Milan calibre 9

This concerns an upright ex-inmate called Hugo Razza : Gastone Moschin, just out of prison being coerced to resume his old style of life when is accused for hiding a cache about 30. 000 dollars. As he meets an old employer : the psycho Mario Adorf giving overacting, he works for an American drug syndicate boss : Lionel Stander, both of whom think Ugo has hidden a stash of money and wish to retrieve at whatever cost. Furthermore, two stubborn cops : Frank Wolff, Luigi Pistilli, go after him.

Violent poliziesco with thrills, high body-count, grisly killings, twists and turns. Interpretations are pretty good, Gastone Moschin is very well as a sober, slow-talking ex-con who is forced to resume his previous criminal life when his former colleagues believe he knows the wherebout of a stolen cache that should have gone to an American gangster . Support cast is frankly excellent as Mario Adorf playing a psychopatic mobster with penchant for sick violence and enjoying torturing who will stop at nothing to get his purports, the always gorgeous Barbara Bouchet as a strip-tease dancer, Frank Wolff as an obstinate commissioner, Luigi Pistilli as his helper who has a visceral hate for wealthy people , Ivo Garrani as a blind, honorable mobster called Don Vicenzo , Mario Novelli or Anthony Freeman as a henchman named Pasquale and Lionel Stander as revengeful drug ringleader called The American or Mikado.

It contains a moving and thrilling musical score by prestigious Luis Enrique Bacalov, who got an Academy Award for The postman and Pablo Neruda. And atmospheric and evocative cinematography by Franco Villa. The picture was well written and directed by Fernando Di Leo. He was an expert writer and filmmaker. Firstly, he wrote notorious Spaghetti Westerns as Fistful of dollars, For a fistful of dollars more, Ringo , The return of Ringo, Johnny Yuma, 7 guns for the McGregor, 7 women for the McGregor, Sugar Colt, Johnny Yuma, Joe implacable, The ruthless four, Wanted. Turning in direction he made sex comedies as Loaded guns, Italian sex, La seduczione and Victims of lust. Outstanding in Poliziesco subgenre, often starred by Henry Silva, Richard Conte, Mario Adorf, Luc Merenda, including as follows : I boss, The American connection, La mala ordina, Shoot first die later, Running guns, Madness, The boys who slaughter, Razza violenta, Killers vs Killers, among others. Rating 7/10. Better than average Italian cop movie. Essential and indispensable watching for this sub-genre buffs.

Crime novels can be rather dull sometimes, but everyone will agree that some are simply excellent - suspenseful, totally unpredictable and with numerous plot twists. This film is apparently based upon one of the excellent ones. Both silly and intelligent viewers will be kept on the edge of their seat until the very ending, which by the way has an unforgettable quote. When a plot like this is coupled with terrific acting and world-class visuals and music -- the result has to be good.

Those sympathetic to early seventies fashion and music are in for a real treat. Osanna/Bacalov's music is totally uncompromising and - in my honest opinion - worth a hundred times the entrance money in its own right. This may be the best soundtrack ever! The visuals are also astonishing - timeless in their beauty, but still with a strong flavour of early 70s. And you'll also catch some glimpses of what must be the world's most beautiful woman.

In sum, all this simply makes up a classic. NOT TO BE MISSED!

(Those who already own the soundtrack, which actually seems easier to find than the movie, should be advised that the movie has alternate versions, all brilliant).

In a Milan's fog and a grey atmosphere a robbery will be done, 300.000 dollars, a lone man was arrested and had imprisoned for four years, after released their former mates take him for an unfriendly account settling, even he denies that stolen the money they have suspect he wasn't telling the truth, this fabulous italian gangster picture gained worldwide fame, also his director too, who will leaves many discreet clues to trying to conceal the eager audience, Gastone Mochin plays the cold suspect Ugo Piazza, a kind of quiet crook who wants proves by any means his innocence, the casting is terrific having an older Lionel Stander as the boss known as American, a often louder Mario Adorf, a bad temper thief Phiippe Leroy and finally the beauty Barbara Bouchet who expose her skills in a sexy dance a provocative body language on the nightcub, intense picture that has a great music score!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 8.5

Milano Calibro 9/Milan Calibre 9(1972) contains a fast paced tightly edited prologue that is done with brilliance. The opening five minutes are both brutal and sadistic. Rocco played by Mario Adorf is introduced in the prologue as a psychotic mafia hood. The prologue is an example of setting up mood and story for the film.

Mario Adorf gives a performance that brings to mind Joe Pesce in Goodfellas(1990) and Casino(1995), Takeshi Kitano in Boiling Point(1990), and Lee Marvin in The Big Heat(1953). He is excellent as the mafia hood with a sadistic streak. Mario Adorf plays his character with unbelievable and vicious conviction. His performance is one of the best acting jobs from the film.

This movie along with La Mala Ordina/Hired to Kill(1973) and Il Boss/The Boss(1973) makes Fernando Di Leo the Italian eqivulent of Jean Pierre Melville. Fernando Di Leo is influenced by Melville in many aspects. Milan Calibre 9(1972) reminds me of Le Doulos(1961) with their use of anti heroes. One of many films that Jean Pierre Melville made an impression on.

Has a double plot twist which is utilized in cleaver and unpredictable fashion. I was surprised by the first plot revealing twist. I was convincing stunned by the second plot revealing twist which was much more unexpected. The double plot twist is one characteristic that makes the film special.

Fernando Di Leo stands out in the gangster craze of Italian cinema in the same way that Sergio Leone stood out as a master of Italian Westerns, Dario Argento as a master of Giallos, and Lucio Fulci as a master of Italian Zombie pics. He brings out a direction full of passion and spunk. The director films the violent scenes with panache and piazzazz. An underrated filmmaker in Italian cinema.

Soundtrack of Milan Calibre Nine is awesome and cool. Luis Enriquez Bacalov is excellent at performing music for Italian Crime and Western motion pictures. The Police are depicted in a cynical and unsympathetic light. The only Police officer who comes out in a sympathetic tone is Fonzino who's only in the movie for a few minutes.

The major action sequence in Milan Calibre 9(1972) prefigures John Woo. What's so twisted about the end of the motion picture is its Rocco whose the most trust worthy person in the entire story. Gastone Moschin gives a gripping performance as a man who cannot escape his tragic fate. Some wonderful performances are handed out by Barbara Bouchet, Philippe Leroy, and Lionel Stander.

The scene where Nelly Bordon played by Barbara Bouchet is doing an erotic dance is filmed with multiple camera angles. An sensual introduction to the character of Barbara Bouchet. The editing in this one scene is good and imaginative. Barbara Bouchet is definitely one of the beautiful women from the 1970s when one sees Milan Calibre 9(1972).

An example of the growing popularity of the gangster movie in Italy. Milan Calibre 9(1972) is in my opinion belongs among the top ten of Italian gangster pictures. The Godfather(1972) may have influenced the gangster film in Italy during the 1970s, but Milano Calibro 9(1972) takes on a life of its own. I've was very impressed by Milano Calibro 9(1972) that I've taken an interest in other films from this genre and decade in Italian cinema.

Provided many influences and inspirations for filmography of Quentin Tarantino. His portrayal of tough guys in his films takes a page out of Milan Calibre 9 as well as other mafia features by Fernando Di Leo. The sadistic violence and unpredictable plot twists can be seen in Resevoir Dogs(1992) and Pulp Fiction(1994). No one filmmaker has influenced Tarantino more frequently besides Jean Pierre Melville than Fernando Di Leo.

Films like Milano Calibro 9 are the reason I watch this sort of film. After trudging through so many disappointing Italian thrillers, it's always great when you find a diamond in the rough - and that's exactly what this well crafted little gem is. The film is a thriller bordering on the 'Polizia' style of films that would go on to become Italy's version of the Dirty Harry franchise, although the main plot focus here is on crime and the mafia. It has to be said the plot isn't overly deep - as the themes of stealing and treachery exist only to further the complex and twisted plot, but the film is great fun to watch and a success for that reason. The plot focuses on Ugo Piazza; a convict just out of prison. He soon meets up with his sexy girlfriend Nelly Bordon, and with the unpredictable and sadistic Rocco, who revels in committing acts of violence, and we later learn that £300,000 has gone missing, and the local crime syndicate believes that Ugo has it - as does the local police inspector, who has his own opinion about why Ugo went to jail in the first place.

The main reason why this film excels is thanks to the fantastic performances. Gastone Moschin leads the film with a performance that reminded me of something Ray Winstone would deliver. He provides a likable anti-hero, while Mario Adorf gets to enjoy himself with the meatiest role in the film. Barbara Bouchet co-stars and looks great, especially in her dancing scene in a bar. Bouchet is one of my absolute favourite Italian actresses, and I always enjoy seeing her in films - especially when they're up to the standard of this one. The film does somewhat adhere to the pitfall plaguing many Italian thrillers - that being that the story doesn't always make sense, but generally; the plot flows really well and the twists and turns ensure that it never gets boring. The climax of the film is excellent, and director Fernando Di Leo excellently pulls off the double twist at the end, which both resolves the story and provides neat entertainment. Overall, Milano Calibre 9 may not be the most well known cult Italian film - but it's one that shouldn't be missed by fans of this sort of stuff, and therefore comes highly recommended.