed. The murder suspect ends up dead, and Valdez believes that his Indian wife should be compensated. So he goes to Tanner to appeal to him to pony up half of the needed dough ($100) but Tanner and his men laugh at Valdez and humiliate him instead, tying him to a cross. After Valdez is freed, he's ripe for revenge, abducting Tanners' woman Gay Erin (Susan Clark) as he gets ready for a final showdown.

While this entertaining Western does ultimately turn rather conventional, it's still an interesting and thoughtful look at bigotry in the Old West. Based on the novel by Elmore Leonard, and scripted by Roland Kibbee and David Rayfiel, it combines some complex character relationships and details with a tried and true revenge story. Lancaster hand picked Edwin Sherin to direct the feature, based on Sherins' success guiding "The Great White Hope" on Broadway, and Sherin proves up to the task of working in this genre. He gets solid performances out of a well chosen cast, and gives certain scenes just the right amount of tension. Lancaster is quietly authoritative and appealing as Valdez, and Cypher is just right as his snake-mean adversary. The latter gets an "introducing" credit here, as do the late, great actors Richard Jordan, as the cowardly R.L. Davis, and Barton Heyman, as Tanners' main henchman El Segundo. There's also a brief scene for the always excellent Hector Elizondo. Filmed on location in Spain, this features the expected dazzling scenery as well as a stirring - and sparingly used - music score by Charles Gross. But what folks may not expect is that ending. Sherin, Lancaster, and company definitely deserve some credit for doing such a thing.

If you're a Western fan, and always like discovering overlooked pictures, give this one a shot.

Seven out of 10.

Valdez is more a symbol of conscience!

Burt Lancaster—at that time 57 years old—in fact dominates the film by a mystic presence, rather than actually being on screen for any length of time…

The bulk of the film constitutes a battle of wits and guns between Valdez and an extremely stubborn leader of a band of trigger-happy gun-slingers…

So when Frank Tanner (John Cypher) provokes a shoot-out which results in the death of an innocent man, Valdez asks $100 compensation from Tanner to provide financial support for his pregnant widow… Tanner not only refuses, but humiliates Valdez and orders his hired gunmen to beat him hardly, to tie him to a cross, and to drive him out of his place…

Again Spain locations represented the American frontier for this revenge tale about an aging former cavalry man who dusts off his old uniform, straps on his old guns, takes plenty of ammunition, and erupt a one-man army against a greedy, rotten, evil rancher and his henchmen to enforce justice at any cost…

As the pursuers forge deeper into the wilderness, the situation shifts around with hunters becoming the hunted…

Susan Clark (Gay) sides with Valdez without falling in love with him, while Barton Heyman (playing the chief henchman "El Segundo") provides his character with warmth and quality at a pivotal time

I've watched this film over and over. There is perfection in it's brevity, assuredness in performance, outrageous make up, good costumes, peculiarly effective non-classical western camera-work and Burt! Perhaps one day I will write that piece on Burt's political stance demonstrated in his movies, but for now will add my name to the list of Valdez supporters. I particularly admire the taut structure and tone, the minimal but highly emotional exchanges between the players and the curious fact that none of the Mexicans are played by - Mexicans. I do not agree with the associations made by some commentators about the Leone connection. This film came from a completely different camp. This is Lancaster territory not Leone's. I would love to talk to Edwin Sherin about this film or any of the surviving cast and crew. Any offers?

A former Apache hunter, who has lost his taste for violence, becomes embroiled in a running duel across a scorched, rugged terrain with a gang of gunrunners...all over a lousy 100 bucks...and honor...and a woman. This film reminded me somewhat of Charles Bronson's first big box office hit, "Chato's Land". The band of thugs, unlike the group chasing Chato, were up to the job of killing Valdez, but found their quarry to be more elusive than they had bargained for. Very good western, right up there with Lancaster's film of the same year, "Lawman". I still can't feature Burt as a Mexican, though.