Terreur aveugle

I personally think that See No Evil is a movie with the right amount of suspense. Sarah (Mia Farrow) is a woman whose life has been turned upside down when she became blind. She goes to England to live with relatives and try to rebuild a life with family and an old boyfriend. Her life becomes disrupted when a maniac kills her family. She is unaware of this until one day she comes home from horseback riding with her old flame Steve. She decides to relax and take a bath, only to discover that her family has been slaughtered. I enjoy this movie because it is not over dramatized, all the events in the movie seem to fit. This movie is not overly done. A movie does not have to be filled with blood and slaughter in every scene to be consider a great thriller or suspense. Like the old saying goes, it is all in the eyes of the beholder.

Yes, I am sure Dario Argento must have liked this movie, which was made in the early seventies, at the same he he began his career. I have watched this Dick Fleischer's film at least a dozen times and each time I love it more and more, I discover things I did not the previous time. For instance those camera movements near the floor, showing the feet whilst Mia Farrow walks barefoot - or in socks - through the living room and also the kitchen with the broken glass. This is suspense to me, when you know and see something that the character in the movie does not .. So terrifying. And the astounding Elmer Bernstein music score. It deserves to be seen by new generations of viewers, of audiences at all costs. A true masterpiece. Dick Fleischer was really a great and especially eclectic director, able to make thrillers, science fiction, adventures films as fantastic as for instance Bob Wise was. Maybe only the western genre was not really their cup of tea, although they both have made some, but not the best ever. I have always put both of them in the same basket. And both began their career at RKO pictures, as Mark Robson. And I am not surprised that the writing is from The AVENGERS series creator and best writer too: Brian Clemens.

AKA "Blind Terror", which I think is the better title. Mia Farrow plays Sarah, a young woman who has lost her sight. She is staying with relatives at their mansion in the English countryside but things go terribly wrong when an unknown maniac enters the house. A tense game of cat and mouse ensues when she is left alone with the killer after he has killed the other occupants. This is a bit of a slow burn but is worth the watch. Sarah really does suffer and Farrow delivers a fine performance, she is the best thing about this film. There are plenty of effective moments of terror on offer. Sarah is unaware that her family members have been murdered, unable to see the corpses scattered around the house but we can see them and it really is quite horrific. Great camera work, good cast - some very familiar faces to British audiences in particular - and plenty of groovy 70's fashions and tunes. The identity of the killer is not revealed until the end, with a red herring thrown in. My only criticisms are that the film is a bit slow at times and I could see no explanation as to why the events took place, but overall a good, tense chiller.

Mention Mia Farrow's name to horror fans and most of them will instantly (and understandably) think of Polanski's classic, Rosemary's Baby; my immediate thought, however, would be of Blind Terror, a lesser known thriller in which Ms. Farrow plays Sarah, a blind girl whose relatives become the target of a psycho killer after her uncle accidentally splashes the loony's precious cowboy boots. I first saw this film at a rather tender age and its macabre concept, senseless killing and shocking images have haunted me ever since.

Directed by Richard Fleischer, Blind Terror opens with our nutter leaving a cinema (having caught the amazing sounding double-bill of 'The Convent Murders' and 'Rapist Cult'). He then passes a newspaper stand displaying horrific headlines, a store with a display of toy guns, and a TV shop showing a bloodthirsty film; violence, it seems, is all around us, although often we choose not to see it. Poor blind Sarah, on the other hand, doesn't have much of a choice: after the soggy-footed psycho pays a visit to her Uncle's farmhouse (whilst she is out with her boyfriend), she returns home, and prepares for bed, all the while blissfully unaware that the bloody corpses of her nearest and dearest lay all around her.

Only when Sarah eventually tries to get into her bath does she realise that something is terribly wrong—because that's where her uncle's lifeless body has been dumped! Meanwhile, the killer discovers that he has left behind a vital clue that could reveal his identity, and returns to the farmhouse to find it...

Fleischer's deliberately paced and carefully considered direction (which makes brilliant use of imaginative camera angles and cleverly framed shots), combined with excellent cinematography from Gerry Fisher and a completely convincing central performance from Farrow, ensure that this film is a success despite a few rather contrived moments in an otherwise well-crafted script by Brian Clemens (a case of mistaken identity at the end of the film is rather far-fetched, and the fact that Sandy, Sarah's pretty cousin, would date a 'diddycoy' is also difficult to swallow).

Atmospheric, suspenseful, and packed with nerve-shredding moments, Blind Terror is an under-rated slice of 70s British cinema that, although not perfect, is still well worth seeking out.

7.5 out of 10, rounded up to 8 for IMDb.

Well made horror/suspense movie from the early 70's about a woman (Farrow), blinded in a horse-riding accident, who goes to live with her Uncle in a house in the English countryside. While she is out with her old boyfriend, something is happening to her Uncle and the rest of her family back in the house. But on returning, how can she know when she cannot see?

Good suspense - sometimes the viewer is a step ahead of the blind woman, other times we are as blind as she is, a great score and good acting by all makes this a wonderful movie for a rainy afternoon. Interesting to see Michael Elphick and a young Paul Nicholas along for the ride too.

Beautifully photographed and directed.

5 out of 5.