Le Phare du bout du monde

An interesting adventure film based on a Jules Verne story filmed in 1970 and financed by Kirk Douglas' Bryna Productions and banks and backers from Spain, Switzerland and Liechtenstein. I first saw it when it was aired by the Beeb in the summer of 1995 and was most impressed. Off the bleak location of Cape Horn around 1865, three lighthouse keepers: a jaded ex-miner Will Denton (Kirk Douglas), Captain Moritz (Fernando Rey) and young Felipe (Massimo Ranieri) are confronted by wreckers led by pirate captain, Jonathan Kongre (Yul Brynner). After his companions are brutally murdered, later including Felipe's cute capuchin monkey, Mario, Denton ekes out a passive existence in a cave till he resolves to fight back assisted by Montefiore (Renato Salvatore) a survivor from one of the ships lured to the rocks by the pirates. The desperate situation is complicated by another survivor, a young English woman, Arabella (Samantha Egger), who is used by Kongre to mimic Denton's former love, Emily Jane. Douglas and Brynner act with flair - Douglas gives another heroic sub-Nietzschean performance vis a vis 20.000 Leagues under the Sea (1954) and Ulisse (1954). In appearance he looks like a Nineteenth-Century hippie adventurer - bearded and with straight lightbrown hair and fiery blue-green eyes. Brynner is a flamboyant counterpoint. Despite some squeamish scenes and illogical phases the extraordinary Spanish settings - the white-topped rising arches and surreal psychedelic colours plus a soaring romantic light popular classical Italian score by Piero Piccioni give this film a metaphysical feel.

Surprising that Jules Verne would write such a story. Even more surprising that Hollywood would produce it. Yul Brynner is unbelievably good as a man freed of all bounds of convention, free to indulge his taste for cruelty and domination. Douglass is an excellent counterpoint, a courageous individual who's chosen simple solitude as a way to deal with the complications and turmoil society had imposed on him. And Samantha Egger's character is the capper, a woman willing to sacrifice far too much for comfort and safety. Inotherwords, everyman. The movie does show its age and is limited by the conventions of time and place and technology of the time. If you're looking for special effects and action as substitutes for thought, look elsewhere.

This is an adventure film based on a Jules Verne's novel about a pirate captain and his crew that take over a small island with a lighthouse on it; the idea is to turn out the light at night when ships are at sight so that they crash against the rocks and the pirates can easily steal everything from the passengers and the wrecked vessel. The point is that one of the lighthouse servers -the only survivor- manages to escape into the island and will try to ruin the pirates sinister plans.

Though not a great film at all and a bit slow, "The Light at the End of the World" doesn't lack some sort of charm and interest perhaps because of the lone man's fight against the whole bunch of criminals all by himself and perhaps also because of the hostile and lonely atmosphere in which the action takes place.

Kirk Douglas is the lonely fighter and Yul Brynner plays the flamboyant and deadly captain Kongre, leader of the pirates. The feminine touch is brought by Samantha Eggar as a survivor of a ship wreck that is captured by Kongre's men.

Not a great adventure film, but sort of original and worth a look in my opinion for fans of the genre.

The film was shot in the coast of Spain, but Verne's novel settles the action in the "Isla de los Estados", a small Argentine island a few miles east of its most southern province called "Tierra del Fuego" (Land of Fire) where you can still visit the lighthouse that inspired Verne.

One of my favorite films of all-time. Unusual because the pirates depicted in this movie are all too real. None of the romanticizing Errol Flynn or Jack Sparrow stuff. These pirates were shockingly ruthless and a real sense of danger permeates the film. Yul Brynner and Kirk Douglas bring intensity to their roles. Brynner as the egotistic sociopath who is the leader of the cutthroats and Douglas as a man who must deal with a desperate situation in a fight for survival. Samantha Eggar as a woman with flawed instincts for her own preservation evokes frustration and pity. From the brutal opening scenes, the message is clear that these pirates don't play. A sense of urgency then takes over until the final outcome. A great movie!

Pirates led by the supremely evil Yul Brynner, take over a lighthouse run by Kirk Douglas, Fernando Rey on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. Douglas survives, and he desperately fights their plot whilst plotting and planning to avoid Brynners gang of demented bloodthirsty savages, Sammantha Eggar is the shipwrecked maiden that avoids the pirates slaughter soon complicates the situation. 'The Light At The Edge Of The World' is based on a novel by Jules Verne. It is nothing short of thrilling and for it's time shocking, It deserves a little more recognition.