La tente rouge

The Red Tent (1969)

Plot In A Paragraph: Torn by personal guilt Italian General Umberto Nobile (Peter Finch) reminisces about his 1928 failed Arctic expedition aboard the airship Italia.

Not many people have seen this movie, it runs a little too long, and it's not what I'd call an enjoyable movie, but that doesn't mean it isn't a good one. The entire movie takes place in the generals mind. He calls back various participants to the events, to re-live what happened, and then ultimately pass judgement on him. It's well directed, well acted and it has a nice score too

Attempting to rid himself from Bond, it is the first time Connery would play the wiser, older man, he turns up late on, in what is only a supporting role (at best) or a glorified cameo.

The Red Tent was another Connery movie to fail at the box office.

"The Red Tent", as it was called when released in most of the world, is a fascinating historical epic of Arctic exploration. In the 1920's, Italian General Nobile sought to be the first to fly over the North Pole in a dirigible, of all things! Much of the movie focuses on these efforts; unfortunately, the winds kick up and the air ship is ripped apart. Surviving crewmen end up in various locations on the ice and then procede to battle the elements and polar bears. The great arctic explorer Raoul Amundsen is called in as are the Soviets who pick up radio messages of the disaster; an ice breaker is then dispatched to assist in the rescue. Yes, it is an involved and realistiuc spectacle.

Peter Finch is very good as Nobile, and so is Connery as Amundsen - and it's an historic well-known fact that the first man to reach the South Pole, Amundsen, vanished in his attempt to save Nobile.

Of note is that the story is recounted in flashback much later in a sort of trial of Nobile in his home in Rome, as characters living and dead appear to confront or defend him. Whether or not Nobile was reckless or had bad luck, or just over reached himself, is for the viewer to determine from putting the stories together.

Somewhat long and overinvolved this is still an engrossing account of an epic Arctic disaster and the heroic rescue attempts that followed. If you see it, GRAB it.

This Italian-Russian endeavor is a lost treasure and one of the great historical dramas. The movie is really a dream of General Nobile, a survivor and commanding officer of the Italia, a dirigible that met with disaster in a grand Artic exploration during the Mussolini era. It is about the psychology of guilt, accountability, and leadership. Beyond the human psychological profile of the film, it captures the harsh, expansive grandeur of nature better than almost any movie I've seen. The cinematography of the Artic is unlikely to be ever met again with the computer-generated film of today. The Russian ice-breaker ship which rescues the Italian crew survivors requires no special effects and remains a challenge for today's movie producers to emulate. The iceberg film sequences were spectacular. Sean Connery, Claudia Cardinale, Peter Finch and the rest of the cast give very fine acting performances. Ennio Morricone composes one of his greatest scores. As great as a film composer he is, he still is not remembered for one of his most haunting compositions in this film. There is an equally beautiful soundtrack in the Russian version by composer Aleksandr Zatsepin. It is a shame this film was not recognized perhaps in part due to its Soviet influence in a Hollywood-dominated market. It is a bit rough around the edges (meaning editing and directing could be smoother) but in terms of great film-making, it rarely gets better. When you watch it a couple times, you begin to appreciate the raw beauty and human drama of this film.

Asked to give his assessment of Umberto Nobile's leadership in the Italia airship disaster of 1927, his friend and colleague, Samoilovich, offers this sage advice, "Men are judged by their actions and their actions by their success". What exactly are the qualities needed for leadership? "The Red Tent" is a wonderful meditation on that question. At the time Nobile was disgraced, he was accused of abandoning his men, and made a scapegoat for the disaster by Benito Mussolini's Fascist government. Forty years after the event his rest is still disturbed by doubts he has about the leadership he exercised. Could the tragedy have been averted? Was it his vanity to be the first to cross the pole by air, that led to the calamity? These and other questions are tackled in this thoughtful film.

The entire film actually takes place in the General's mind. He calls back various participants to the event, to re-live what happened, and ultimately to pass judgment on him. It is this framing device that makes the film unique, for it examines Nobile's leadership from a divergent points of view, allowing the viewers to make their own judgment as well. It is a theatrical device to be sure, but it works in this film. In time we come to learn that truth often walks on two legs and has a left and right hand. "Yet we must have judgment", says one of the participants, and so they do. These scenes which all take place in Nobile's apartment in Rome with it's warmth and comfort, provide a wonderful contrast to the stark reality of the struggle for survival at the Arctic Pole.

The film is beautifully written and the acting is of a high level throughout. Sean Connery, ridding himself of his Bond image, plays Roald Amundsen, the great Arctic explorer at the end of his days. It is Amundsen who exemplifies the qualities a great leader should have. It is the first and in some ways still the best of Connery's wise old man performances. He is also the one participant Nobile has most conspicuously not brought back. After intruding on the proceedings like some force of nature, he describes how he had reached the wreak of the Italia, only to crash land and be stranded. With nothing to do but wait to freeze to death he finds solace in his final moments of life with a book he has found strewn among the wreckage. The cynical Lundborg scornfully rejects this "final touch" as "theatrical" "But who would I be acting for?" Amundsen asks. "Yourself" Lundborg replies. "But that isn't acting," Connery wisely replies, "That's necessary. The trick is to choose the right part." The film is filled with great lines like this. Claudia Cardinale, as Nurse Valaria, provides the emotional center of the film. She resents the good people of King's Bay capitalizing on the disaster, yet she has no misgivings whatever in playing on Amundsen's sense of guilt to get him to mount a rescue attempt. After all he had introduced her lover, the Meteorologist, Finn Malgrem to Arctic exploration. She is also willing to offer herself to Lundborg if he will risk his life to fly in unsafe weather conditions. It is her bitter confrontation with Nobile after he has been safely brought back to King's Bay while the others were left freezing on the ice, that is the beginning of his sleepless nights. His inability to stop Zampi, his ambitious second in command from leaving the red tent with Mariano and Malgrem in a vain attempt to reach help, would result in the Meteorologist being lost on the ice. "You cracked like the ice." she tells the General. "We shall never meet again I hope. And I hope you never forget." He doesn't.

Peter Finch as Nobile carries the film, and he is in every way up to the task. He manages to convey the intelligence, courage, vanity and despair of this self-doubting individual. He is a man who both admires Amundsen and resents always being compared with him. Hardy Kruger plays the dashing Aviator Lundborg with a nice blend of charm and hard edge cynicism. He is the first to reach the survivors. His motives for rescuing the Nobile over the General's objections that he take the other members of his expedition first, some of whom are badly injured, may have been less than admirable, but it is this act that will ultimately save the others. Lundborg finally persuades the General to go with a combination of threats,(he will leave him and the others behind), reassurance,(six quick trips and it will be over), and finally reason, (the General is badly needed at King's Bay to organize the rescue). The others also agree the General must go. It is only when he is safely back at King's Bay, that he realizes his actions have been badly misconstrued as an act of desertion. By that time weather conditions have changed again and it is impossible to go back and rescue the others by air. "What do they think I've done?" he asks Captain Romagna, the ineffectual rescue coordinator, after reading a cable from Rome placing him under arrest. "They think you have done what you have done, I suppose." Romagna lamely replies. While aboard ship, Nobile radios his friend Samoilovitch to use the icebreaker Krassin to rescue the others. This he does. "Men are judged by their actions and their actions by their success." The General's decision to leave his men led to his being able to radio the Krassin which in turn led to the rescue of his men. "His actions, therefor were correct."

Lastly, Ennio Morricone's lush score captures both the romance of a great endeavor being undertaken and the desolate, ethereal beauty of the Arctic. This film deserves to be seen and heard, and one can only hope that one day it will be restored.

The Red Tent chronicles the series of polar disasters beginning with the crash of the dirigible piloted by Italian General Umberto Nobile trying to make a historic air crossing of the North Pole. Nobile is played by Peter Finch in this epic film that unfortunately due to a bad publicity campaign and an indifference to the subject by western audiences made this historic Russian-Italian jointly produced film a financial disaster.

That's a pity because photographically it's one of the finest things ever put on celluloid stock. There are some absolutely breathtaking shots of the frozen tundra and the performances of the actors battling the elements are first rate. Maybe a straight narrative might have been better instead of having the aged Nobile confronting some angry spirits of the past. Nobile was still alive when this film came out, he would die in 1978 still a figure of controversy. The dream with the angry spirits is a device frankly ripped off from George Bernard Shaw's St. Joan.

Maybe the film could be best compared to William Wellman's Island in the Sky that starred John Wayne. The fictional characters there are mostly rescued and held together by Duke's leadership. Of course some thirty years advance in aviation and no political interference helped Wayne's men. And Island in the Sky is a work of fiction.

Maybe it wouldn't be so if men of science could simply be men of science without answering to competing ideologies. Nobile and his men got caught up in the politics of the time. Politics claimed a lot of their lives and the lives of Roald Amundsen and party who vanished in a rescue attempt.

Nobile also made some bad choices and had some bad choices forced on him by Mussolini's fascist government. He was also a man out of his element, he was great aviation pioneer, but not a polar explorer. He paid with his reputation, some of his party paid with their lives.

Sean Connery has a small role as Roald Amundsen and I wish we had more of him here. Finch has a very effective scene with Claudia Cardinale the widow of one of his men where she takes him to task. Hardy Kruger does a fine job as the aviator presenting Finch with a very disagreeable choice.

I'd recommend seeing it, but only on the big screen. Or definitely in a letter box version. The formatted VHS I have definitely hampers the spectacle.