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La Semaine d'un assassin

Original title: La semana del asesino
  • 1972
  • R
  • 1h 38m
IMDb RATING
6.3/10
2K
YOUR RATING
Vicente Parra in La Semaine d'un assassin (1972)
A meat factory worker accidentally kills a taxi driver, and begins to gradually kill people close to him in order to cover up his original crime, and starts to get rid of the mounting corpses stored in his bedroom through his day job.
Play trailer2:28
2 Videos
89 Photos
Psychological ThrillerCrimeDramaHorrorThriller

A meat factory worker accidentally kills a taxi driver, and begins gradually killing people close to him in order to cover up his original crime. He starts getting rid of the mounting corpse... Read allA meat factory worker accidentally kills a taxi driver, and begins gradually killing people close to him in order to cover up his original crime. He starts getting rid of the mounting corpses stored in his bedroom through his day job.A meat factory worker accidentally kills a taxi driver, and begins gradually killing people close to him in order to cover up his original crime. He starts getting rid of the mounting corpses stored in his bedroom through his day job.

  • Director
    • Eloy de la Iglesia
  • Writers
    • Eloy de la Iglesia
    • Antonio Fos
    • Dick Randall
  • Stars
    • Vicente Parra
    • Emma Cohen
    • Eusebio Poncela
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    2K
    YOUR RATING
    • Director
      • Eloy de la Iglesia
    • Writers
      • Eloy de la Iglesia
      • Antonio Fos
      • Dick Randall
    • Stars
      • Vicente Parra
      • Emma Cohen
      • Eusebio Poncela
    • 30User reviews
    • 54Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos2

    Official Trailer
    Trailer 2:28
    Official Trailer
    Trailer
    Trailer 2:57
    Trailer
    Trailer
    Trailer 2:57
    Trailer

    Photos89

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    Top cast24

    Edit
    Vicente Parra
    Vicente Parra
    • Marcos
    Emma Cohen
    Emma Cohen
    • Paula
    Eusebio Poncela
    Eusebio Poncela
    • Néstor
    Charly Bravo
    • Esteban
    Fernando Sánchez Polack
    Fernando Sánchez Polack
    • Señor Ambrosio
    • (as Fernando Sanchez Polak)
    Goyo Lebrero
    • Taxista
    Vicky Lagos
    Vicky Lagos
    • Rosa
    Ismael Merlo
    Ismael Merlo
    • Jefe de personal
    Rafael Hernández
    Rafael Hernández
    • Agustín
    • (as Rafael Hernandez)
    José Franco
    José Franco
    • Tendero
    • (as Jose Franco)
    Valentín Tornos
    • Obrero
    • (as Valentin Tornos)
    Antonio Orengo
    • Camarero
    Antonio Corencia
    • Obrero burlón
    Antonio del Real
    • Obrero burlón
    • (as Antonio Fernandez del Real)
    José Félix Montoya
    • Vigilante de servicio
    • (as Felix Jose Montoya)
    Ángel Blanco
    • Trabajador fábrica
    • (as Angel Blanco)
    Manuel Calvo
    Emilio Hortela
    • Director
      • Eloy de la Iglesia
    • Writers
      • Eloy de la Iglesia
      • Antonio Fos
      • Dick Randall
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews30

    6.31.9K
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    Featured reviews

    6kevin_robbins

    Cannibal Man has enough unique elements to make it worth a watch for horror enthusiasts but not enough to stand out in the genre

    I recently watched the Spanish film 🇪🇸 Cannibal Man (1972) on Shudder. The storyline follows a man and his girlfriend who are attacked by a taxi driver, leading to the man accidentally killing the driver. As he tries to cover up his crime, he begins to go mad, making matters worse.

    Directed by Eloy de la Iglesia (El pico I & II), the film stars Vicente Parra (Cotolay), Emma Cohen (Cross of the Devil), Eusebio Poncela (Matador), and Vicky Lagos (Five Dollars for Ringo).

    The movie feels realistic and features a solid, authentic lead performance. The events are fascinating and unpredictable, with a certain tragic element. The protagonist's mental deterioration is compelling to watch. There are a few notable kills, including a worthwhile throat slash, but most are mediocre, with the blood resembling red paint. The soup subplot is gross and hard to fathom, and the ending felt a bit like a copout.

    In conclusion, Cannibal Man has enough unique elements to make it worth a watch for horror enthusiasts but not enough to stand out in the genre. I would score this a 6/10 and recommend seeing it once.
    9hippiedj

    Downbeat and moody, good drama despite a bad marketing ploy

    UPDATE January 2018: Code Red Releasing has released this film on Blu-ray fully restored to 107 minutes under the title THE APARTMENT ON THE 13TH FLOOR. Unfortunately the only audio option is the English dub, but at least it's the longer cut. So I'll just set aside my 98-minute Anchor Bay (and Blue Underground) copy of "Cannibal Man" and have this Code Red edition be my main choice.

    WEEK OF THE KILLER is definitely a more satisfying title for this film, it is at least an honest title as well. It's a shame that those marketing this film to help it gain a profit opted for the title CANNIBAL MAN (as here in the U.S.), and its trailer trying to make it look more horrific than it really is, with chipper sounding narration in a "nice weather we're having" tone!!

    That is a shame because it's useless to try and lure in horror/gore hounds for a film that's basically a nice moody drama that will leave one with a saddened, downbeat mood rather than thrills. The "Cannibal Man" title is silly particularly because there really isn't any cannibalism in the film. The closest thing to that is found to be a coincidence and even upsets the main character when he realizes what was in his soup.

    Though I'd rather have seen it in the original language with subtitles, I'm still happy Anchor Bay has rescued it and released it on DVD, and now Code Red on Blu-ray (restored to the full 107) minutes for folks like me who enjoy obscure films.

    The story is basically about a slaughterhouse worker who accidentally starts a downward spiral of killing and madness in his life, unable to cope with what he's done and finding it's just easier to off the people who get too close to his secret. The wide, open landscapes of yet to be developed land and the minimal score add amazing scope to the loneliness Marcos (Vicente Parra) feels, and mirrors the loneliness of his newfound friend that lives in the high-rise literally next door to his little house. Even the swimming scene had a quiet beauty to it. Considering the time and politics for 1971 in that area, there's more to this story than just a man not able to cope with his murderous actions.

    The neighbor's sexuality is handled in a rather refreshingly basic manner, not being stereotypically gay nor lecherous. It's also great how throughout the film, we wonder if he really knows more about what Marcos is doing than we can guess, with lines like "You better bury them," is he talking about Marcos' memories or the bodies starting to add up in Marcos' bedroom? Their interactions are always fascinating, and were very much highpoints of the film. It was wonderful to see a scene like the swimming scene with these two men; somehow I get the feeling that if this film were to have been made today, the powers that be in Hollywood would have tried to work that scene with two women.

    An increasing depressing tone sets in up through to the end, but some nice dialogues keep the story in check and moving despite the slower tone of the film. The violence works in context to the situations, rather than seeming gratuitous to satisfy those who feel they need to see that in order to enjoy a film. For me, I was far more disturbed by the first minute of the film, seeing the animal slaughtered. It was difficult getting through that. The sexual element is surprisingly minimal, not as much nudity as you'd think a film of this storyline would have, but since it's not really an exploitive film, having less breasts to gawk at works in its favor. Like many films of that European source and time, having no end credits leaves the viewer in a more affected mood with the film's rather abrupt ending.

    LA SEMANA DEL ASESINO is great viewing for fans of drama, but horror seekers should stay clear. It's good to see other people commenting about the film's interesting qualities instead of reading comments that they felt ripped off that it wasn't about cannibals or full of tense scary scenes. It's pure drama, and I'm glad some people are managing to get around the unfortunate marketing ploys this film was given and see how worthwhile it really is! Indeed a nice discovery.
    grendel-25

    a peek at life in fascist Spain disguised as a horror movie

    Most commentary I have seen on Cannibal Man focuses on the psychological horror, but the political side of the story seems more important to me. The film seems to place more blame on the society of Spain under Franco than even on the killer, the ultra cool swimming pool sequence is very reminiscent of Chaplin's "the Great Dictator".
    DJ Inferno

    Forgotten cult classics #3

    The alternative title "Cannibal Man" is very misleading, because this film is not a gory splatterfest about the sick mind of a serial killer, it is more a drama about a man whose life falls apart aroused by a chain reaction of unhappy circumstances. You might compare this film to similar movies like "Henry" for example, but this one is more a portrait of the situation in the early 70s when the dictatorship of Franco ruled the Spanish nation. "La semana del asesino" is full of macabre minor details and polished dialogue sequences. Not like the typical horror mass productions, more an unusual outsider cinema...
    8HumanoidOfFlesh

    Very stylish Spanish shocker.

    "Cannibal Man" by Eloy de la Iglesia is a notorious Spanish shocker about slaughterhouse worker named Marcos.He works in a canning plant attached to the local slaughterhouse.One night,he kills a taxi driver in self defense and then strangles his girlfriend,the only witness to the crime.Desperate with fear,he murders several other people."Cannibal Man" is a slow-paced Spanish shocker that contains some graphic gore.The film is also extremely stylish and the atmosphere of decay and frustration is simply overwhelming.It certainly gained some notoriety as a former video nasty in the UK,but it's nowhere nearly as explicit as for example Lucio Fulci's gorefests.However the most interesting fact is that Eloy de la Iglesia was one of the major directors to push Spanish censorship boundaries with this film and a number of powerful gay-oriented films like "El Diputado" or "Los Placeres Ocultos".So if you are a fan of Spanish horror give it a try.8 out of 10.

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    Storyline

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    Did you know

    Edit
    • Trivia
      Despite the English title ("The Cannibal Man"), this is not a film about cannibalism. The correct translation of the original Spanish title is "The Week of the Killer".
    • Alternate versions
      The Anchor Bay release, under the title "Cannibal Man", is the complete and uncut version of the film.
    • Connections
      Featured in Don't Scream: It's Only a Movie! (1985)

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    FAQ16

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    • What are the differences between the Censored UK VHS and the Uncensored Version?

    Details

    Edit
    • Release date
      • June 8, 1973 (West Germany)
    • Country of origin
      • Spain
    • Official site
      • Official site
    • Languages
      • English
      • Spanish
    • Also known as
      • Cannibal man
    • Filming locations
      • Madrid, Spain
    • Production companies
      • Atlas International Film
      • José Truchado P.C.
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 38 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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