After serving a prison term for killing his wife, a man is paroled and returns to his home town. He tries to reestablish his relationship with his son, who was a child when the incident happ... Read allAfter serving a prison term for killing his wife, a man is paroled and returns to his home town. He tries to reestablish his relationship with his son, who was a child when the incident happened who witnessed his father kill his mother.After serving a prison term for killing his wife, a man is paroled and returns to his home town. He tries to reestablish his relationship with his son, who was a child when the incident happened who witnessed his father kill his mother.
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David Patrick Wilson
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Lou Criscuolo
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I'm a big fan of Robert Mitchum and also of Jan-Michael Vincent, but I was disappointed with this father/son drama. The film has an interesting set-up, with Vincent reaching out to his recently paroled father, who had been put away for killing his wife, Vincent's mother, many years before. What doesn't work as well is that Vincent is such an unpleasant character and in terms of narrative seems like he should be the character the audience needs to want to follow and identify with. Mitchum is excellent as the father who is happy to help his son and to reconcile, but who avoids pushing himself on his son given his past actions. Vincent is an underrated actor, but this character is so damaged and hurtful that it makes the film an unpleasant experience. And it's not that I can't appreciate or enjoy challenging familial dramas, but they at least need to interesting characters or solid narrative, both of which this film lacked. Overall, this film was only made watchable thanks to a nuanced performance by Mitchum. Brenda Vaccaro, Sally Kirkland, and Josh Mostel appear in supporting roles and an uncredited Audrey Landers appears as a teenage Arby's customer.
If someone says they have had the perfect life they are either lying or are a single child being raised by a single parent, and even then maybe they just have not lived long enough. There are three fine perfomances on display by a young Jan-Michael Vincent, Brenda Vaccaro and of course Robert Mitchum.
This is a story only a few families may be able relate to in relation to a murder of one parent by another parent, and in this case it is about Robert Mitchum while in a drunken stupor murdering his own wife as his young son around seven (7) years of age is left parentless after his father is imprisoned. Eventually Mitchu is released from prison and he has a new girlfriend (Vaccaro) to which they are trying to re-build their lives when unexpectedly Mitchum's now teenage son (Jan-Michael Vincent) suddenly appears at their door.
Neither father, son, nor Brenda Vaccaro who is Mitchum's live-in trailer girlfriend know how to adapt to being a family since Mitchum has spent the last decade or so in prison while his young son grew up in foster homes. It is not an easy watch as stuff happens in real life that is unpleasant to have to hear, let alone watch. But families can overcome great difficulties if they can learn to live with their pasts and become better people. This is the story of father Harry K. Graham (Robert Mitchum), estranged son Jimmy Graham (Jan-Michael Vincent) and Harry's live in girlfriend Jenny Benson (Brenda Vaccaro) who have to try and find a way to not only survive but to live as a family.
A 6/10 rating
This is a story only a few families may be able relate to in relation to a murder of one parent by another parent, and in this case it is about Robert Mitchum while in a drunken stupor murdering his own wife as his young son around seven (7) years of age is left parentless after his father is imprisoned. Eventually Mitchu is released from prison and he has a new girlfriend (Vaccaro) to which they are trying to re-build their lives when unexpectedly Mitchum's now teenage son (Jan-Michael Vincent) suddenly appears at their door.
Neither father, son, nor Brenda Vaccaro who is Mitchum's live-in trailer girlfriend know how to adapt to being a family since Mitchum has spent the last decade or so in prison while his young son grew up in foster homes. It is not an easy watch as stuff happens in real life that is unpleasant to have to hear, let alone watch. But families can overcome great difficulties if they can learn to live with their pasts and become better people. This is the story of father Harry K. Graham (Robert Mitchum), estranged son Jimmy Graham (Jan-Michael Vincent) and Harry's live in girlfriend Jenny Benson (Brenda Vaccaro) who have to try and find a way to not only survive but to live as a family.
A 6/10 rating
Going Home is a pretty upsetting movie, so I caution only those who can handle it to rent it. I thought it was going to be one of those "ex-con makes good" stories, but it wasn't at all. Robert Mitchum does start the movie getting out of prison, and he does try for a fresh start in life, but there's a lot more to the story. His teenage son, Jan-Michael Vincent, has a whole mass of problems because of what Bob did. We never learn why, or even if he did it, but he went to prison for murdering his wife. As a little boy, Jan-Michael witnessed the tail end of the crime. Understandably, he doesn't want anything to do with his father upon his release.
Except, he does. He tracks his dad down to the trailer park where he's living and tries to get to know him as an adult. Full of angst and feelings he doesn't even understand, Jan-Michael is an absolute mess. Bob tries to be friendly, but he knows they can't have a normal relationship. Bob's girlfriend, Brenda Vaccaro, also tries to be friendly. She's closer to the son's age than the father's, and since she doesn't know or understand the whole story, she thinks a few family dinners will mend everything. Unfortunately, she learns the terrible lesson that no good deed goes unpunished. I really like her performance in this movie. I believed her at every moment, from blending into her trailer park surroundings, to trying to make a go of a relationship with a broken man because she knows they're on the same level, and finally, fear and disbelief when Jan-Michael shows his true colors.
This story is so interesting because obviously Bob is the villain in the story, but he doesn't really act like it. Jan-Michael is far meaner, inconsistent, and out for revenge. Bob is merely trying to get by the best he can after fifteen years in prison and forfeiting any relationship with his only child. In fact, I found Jan-Michael so horrible, every time I've seen him in another movie I shrink back behind my pillow and say, "Oh no, the rapist!" Bob does have a chill that washes over his entire performance, which is very effective. He has lived through so much, there just isn't room for regular, raw feelings anymore.
Part of the reason why this movie is so hard to watch is because of the flashbacks. Not only do we have to watch the murder over and over, but we see some very touching flashbacks of their relationship before Bob went to prison. It's sad to see him in a different stage in his life, contrasted with the way he is at the present timeline. If you can handle this extremely dark, adult movie, you'll see some very good acting and a realistic storyline.
Kiddy Warning: Obviously, you have control over your own children. However, due to violence and an upsetting scene involving a child, I wouldn't let my kids watch it. Also, there may or may not be a rape scene.
Except, he does. He tracks his dad down to the trailer park where he's living and tries to get to know him as an adult. Full of angst and feelings he doesn't even understand, Jan-Michael is an absolute mess. Bob tries to be friendly, but he knows they can't have a normal relationship. Bob's girlfriend, Brenda Vaccaro, also tries to be friendly. She's closer to the son's age than the father's, and since she doesn't know or understand the whole story, she thinks a few family dinners will mend everything. Unfortunately, she learns the terrible lesson that no good deed goes unpunished. I really like her performance in this movie. I believed her at every moment, from blending into her trailer park surroundings, to trying to make a go of a relationship with a broken man because she knows they're on the same level, and finally, fear and disbelief when Jan-Michael shows his true colors.
This story is so interesting because obviously Bob is the villain in the story, but he doesn't really act like it. Jan-Michael is far meaner, inconsistent, and out for revenge. Bob is merely trying to get by the best he can after fifteen years in prison and forfeiting any relationship with his only child. In fact, I found Jan-Michael so horrible, every time I've seen him in another movie I shrink back behind my pillow and say, "Oh no, the rapist!" Bob does have a chill that washes over his entire performance, which is very effective. He has lived through so much, there just isn't room for regular, raw feelings anymore.
Part of the reason why this movie is so hard to watch is because of the flashbacks. Not only do we have to watch the murder over and over, but we see some very touching flashbacks of their relationship before Bob went to prison. It's sad to see him in a different stage in his life, contrasted with the way he is at the present timeline. If you can handle this extremely dark, adult movie, you'll see some very good acting and a realistic storyline.
Kiddy Warning: Obviously, you have control over your own children. However, due to violence and an upsetting scene involving a child, I wouldn't let my kids watch it. Also, there may or may not be a rape scene.
After Ryan's Daughter Robert Mitchum retired from the screen and found he was bored with retirement and with writers sending him scripts as they always do, he picked Going Home as a comeback vehicle. I don't think Mitchum was gone even a year so it wasn't like he was missed.
What could have been a classic settles into the ordinary as Mitchum plays a father just released on parole from prison. What he did back in the day was kill his wife in a drunken rage. It was a manslaughter count that he would have plead guilty to. But also his young son witnessed his father do the deed.
The kid grows up to be Jan-Michael Vincent who started his career playing sensitive youths. Vincent of course is barely concealing his anger and he takes it out on Mitchum in a not too subtle way.
With that murderous act creating a gulf between them there was no hope of reconciliation and both would have been better off to have left sleeping dogs lie.
The third person in the mix here is Brenda Vaccaro who was coming off a great performance in Midnight Cowboy. She plays Mitchum's girlfriend and her in the picture isn't guaranteeing anything but sexual tension all around.
Going Home is an interesting film, but just doesn't quite get its message across. All these people had some great work ahead, Mitchum and Vincent would be together in The Winds Of War which is far superior to Going Home and they would be father and son again.
What could have been a classic settles into the ordinary as Mitchum plays a father just released on parole from prison. What he did back in the day was kill his wife in a drunken rage. It was a manslaughter count that he would have plead guilty to. But also his young son witnessed his father do the deed.
The kid grows up to be Jan-Michael Vincent who started his career playing sensitive youths. Vincent of course is barely concealing his anger and he takes it out on Mitchum in a not too subtle way.
With that murderous act creating a gulf between them there was no hope of reconciliation and both would have been better off to have left sleeping dogs lie.
The third person in the mix here is Brenda Vaccaro who was coming off a great performance in Midnight Cowboy. She plays Mitchum's girlfriend and her in the picture isn't guaranteeing anything but sexual tension all around.
Going Home is an interesting film, but just doesn't quite get its message across. All these people had some great work ahead, Mitchum and Vincent would be together in The Winds Of War which is far superior to Going Home and they would be father and son again.
"Going Home" explores a potentially interesting premise: a child who witnessed his mother's murder at the hands of his father grows up and confronts his parolee father. Where this movie fails is in its execution, which becomes progressively more confused and convoluted often leaving the viewer unsure as to where a scene is actually taking place. Frustratingly, most of the lead characters, especially Jimmy, come across as erratic. Their behavior at times seems entirely unrealistic and whatever motivations they might have are never really explored.
About the only thing that saves this movie from a lower rating is Mitchum's characteristically strong performance considering the confused story and direction he has to contend with.
About the only thing that saves this movie from a lower rating is Mitchum's characteristically strong performance considering the confused story and direction he has to contend with.
Did you know
- TriviaContemporary articles in the entertainment press noted that MGM president and CEO James T. Aubrey cut 21 minutes of the film after it initially received an "R" rating. Aubrey did not give the film an opening advertising campaign or non-public previews. It quickly closed its limited run in only four cities after one week and, of course, was not a financial success for the studio or director Herbert B. Leonard, who agreed to work for a deferred salary.
- GoofsThe level of Coke in the bottle on the counter in Harry's trailer changes noticeably between shots.
- Quotes
Harry K. Graham: Do you think I've always been a playboy bowler?
- SoundtracksWay Back Home In West Virginia
Music and Lyrics by Bill Walker
- How long is Going Home?Powered by Alexa
Details
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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