Silent Running

Bruce Dern plays Freeman Lowell, a botanist and astronaut assigned to a spaceship that has the last of Earth's forests in enclosed domes attached to its exteriors. When the order comes from Earth to destroy the domes, and return to Earth, Freeman's fellow crewmen are ecstatic, but he is enraged at the order, thinking it wrongheaded and stupid, so he sets out to ignore the order, and save the domes, even if that means he has to take extreme measures with his crew mates...

Sobering, thoughtful, well acted and directed(by Douglas Trumbull) ecological science fiction tale is really an allegory about humanity's treatment of nature, and what would happen if it was taken to its logical outcome. Though the extreme situation presented here is unlikely(I sincerely hope!) this film works because of its absolute sincerity, with three robots named Huey, Dewey, and Louie, who will play a key role by the film's deeply moving ending, which may bring a tear(s) to the eye.

Sometime in the future all the forests on Earth have been destroyed. The last forests are transported in giant greenhouses aboard space ships near the planet Saturn. Freeman Lowell, crew member of the space vessel Valley Forge, is an outsider and the only one who cares about what is left of our planet's nature. When orders reach their vessel to destroy the forests, he goes mad. He kills off the other crew members and starts a lonely odyssey...

There's something to be learnt in this movie. More than 30 years old now, it stands the test of time with its message, as mankind is still working on what possibly could end in a scenario like this. Bruce Dern may be overacting in some scenes, but his character is still much more likeable than his crew comrades. Scenery and music are beautiful, fitting well to the dark, moving and unique story. And this is the movie that made "Star Wars" possible. Director Douglas Trumbull and other SFX masters like John Dykstra and Richard Yuricich were chosen to work on "Star Wars" because of the state-of-the-arts special effects they did for "Silent Running". In 1971, they were ahead of their time. In fact, they are easily as good as today's CGI effects, but much more memorable for their time. Even the droids that help Lowell are predecessors of the ones in "Star Wars"... A must-see movie for SF fans and everybody interested in Hollywood classics.

This film doesn't hit you over the head with million-dollar special effects. It doesn't contain action scenes every two seconds for the easily distracted. It just rips your heart out, and makes you think long after the movie is over. It is about isolation, alienation, lost causes, and the inevitable future. In short, it is a genuine science fiction film, not a gunfight covered with techno-glitz and special effects calling itself science fiction. Star Wars is great science fantasy, but the essence of science fiction is about what could happen, and is happening, and by the end of the film we have the disturbing feeling that it is a prediction of the future that will happen without intervention.

The feelings of sadness and hope this film evokes are inextricably linked in this film, right up until the end. If you rent this movie, you will be haunted by its images long after you have forgotten other films.

Ten out of ten stars; from the writing, directing and acting, right down to the three robot drones (Huey, Dewey and Louie), there is nothing to fault with in this film.

Made in the wake of both 2001: A SPACE ODYSSEY (1968; the ultimate space opera) and EASY RIDER (1969; the era's biggest 'sleeper' hit), SILENT RUNNING was given the go-ahead by the executives at Universal – in an attempt to recapture the momentum of those two films – who even allowed special-effects wizard Douglas Trumbull to make his directorial debut, and this with unprecedented artistic freedom.

The film is a visual treat, featuring marvelous if unassuming special effects, though Trumbull manages to keep the technology firmly under control – it is all so simple but still very impressive (even more so in view of the budget). Bruce Dern is appropriately cast as the film's eco-friendly hero. Joan Baez's two songs are very much of the time, and yet add quite a lot of humanity to the 'outer space' events. The film's sets (an unused aircraft carrier conveniently converted into a spaceship!) are also notable. However, the film's most endearing elements are the two almost-human 'drones', Huey and Dewey, which contribute to some amusing and even touching interplay with Dern; they were an obvious influence on C-3P0 and R2-D2 from from the STAR WARS films.

Still, I found the film to be somewhat plodding - especially since Dern is, for most of the time, the only human being on screen. In the end, SILENT RUNNING is a pretty good film, and a deserved cult item, but not a classic in the strict sense of the word. That said, it is a whole lot better than the only other feature film Trumbull directed, the dull and overblown BRAINSTORM (1983).

Universal's SE DVD is so packed with extras, it's almost too much: even so, there's actually little repetition throughout the lengthy documentary, numerous interviews and Trumbull's and Dern's joint commentary - and, all in all, it serves as irrefutable proof of the importance and worth (as in experience-enhancing capabilities) of DVD bonus material. While I was not overwhelmed when watching the film proper, after going through the mass of supplements on offer here I had a new-found admiration for what Trumbull intended - and actually makes me look forward to a more open-minded second viewing!

"Silent Running" is an appealing, unusual sci-fi tale set in deep space. Bruce Dern plays astronaut Freeman Lowell, who's been working on a project for the past eight years: maintain the last of the flora and fauna scavenged from a devastated Planet Earth, inside huge geodesic domes. One day he gets the orders from his bosses to terminate the project and head home. Unfortunately, this idea doesn't appeal to Freeman, and he mutinies.

The film is not subtle about its love-and-respect-for-Mother-Nature, "save the planet" mentality, but it's quite an affecting story no matter what. Lowell does some things one can't exactly condone, but you do understand the man. Thanks to a powerhouse performance by Mr. Dern, you can still sympathize with the man and be moved by his loneliness and social awkwardness. True enough that a story like this would seem like a pretty hard sell to studios, even 43 years ago, since there are no female characters and the main person isn't all that noble.

Special effects veteran Douglas Trumbull, renowned for his work on "2001: A Space Odyssey", obviously has a real affinity for creating interesting environments and striking visuals. He uses these visuals just as much as any dialogue in telling the story, which is a pretty entertaining one; it was scripted by Deric Washburn, Michael Cimino, and Steven Bochko. The effects are nicely done, and those robot characters - referred to here as drones - do have some personality, and are highly endearing, if not as memorable as, say, R2-D2 from "Star Wars".

The songs, by Joan Baez, and score, composed and conducted by Peter Schickele, are lovely.

Cliff Potts, Ron Rifkin, and Jesse Vint are all fun as Lowells' younger, more carefree associates, but after a while only Dern remains as the sole human presence on screen. His performance has to rank as one of his all time best.

Overall, watching this one is a fairly potent experience, and it does stick with you once it's over.

Eight out of 10.