Les As de l'impériale

Admittedly, the humour in On The Buses is far from sophisticated, relying on 'nudge nudge wink wink' suggestiveness and crazy slapstick. In today's woke, politically correct, #MeToo climate, the innuendo and bawdiness in particular will be viewed by many as an embarrassment best swept under the cinematic carpet. However, those (like me) raised on a diet of Carry On films and ribald TV comedy (Dick Emery, Benny Hill, Are You Being Served?) and with a general appreciation of all things saucy from the '70s (the Confessions movies and the Adventures of... series) should find enough to enjoy about this big-screen outing for the On The Buses team to make it worth a ride.

Reg Varney plays bus driver Stan and Bob Grant is Jack his conductor, the pair spending every spare minute trying to chat up any tasty totty that crosses their paths. Quite how the pair ever score is beyond me - neither bloke is Brad Pitt - but both get lucky with a variety of skirt, from a married woman on their bus route, to the sexy Irish lass working in the canteen, to their 'clippie crumpet' female colleagues. The shenanigans that ensue are fairly predictable, and, if truth be told, not all that funny, but I cannot help but enjoy the film regardless, partly thanks to the likeability of its cheeky chappies, partly thanks to the feeling of nostalgia it gives me, and just a little bit because I know it upsets the easily morally offended (who I believe are now termed 'snowflakes').

6.5/10, rounded up to 7 for IMDb.

N.B. This was a major hit for Hammer Studios (best known for their horror films) and spawned two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973). Also, look out for the Lamb's Navy advert outside the bus depot, which features future Hammer glamour star and Bond babe Caroline Munro.

This spin-off from the popular ITV sitcom was the most popular British film of 1971, it's takings even outgrossing Diamonds Are Forever, the James Bond film of that year. Take my word for it, the critics tore it to pieces and they still do now when it's shown on television.

I don't think it's overly funny but I still love it. Okay so it's sexist, but like the Carry On films, even though it's not hilarious it still possesses a certain charm that these overblown American comedies cannot hope to achieve.

All the series regulars are here. Reg Varney, Doris Hare, Anna Karen,Bob Grant and Stephen Lewis. While they were all charming, Michael Robbins stands out for me because his comic timing was impeccable. For example, he would sit there reading the paper and suddenly he would look up and utter something amusing.

We seem to live in a world of "watch what you say & do". Today's sitcoms are ruled by very well calculated PC rules. We have all embraced this refreshingly new approach to behavior. Unfortunately we are losing our sitcom heritage. We can now only laugh at a very narrow band of situations e.g "man bashing" seems to be a favourite with modern writers. Can't blame 'em, they've got bills to pay as well as me & thee. On The Buses gives us a window into the past. Prior to the 1980's this is how life was. I know I've lived there. All the characters are charicatures (eh?) of people we have known and either loved or hated. Mum (Doris Hare) is holding on to her long suffering but loyal son Stan (Reg) who never gets his way with the ladies as does Jack (Bob). This is one of the mysteries of the universe!!. Blakey is the boss we've all had & hated. Bring back British Sitcom.

Watching this for the first time since I saw it and its mother series as a kid, I was struck not by its supposed naffness, nor by its vulgar humour but by its sheer authenticity. Surely the true face of the British Working class has never been so accurately portrayed. Here are people in all their sweaty, ugly, sexed-up un-glory. Everything has to be a vulgar laugh, sensitivity is outlawed, sex is a constant obsession and everyone is potentially the butt of a joke. Authority is mocked but never really challenged and money is continuously short. If, in years to come, people want to understand what it was like to be working class in Britain in the early 1970s, they could do no worse than catch this film!

This is a disgracefully, unfunny and dire film in every respect. To call it backward and sexist is an understatement. It really is quite sad that it was only 34 years ago that tripe like this was considered acceptable let alone amusing. We would never know if the actors and director involved had any talent considering the crassness of the subject matter. All the men are irresistible, womanising cheeky chappies and all the women are either pathetic doormats or big-busted nymphomaniacs who enjoy being groped at every opportunity. This, by the way, sums up the complexity of the plot. For those who say that it is an accurate and genuine representation of working class life in the 70's, WHAT UTTER RUBBISH! And what an insult to working class people. If you enjoy this type of "classic" British sex comedy then good luck to you but its portrayal of both men and women is insulting and its not just "politically incorrect" its bloody wrong! Thank God they "don't make them like this any more".