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The Murder of Fred Hampton

  • 1971
  • Not Rated
  • 1h 28m
IMDb RATING
7.6/10
624
YOUR RATING
The Murder of Fred Hampton (1971)
Crime DocumentaryBiographyCrimeDocumentaryHistory

A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.

  • Director
    • Howard Alk
  • Stars
    • Skip Andrew
    • Edward Carmody
    • James Davis
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    624
    YOUR RATING
    • Director
      • Howard Alk
    • Stars
      • Skip Andrew
      • Edward Carmody
      • James Davis
    • 14User reviews
    • 15Critic reviews
    • 86Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos8

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    Top cast16

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    Skip Andrew
    Skip Andrew
    • Self - Attorney
    • (archive footage)
    Edward Carmody
    • Self - State's Atty Police
    • (archive footage)
    James Davis
    • Self - Police Officer
    • (archive footage)
    • (as James 'Gloves' Davis)
    Rennie Davis
    Rennie Davis
    • Self
    • (archive footage)
    Fred Hampton
    Fred Hampton
    • Self
    • (archive footage)
    Edward Hanrahan
    Edward Hanrahan
    • Self (Illinois State's Attorney)
    • (archive footage)
    • (as Edward V. Hanrahan)
    Brenda Harris
    • Self
    • (archive footage)
    Deborah Johnson
    Deborah Johnson
    • Self
    • (archive footage)
    Lawrence Kennon
    • Self - Cook County Bar Assn.
    • (archive footage)
    Don Matuson
    • Attorney in trial re-creation
    James Montgomery
    • Self - Attorney
    • (archive footage)
    Renault Robinson
    Renault Robinson
    • Self - Pres., Afro-American Police Assn.
    • (archive footage)
    Bobby Rush
    Bobby Rush
    • Self
    • (archive footage)
    Ronald Satchel
    • Self
    • (archive footage)
    • (as 'Doc' Satchel)
    Bobby Seale
    Bobby Seale
    • Self
    • (archive footage)
    Tom Streeter
    • Self - Maywood Councilman
    • (archive footage)
    • Director
      • Howard Alk
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    7.6624
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    Featured reviews

    8mossgrymk

    the murder of fred hampton

    Much better than the film makers' previous "American Rev. 2" because it is more focused on a single unjust incident and its terrible reverberations than the earlier work which took its sweet time to get to the point, namely that poor whites and blacks should forge a common bond, with way too much time spent on extraneous stuff like the anti war protests in Chicago in '68. Not that this documentary is all that concise! The first hour is basically a series of Fred Hampton speeches in which he makes some cogent points, like the need for affordable healthcare and the alliance between racism and capitalism, as well as some, like an admiration for the Duvalier dictatorship in Haiti and the virtues of Chairman Mao, that show why it's a good thing that the Panthers were doomed to failure.

    However, once we get to the eponymous slaying and see the clumsy machinations of the corrupt Chicago justice system, personified by DA Ed Hanrahan who looks and sounds like a character right out of Ben Hecht, the film's pace considerably picks up and we are riveted. Whereas I periodically stopped to check the time during the first hour there were no such signs of impatience and ennui during the second. Give it a B.

    PS...One wonders if, had he lived, Hampton would have morphed into Bobby Rush, his number two guy, who is now a reliably corporate Democratic member of Congress or if he would have stayed true to his extreme left wing beliefs. We'll never know but his fervency, as opposed to Rush's more measured tones, perhaps provides us with a clue.
    tedg

    The Great Oil Spill of Chicago

    If you lived through the 60s, or if you are a student of political movements and truth, you will find this fascinating.

    The facts are simple enough: The US had an overtly racist political system, working differently in big northern cities than backwards southern towns. Although the major sweep of protest was a noble, steady stand for simple justice, some hotheads took a violent stand. One of these was the Black Panthers, and a stronghold was Chicago.

    Chicago was famously corrupt in the sense of an inbred political establishment, including the police. Loyalty to the establishment was the game and the truth was expendable, malleable, inventable. Well, that is an old story.

    The interesting element is the Panthers. We have this film as consisting of footage from before and after the murder. The Panthers are possibly honest but probably not so. They surely are passionate, and committed to "the people." The striking thing is how utterly stupid the politics is: a combination of plain unrealistic Marxism, uneducated rhetoric and logic and earnest but goofy metaphors. These guys are basically well-meaning, frustrated nitwits with guns, who had a genuinely honest complaint and a lucked into an adversary that was incompetent at lying.

    The second half of this film was produced by the Panthers (and their white lawyers) as detectivework to show the lies of the Chicago police. There is no controversy about what happened and it is instructive to compare it to today's obsession with terrorists.

    There is a frustrated people who take up an armed struggle. They mix their aggressiveness with service programs for an underserved society on whom they depend for support. In this case, it was breakfast and "education" programs. This is the model for Al Qaeda, Hamas and Hezbollah. A large establishment opposes them, fears about safety abound. There is a threat of overthrow, destruction. Each side vilifies the other. But one side has governmental stability and organized forces. So they do what they believe is necessary, constitution be damned.

    No one listening to the news actually believed the police story, neither white nor black. Whites fabulated a story to explain away the discrepancies from the truth. This differs from today where torture is openly supported rather than lied about. But otherwise this film does what the best of history can do: give us insight into ourselves.

    Yes, the filmmakers, presenters and detectives are not admirable. Yes, you would not want to sign up for their childish politics. Unless you are grasping for a manufactured ethnic identity, the language and means of expression grate, embarrass. But they were fighting a great lie, a great lie in front of a great injustice.

    And the footage is real. So this matters.

    Ted's Evaluation -- 3 of 3: Worth watching.
    9krachtm

    Historically important

    This documentary can be split into two parts. The first half is a biography of Fred Hampton, a civil rights pioneer, community organizer, and Black Panther member. The second half is a stunning work of investigative journalism that provides clear evidence that Hampton was assassinated by the Chicago police.

    Hampton was called a dangerous revolutionary, but his message was nothing more revolutionary than social justice and equality. While there is certainly a revolutionary aspect to that, it is not the angry and violent rhetoric with which the state wanted to tar him. So they simply assassinated him and concocted a story that portrayed him how they wanted him -- dangerously violent. The facts of the case just don't fit that narrative, however.

    Hampton's story is not well known. That makes this film even more important. It is extremely dangerous to think that state-sanctioned political assassinations could not happen or do not happen in the United States. Hampton's death is tragic enough without us learning nothing from it. Fascism can rise anywhere, and it can be as petty as racist cops working for a corrupt city government or as insidious as a federal agency that engages in black ops against its own citizens.
    8runamokprods

    Powerful examination of a man and a murder

    A powerful last third makes up for the technical rawness (including some sections where it's hard to hear what's being said).

    Hampton can be initially be tough to sympathize with, especially for an audience 40+ years later, as he preaches what sounds like a hopelessly naïve call for violent revolution. But the slowly growing evidence that the so-called 'shoot-out' in which he died was nothing less than the intentional murder murder of a charismatic black leader set up by the police is deeply chilling, and makes Hampton's call to take up arms in self-defense seem a little less unreasonable in retrospect.

    An important reminder of a now all-but-forgotten time in our not so distant history.
    10diana-45

    I showed this movie around in the '70's

    I saw this movie when i was a journalism student at NYU in the '70's. the organization that I belonged to-The Revolutionary Student Brigade-took the movie around to different collages and also showed it in Newark at a Project where a young boy-Charles Sutton-had been shot. The movie is an eye opener. There is no doubt in your mind as to why Fred Hampton was killed. It's a great job of investigative reporting. If your stomach is not already turned by what is currently called "news" this will do it for you. It will also make you mad to see what we were once, what we could have done-what we did do and how our potential was destroyed by the powers that be. We can all get along-we can doanything as long as we recognize who the enemy really is. The people united will never be defeated.

    Storyline

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    Did you know

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    • Trivia
      My uncle was involved with this film. The cameraman, Mike Gray, had to go into hiding in CA for months with the film canisters because he fillmed the evidence of the real bedroom door with bullets going one way. He went behind the yellow police tape the day before Hanrahan's men switched to the false door that showed 2 way shooting.
    • Quotes

      Bobby Seale: You know what we are gonna do? We are going to defend ourselves. Because Huey P. Newton says that power - power is the ability to define phenomena and make it act in a designed manner. Power is the ability - to define phenomena - and make it act in a designed manner. What kind of phenomena? Social phenomena! What is a social phenomena? Black people, Mexican Americans, any kind of people, begins to learn that the social phenomena is that, in fact, U.S., racist, decadent, capitalist, imperialist America is a police state. And a police state exists here and that these pigs are doing nothing but protecting the average businessman and the demogoging politicians, protecting the exploiting system they got going. That, in fact, we are tire of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching us. Black people are tired of it!

    • Connections
      Featured in Underground (1976)

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    Details

    Edit
    • Release date
      • May 1971 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Hampton
    • Filming locations
      • Chicago, Illinois, USA(location)
    • Production company
      • The Film Group, Chicago
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 28m(88 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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