Les brutes dans la ville

Robert Shaw, Martin Landau, Stella Stevens and Telly Savalas star in this spaghetti western mystery drama about a Mexican-revolutionary- turned priest (Shaw) who becomes haunted by his past when a mysterious vengeful white woman (Stevens) arrives in the isolated desert town he is residing in. The woman has returned to seek revenge against her husband's killer years ago, and for reasons unexplained, she knows that he must be in town. Savalas plays Don Carlos, a sadistic town bandit leader who gets in the widow's way as he tries to threaten her stay in the town. Matters become complicated when the Colonel (Landau), Shaw's revolutionary comrade now a military officer, and his men, returns to the town to search for a fugitive named Aguila – the same man wanted by the mysterious widow. Who is this mysterious Aguila? Will the widow get her revenge? What will happen to the townsfolk, who have been terrorized for years by Don Carlos and his henchmen? And what will happen to the Priest?

A Town Called Hell is a slow-paced but quite interesting spaghetti western. Some subplots are not resolved, which leave viewers scratching their heads, like what happened to Don Carlos? What made Shaw become a priest and live in the same town where he ruthlessly killed the town priest? Who is the real Aguila? Despite these unanswered questions, the film is still worth a look especially if you like Shaw, Landau, and Savalas.

This star-studded British/Spanish co-production looks great, what you can see of it. I have three versions, two VHS, one DVD, and all are terribly cropped, so badly that it looks as if buildings are having conversations with each other. Few films suffer as badly from pan and scan as this one, as director Robert Parrish seems to have been so enamored with the widescreen process that he tended to use both sides of the screen at once, neglecting the middle. Another user comments that we see the entire inhabitants of a church massacred at the beginning; not in any of the copies I have. There are some abrupt cuts of peasants firing their rifles, one Mexican officer is shot, Shaw and Landau celebrating, and that's it. We never find out why Shaw has become a priest (if he really is), we never find out what happens to Don Carlos (Savalas) although I suspect he was called home to star in Kojak, as his departure seems arbitrary. And there is a strange flashback sequence where Michael Craig (Mysterious Island) is dancing around in a bowler hat and bad suit in the great old English music hall tradition to the 1960 hit BATTLE OF NEW ORLEANS, not sung by Johnny Horton here but with some lyrics I've never heard before. On the plus side, the location is great, a huge old ruined fortress with Escher-style stairs leading nowhere, some nice scenery-chewing by Robert Shaw, and good performances by Stevens, Landau, Lettieri, and Telly Savalas as Telly Savalas. I didn't really like this film, but I haven't exactly seen it. I will seek the widescreen version and make my decision then.

When I see a late night film with 'bastard' in the title, I'm inclined to tape it and find out what it's about. (I've taped this twice and lost both, found it on DVD, seem to have lost that too). Yes it was listed as "A Town Called Bastard" by the BBC.

If you're one of those people who think a good Western needs Mexicans (e.g. The Wild Bunch) this has plenty: sombreros, moustaches, guns, tortilla-preparation, cruel laughter etc. A lot of these Mexicans die, perhaps somewhat gratuitously. So if you like guns and death in sunny Mexico, and you'd like to see Telly Savalas as the Mayor of a town called Bastardo - you'll love this.

e.g. "Who killed my husband?" demands the pale blonde: cue an old woman to shout the name from a high building - gun out, excellent shot (like shooting ducks at a fairground), another one bites the hot dry dust...

The rest has already been well covered by other user comments, worth watching if this is your sort of thing.

I'm not going to write a synopsis for this movie because

1 ) Unlike many reviewers I don't normally write a synopsis

2 ) I'd have to understand a movie in the first place

The problem with A TOWN CALLED HELL is that lot of things happen but none of them seem to tie in with the plot . The film opens with a bunch of Mexican revolutionaries attacking a town in 1895 then the story jumps forward to the same location ten years later where the revolutionary leader is now a priest and someone who the audience has no knowledge of rules the town in a similar manner to Mr Kurtz in HEART OF DARKNESS . A woman arrives offering a bounty for the body of the man who killed her husband . Other things happen that make little sense and the story is made even difficult to follow by characters continually appearing and disappearing . For example did Don Carlos live or die ? Your guess is as good as mine . We are also shown a lengthy flashback sequence and it only becomes obvious that it's a flashback after the fact

This is a badly developed , badly edited and confusing movie but not one that is unwatchable . Indeed it's a fairly entertaining movie if you can stomach the sadistic attitude and what a lesser film this would have been without Telly Savalas executing everyone who gets in his way with the most memorable sequence being the hanging scene . Just a pity we never find out his fate for certain . Also of worthy note is the sentry getting killed via barbed wire and LOVEJOY's side kick revealing himself to be a mean assassin . Does this all sound very silly ? Of course but it's also entertaining in a morbid sense

As a footnote this movie was often screened on British television under the title A TOWN CALLED BASTARD and the town is referred on screen as " Bastardo " so that title would be more accurate but I guess TV companies get a lot of complaints and now call it A TOWN CALLED HELL to save on the switchboard staff

Not quite sure yet about A TOWN CALLED BASTARD as the widescreen version from Greece I saw was titled. It sure is something else, one of the most brutal, vicious, mean spirited films to come out of the Spaghetti Western years. A British and Spanish co-production, the film took the form of the languid, surrealist Italo Western and corrupted it into something else. The only film I can equate it with would be THE DESERTER, a similar British-Spanish co-production from the early 1970s that likewise is one of the most vicious and bloodthirsty Westerns ever made.

I quickly lost track of the story: Telly Savalas plays some sort of crazed Cossack Mexican officer who drifts into a small border town, takes it hostage and proceeds to kill just about everyone, usually by hanging. They don't just hang the people however, first they are adequately (and often perversely humorously) humiliated, then swung out on a rope overhead from a massive scaffold that would have been right at home in a Hammer Horror Frankenstein movie. The hangings aren't just dramatic, they are staged with a flourish that is beyond theatrical to the point of absurdity. The chilling, disturbing crowd reactions of the captives below forced to watch become far more potent after a while.

And speaking of horror movies the film has a decidedly strange, gloomy bent to it that has far more in common with a Spanish horror tragedy than any comic book Spaghetti Western with guys shooting their hats off. The film specializes in the Quick Cold Killing, where both supporting and lead cast members are dispatched with sudden cruelty and often without a seeming purpose. Other than piling the bodies up, which at the end of the film stretch across the screen with smashed rubble, burning debris and the survivors wandering around in a daze.

There's some decent talent involved however. Robert Shaw steals every scene he's in as a principled gun runner turned priest, Martin Landau as a conflicted Mexican officer who's zeal for killing is a fragile mask of sanity, Stella Stevens as the woman with the past to whom they are all connected, and the great 70s character actor Al Lettieri, buried under makeup to the point that I wasn't quite sure what part he was playing. Plus a smattering of the great Euro genre film actors: Aldo Sambrell, Georges Rigaud, Charley Bravo, Chris Huerta, and Waldo de los Ríos provides the bizarre musical score that manages to incorporate Johnny Horton singing "Battle Of New Orleans" which likely resulted in a soundtrack rights issue that has kept the film more or less out of print in North America. But its a great song and the film's sole light hearted moment.

And that's the thing. As the guy who I watched it with summed things up best, what would have been the audience for this film? Which is a question I also asked myself after suffering through THE DESERTER. Here is a film that is simply too vicious and cruel to be enjoyed as a time killer shoot-em-up, let alone watched by a general audience. It has more in common with the adults oriented cynical disillusioned 1970s American westerns like SOLDIER BLUE, who's commercial success likely inspired the producers to decide on making a sick, ultra-violent Western with a body count in the thousands.

Something was lost at the production stage, however, and the film's story is too oblique to resonate beyond the on screen carnage. There might be a pretty interesting Zapata style Mexican Revolution Spaghetti here at its core, with lots of requisition flashbacks + larger than life grudges held by larger than life characters. The film also serves as an interesting counterpoint to the "Trinity" inspired comedy Spaghetti Westerns that dominated the industry after 1970. Its well made, has a perverse sense of macabre humor, and its always great to see Martin Landau & Robert Shaw, two of my favorite actors. Plus nobody ever said a Western had to be a fun, uplifting party movie. Its just that sometimes it helps.

5/10