Un été 42

This movie captivated me beyond my expectations. Not being a movie-goer or a TV-watcher, I had not yet seen (or read about) the movie, its excerpts, the original book, or the cast, although I had heard references to the summer of '42. After an intense work week, I had tuned into the PBS channel on TV to watch 30 minutes of a business news program, at the end of which, PBS showed that "The Summer of '42" was next. I thought of watching it only for a few minutes - not really being interested in seeing a story from 62 years ago in a movie made 33 years ago. PBS played the movie without a break, and I sat through all of it - totally captivated. I don't think I can explain the reasons with a typical technical analysis. I think it held me in a trance, because it reflected my own coming of age. Even though I grew up in a different era, country, culture and society, there were many parallels to the drugstore episode, the furtive readings of the book, the carrying of the grocery bags, the storing away of the boxes, and the attempted "fooling around" inside the movie theater.

I like a production (movie; theater; music) that reflects the reality one experiences in life. This movie was one of those rare productions. I felt it was quite artistic in its balance - the way it assimilated simple elements from everyday living, with a simple, but enchanting, musical score. The movie did not need any dazzling stage effects - Jennifer O'Neill was enough; and, even in her, the art and beauty was in her being so natural.

In the end, I felt good about spending the time to see the movie.

Three young boys spend their summers on a vacation spot on the New England coast. They share their tribulations and fascinations while partaking of the lazy summers. The summer of '42, they discover sex and exchange yearnings. One of the boys finds a book, with pictures no less. Now their desires are really getting fired up.

One of the boys, Hermie, played by Gary Grimes, has to deal with a strong infatuation with a young wife staying in a house on the beach. The finale is tender and bittersweet. My favorite scene is the drug store scene. It is a real hoot; trying to buy "protection" along with needless items as a decoy.

The other two boys are played by Jerry Houser and Oliver Conant. The object of Hermie's infatuation is the alluring Jennifer O'Neill. She plays the part so effortlessly and so easily the object of any young boy's dream.

This is an enjoyable human drama about daydreams,sexual awareness and coming of age. Beautiful music supplied by Michel Legrand.

I first saw this movie on TV as a teenager in the 70s. One or two of my sisters may have been watching too, and it was somewhat embarrassing when the intimate scene with Hermie and Dorothy came out, but I wasn't about to turn my head as I enjoyed the movie as a whole. My parents were never that strict on us so I didn't have that worry.

This movie tugs at the emotions. The impossible relationship with the beautiful older woman. The camaraderie with friends during that age. It's also interesting how 15 year old girls were made to appear so immature and unsexy, like when the 3 boys had dates and were standing in a movie line. Everything points to the thrill of that older woman relationship. I was just wanting that to happen for Herbie, and when it did... wow. Some of the situations were humorous, like when Herbie tries to buy rubbers at the dime store. Just all in all a great story, one I can watch again and again. I give it 8 out of 10 stars. This one is easily in my top 250.

A good classic romance movie; it has a good story and good performances; I recommend it.

After watching Summer Of 42 and noted it's Oscar recognition came in the form of an award for Michel Legrand for Best Musical Scoring for1971 it occured to me that this film is one of the best examples of how the proper music can make a film. It's a beautiful film score, but more than that without it and lesser music this movie could have been a version of Porky's 42.

Three horny teen boys Gary Grimes, Jerry Houser, and Oliver Conant are ; vacarioning on Nantucket Island hich has fewer tourists than normal in that first summer of America in World War 2. The usual teen girls like Christopher Norris and friends get the engines racing. But who really intrigues them is Jennifer O'Neill a war bride whom they catch sight of sending her husband off to war.

Her aloneness sets the hormones racing. But Grimes who meets her accidentally and helps her with groceries becomes a friend. You take it from there.

The score is also helped by the photography of some beautiful scenes of Nantucket or whatever passed for it. Both Grimes and O'Neill got career roles out of the film. They both give sensitive and nuanced performances.

The film holds up well after almost 50 years. No remake will ever be necessary.