The Resurrection of Zachary Wheeler

Another politically loaded sci-fi fable from the pen of the writer of 'The Creation of the Humanoids', much of it shot in Albuquerque, New Mexico.

Fairly typical of the sort of thing Leslie Nielsen was making in his days as a straight actor, this has a very similar plot 'Seconds' and 'Never Let Me Go', but with more emphasis on action (and a generally rather whimsical score by Marlin Skiles). As it unfolds it splits into two separate narratives involving Nielsen on one hand and Dillman on the other.

But the mood darkens considerably (and the plot turns far more ghoulish) as the political implications of creating longevity for a select and amoral few (here decided by a cabal called the Committee of Nine) are explored. And when the two strands finally come together there's a zinger of a punchline.

Angie Dickinson (now ninety) also has a raunchy scene shaving Dillman.

A senator (Dillman) is near-fatally injured in a car wreck witnessed only by intrepid reporter (Nielsen) whose eyewitness account is gagged for national security purposes. Discontent with the ruse, Nielsen investigates and ends up discovering an elaborate human organ harvesting clinic that potentially holds the key to mankind's survival - but only a select few. Science Fiction/pseudo political thriller chooses to focus on the moral dilemmas of its cause, resorting to limp-wristed protection of its diabolical secrets, when opposition threaten to reveal the project's secrets.

Small in scale, and more akin to the production values of a telemovie than a fully fledged feature film, there are however some assets in the cast and one or two plot twists to which you can look forward. Dillman as the title character spends most of his time comatose and then in a wheelchair debating scientific heresy, while Dickinson looks more like a space cadet than the dedicated doctor, who believes her work is of national significance. Nielsen is essentially the central character, a tenacious reporter not content to digest the force-fed facts without due interrogation. He spends most of the film, piecing together evidence that eventually leads him to the mysterious clinic in New Mexico. Noted stage actor Daly is also quite effective as the clinic's principal surgeon; his attempt to rationalise the existence of the coneheaded clones (called Somas) lies more in the field of fantasy than it does in any serious debate on human cloning.

Well scripted, with okay special effects, concerned mostly of pale-faced make-up on stupefied faces - the Dillman zoo experiment is unintentionally funny, his 'full retard' no doubt perfected by hours of rehearsals and takes. Dressed in monk-like garb with coneheaded frontal lobe projection, the Somas are also quite inspired imagery; more emphasis on their existence might have balanced the argument better, but their brief inclusion is still an alarming visual demonstration of the human harvesting process depicted in the film. Despite its 100 minutes, there's ample action, characterisation and plot development; had the climax resolved more satisfactorily, the film might have become a minor cult favourite, ahead of its time in terms of content. As it is, a worthy sci-fi companion, and perhaps no longer such a distant prospect.

Zachary Wheeler (Bradford Dillman), a state senator with great potential, gets into a horrific traffic accident in the opening minutes of this film. It doesn't seem that he will make it, and Harry Walsh (Leslie Nielsen), a reporter who arrives on the scene, accompanies him to Bethesda, where Harry witnesses the senator being whisked away to parts unknown. A cover-up is engineered regarding the senators' whereabouts, and Harry is right to smell a rat. He doggedly pursues his story, despite some risk to life and limb, while a revived Senator Wheeler discovers the incredible medical breakthrough that prolonged his life.

"The Resurrection of Zachary Wheeler" is telling a tried-and-true Dr. Frankenstein-type story (scripted by Jay Simms and Tom Rolf), complete with the expected indignant reaction as the senator can't believe the gall of these doctors. The plot is rather reminiscent of the more well-known "Parts: The Clonus Horror", except that RoZW predates "Parts" by several years. It leads to some effectively creepy moments, and the yarn concocted by Simms & Rolf is utterly absorbing and interesting. The eventual resolution is not very satisfying, but up until then the film is quite fun, with plenty of location shooting in New Mexico, and a quick-thinking, likeable protagonist in the form of Walsh. You have to respect this guy for being so tenacious.

The whole cast is great. Dillman and Angie Dickinson, as one of the clinic doctors, strike up a warm relationship, James Daly is authoritative as the not-that-good doctor who's pioneered this revolutionary surgery, and Robert J. Wilke is an appropriately cold-blooded antagonist determined to keep the operations a secret. Other familiar faces like Jack Carter, Don Haggerty, William Bryant, Tristram Coffin, Byron Morrow, Harry Holcombe, and Tyler McVey also turn up.

Mildly flashy opening credits do give this the feeling of a classic B picture from decades past, which is fitting, since this was clearly done on a somewhat limited budget. But the moral / ethical questions posed here are still extremely relevant 47 years later.

The sole theatrical directing effort for Bob Wynn, who mostly worked in TV.

Eight out of 10.

This film did remind me of the kinds of ideas in Crichton's novels - especially his early medical fiction. Who would have guessed that a now-forgotten low-budget B-movie would actually end up more timely almost 40 years after its original release? I don't know of any earlier film treatments of the subject of cloning than this film - I really wonder what audiences thought when this first came out, as the plot line of the film must have seemed really wild back then. I don't particularly care for remakes - especially of good movies like this - but now would be a terrific time for a remake of this story, possibly with a better budget. As it is, the film stretches its budget pretty well, but I would have appreciated greater attention to the scientific aspects of the cloning (possibly with some special effects). Additionally, because all of the real-life politicians seem to be weighing in on the stem cell and medical ethics issues, the political aspects of the story would fit perfectly into a remake, where they could be fleshed out in greater detail. I guess this movie just has me thinking more of what it could have been than what it is. On its own level, it is a surprisingly thoughtful low-budget film that concentrates on ideas, rather than action. For that, it is well worth searching out.

On a final note, it has a ridiculous non-sequitur ending that had me giggling, but the ending seems to fit a cheap movie like this, whose filmmakers certainly couldn't afford a lot of explosions and gunfights .

This is a surprisingly suspenseful and thought-provoking sci-fi movie. Even more topical and relevant today, as cloning and organ transplantation become more mature. To what lengths will we go, what will we pay, to be cured of our worst degenerative diseases and to live almost forever? How much power would an organisation have, that could give us such health and near-immortality?