La Fille de Jack l'Éventreur

'Hands Of The Ripper' is one of the most interesting Hammer movies. An odd mixture of Edwardian costume drama, pop psychology and proto-slasher gore, which may not be 100% successful, but it does make for some fascinating viewing. Eric Porter (who some may remember from the 60s TV series 'The Forsyte Saga') is perfectly cast as the detached and driven Dr John Pritchard who unexpectedly encounters Jack The Ripper's daughter Anna (the lovely Angharad Rees). She has no idea of her background and is working for a fraudulent medium that Pritchard and his son visit. After Anna is implicated in a brutal and bloody murder he "adopts" her, and hopes to unlock her secrets using the new fangled theories of one Sigmund Freud. Can he help this confused and potentially lethal young woman before she kills again? I leave it up to you to find out. While I don't rate this one quite as highly as many, I thoroughly enjoyed it, and it is yet another example of just how most of Hammer's output has been largely underrated over the years.

Anna (Angharad Rees) suddenly begins murdering any other young female who unluckily crosses her path. All for no apparent reason. Dr. Pritchard (Eric Porter), a psychiatrist, believes that she's suffering from schizophrenia and needs proper care.

Since it's the Victorian era, psychology is in its infancy, and considered by most people to be tantamount to voodoo.

Pritchard has his work cut out for him, as Anna continues her rampage. Then, things take a strange turn into the realm of the supernatural.

HANDS OF THE RIPPER is another superb film from Hammer studios...

While just a young child, Anna (Angharad Rees) witnesses the brutal murder of her mother by father ‘Jack the Ripper'. Fifteen years later she begins to enter trances and appears to be possessed by the Ripper himself. A friendly psychiatrist, Dr. Pritchard (Eric Porter), unaware of her past and believing her problems to be purely in the mind takes Anna in while he attempts to cure her. However, he soon regrets his decision.

‘Hands of the Ripper' is a rather underrated and enjoyable Hammer film. The film is slow, methodical and story based which may not appeal to those who like lots of `action' in their flicks, but anyone who likes classic horror wonderfully entwined with a near-gripping thriller should find something enjoyable in ‘Hands of the Ripper'. Director Peter Sasdy does well in building the tension and ensuring that the audience remains enthralled throughout the slower paced thriller aspects. Peter Sasdy does his best in making the most of the screenplay and adds some wonderful touches to the visuals of the film which really stand out and help to make the movie what it is. The sporadic flashback sequences may not be entirely original in horror but few are quite as effective. Some beautiful and often despairingly solemn musical arrangements accompany the film and induce the necessary mood in the viewer in order to fully appreciate this interesting piece of cinema.

The film is made all that better by some great performances from Eric Porter, Angharad Rees and Derek Godfrey in the short role of Dysart. Unfortunately, while one expects a certain degree of camp from a hammer movie, there did seem to be a slight overabundance of camp or hammy performances from some of the cast. However, one can take solace in knowing that the majority of these moments were towards the beginning of the film. Sadly, the poor performances were not the only thing that damaged this movie. There was an occasional lack in useful dialogue which lead to some of the scenes seeming distracted or unbelievable. This was accompanied by a couple of scenes which seemed bizarre and incoherent in their reasoning of the characters actions.

Nevertheless, the film manages to entertain and should hold the interest of fans of other Hammer films. Compared to modern day horror movies, ‘Hands of the Ripper' is a slow moving film that probably has little appeal for the `nu-horror' fans but fans of classic horror should find the film to worthy of at least one watch. The death scenes may be a little of an anti-climax and there are some storyline problems, but ‘Hands of the Ripper' is an entertaining movie that seems to be rather underrated. A bizarre yet enjoyable mixture of horror, thriller, period drama and the work of Sigmund Freud. My rating for ‘Hands of the Ripper' – 7/10.

I am an enthusiastic fan of the Hammer Studios, and my admiration for this brilliant Production Company gets greater with each film I see. The Hammer Studios are most famous for their films made in the late 50s and 60s, most prominently for the (awesome) "Dracula" and "Frankenstein" series. As far as I am considered, however, some of Hammer's films from the early 70s are just as brilliant as their older successes. One of their greatest and my personal favorite of their films, the brilliant "Vampire Circus" was made in 1972, for example, and the early 70s also brought a variety of other classics, such as "Dr Jekyll & Sister Hyde" or "Scars Of Dracula", which is easily the nastiest entry to Hammer's Dracula series. "Hands Of The Ripper" of 1971 is yet another great Hammer production that is immensely atmospheric, genuinely creepy, well-acted and stunningly suspenseful, and an absolute must-see for every Horror-fan.

As a toddler, little Anna has to witness the murder of her mother by her own father - none other than the notorious serial killer Jack the Ripper himself. At the age of seventeen, Anna (Angharad Rees) lives at the house of an elderly lady, a phony medium who is perfectly willing to leave her 'granddaughter' to rich 'gentlemen' for money. After this 'grandmother' is brutally murdered, the rich doctor John Pritchard (Eric Porter), a humanist and follower of Siegmund Freud, decides to take custody of poor Anna, both out of sympathy and for research reasons...

"Hands Of The Ripper" is a vastly underrated Hammer gem that is ingenious in many aspects. The film is immensely creepy and scary, with a suspense level that is higher than in most Hammer flicks, and the murders are brutal and very bloody. The atmosphere is eerie and tense and, as usual for Hammer, the film is shot in great Gothic locations. The performances are great. Eric Porter delivers an excellent performance as Dr. Pritchard, and Angharad Rees deserves special praise for her outstanding performance in the role of Anna. All said, this is a shamefully underrated film. Creepy, stylish, excellently acted and stunningly suspenseful from the beginning to the end "Hands Of The Ripper" is a great gem from Hammer that no lover of Horror can afford to miss!

Hands of The Ripper is a well made but slow-paced 1971 offering from Hammer. Some nice acting from Eric Porter and Angharad Rees offers some compensation for a rather lugubrious tale of Jack The Ripper's daughter, who, when subjected to sparkly flashes of light followed by a kiss (which happens about five times in the movie, straining credulity to breaking point) is psychically possessed by the spirit of her old Dad, dispatching all and sundry in variously nasty ways.

As a take on the Ripper story, this doesn't really work. As usual the prostitutes on display here are mainly glamour types with little attention to veracity (a few matronly ladies do make it into the mix) and Eric Porter's Freudian Doctor is surely the most misguided psychoanalyst ever put on screen, even disposing of the bodies when Anna kills.

Horror movies were soon to descend to body count status and this is a kind of prototype. We get Dora Bryan impaled on a poker, Marji Lawerence's throat gorily slashed and Lynda Byron with hat pins stuck in her eye. Squelch! The main trouble with Hammer at this point is that they were making too many horror films - haven't counted exactly but about 12 in 1970/71 alone. They flooded the market and diminished audience interest. Still, on it's own Hands of The Ripper is not a bad little film. Earnest and rather glum, with an effective ending set in St Paul's Whispering Gallery.