IMDb RATING
6.6/10
2.9K
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A maverick, heavy-drinking journalist pursues a killer who is targeting acquaintances of his, prompting the police to brand him a suspect in their investigation.A maverick, heavy-drinking journalist pursues a killer who is targeting acquaintances of his, prompting the police to brand him a suspect in their investigation.A maverick, heavy-drinking journalist pursues a killer who is targeting acquaintances of his, prompting the police to brand him a suspect in their investigation.
Ira von Fürstenberg
- Isabel Lancia
- (as Ira Fürstenberg)
Luciano Bartoli
- Walter Auer
- (as Luciano Baroli)
Luigi Antonio Guerra
- Man
- (as Guerra L. Antonio)
Michel Barnes
- Tony Volta
- (uncredited)
Jean-Pierre Clarain
- Journalist in Bini's Home
- (uncredited)
- …
Featured reviews
I like giallo as a genre but I must admit that I found 'The Fifth Cord' to be very difficult to stay interested in. Half-way through I began to get bored, and by the end when the identity of the killer was revealed and their motive explained, all I could do was shrug and rewind. I can appreciate Franco Nero as much as the next guy, but even his utter coolness can't keep this one from a one way ticket to snoozeville. Nero plays an alcoholic journalist attempting to solve a series of odd murders in which he himself is a suspect. The whole movie has a second-hand Argento feel to it, but it just meanders along in a dull and uninteresting fashion. I would only recommend this to super giallo buffs who must see every movie of this kind ever made. The rest of you shouldn't bother, as it is a disappointing example of the genre, and really has nothing but Nero going for it. Too bad.
Charismatic international star Franco Nero makes all the difference in this well plotted Giallo co-written by director Luigi Bazzoni, based on a novel by David McDonald Devine. As fans of this genre come to expect, it's a good looking film made with some style by Bazzoni. There's no shortage of red herrings, and the story does keep you guessing - and on your toes. It's got some standout sequences, such as a paraplegic murder victim trying to get to a phone without the aid of a wheelchair, the stalking of an innocent child, and the final chase / fight scene between protagonist and killer. This last bit is very atmospheric. Overall the film does move somewhat slowly, and the script is talky, but it resolves itself in a neat enough way.
Nero is well cast as an alcoholic reporter named Andrea Bild. After a young man named Lubbock (Maurizio Bonuglia) is assaulted, this serves as a sign of further violence: a murderer will soon target specific people, and all of them are people whom Andrea knows. Naturally, the police, led by an inspector played by Wolfgang Preiss, are suspicious of Andrea and *he* suspects that they're tailing him. In order to clear his name, he plays detective on his own.
That aspect of the story is certainly very familiar, but in general "The Fifth Cord" is enjoyable if not the most exciting film of its kind. The cast is good: also appearing are Silvia Monti, Ira von Furstenberg, Edmund Purdom (always nice to see this guy in anything), Rossella Falk, Renato Romano, and Luciano Bartoli. Luscious blonde American actress Pamela Tiffin shows off the goods in one scene. Talented and prolific legendary composer Ennio Morricone does typically solid work in terms of the score.
If the viewer is an aficionado of the Giallo, they should find this to their liking.
Seven out of 10.
Nero is well cast as an alcoholic reporter named Andrea Bild. After a young man named Lubbock (Maurizio Bonuglia) is assaulted, this serves as a sign of further violence: a murderer will soon target specific people, and all of them are people whom Andrea knows. Naturally, the police, led by an inspector played by Wolfgang Preiss, are suspicious of Andrea and *he* suspects that they're tailing him. In order to clear his name, he plays detective on his own.
That aspect of the story is certainly very familiar, but in general "The Fifth Cord" is enjoyable if not the most exciting film of its kind. The cast is good: also appearing are Silvia Monti, Ira von Furstenberg, Edmund Purdom (always nice to see this guy in anything), Rossella Falk, Renato Romano, and Luciano Bartoli. Luscious blonde American actress Pamela Tiffin shows off the goods in one scene. Talented and prolific legendary composer Ennio Morricone does typically solid work in terms of the score.
If the viewer is an aficionado of the Giallo, they should find this to their liking.
Seven out of 10.
The Fifth Cord does not get the respect it deserves among the all time great Giallo films. It's directed quite well with some very beautiful cinematography as all good Giallo's should have.
The acting is of course not the greatest in the world and it takes some time to begin to like(or dislike the characters)
There are some excellent kills in it as all Giallo's must have. The soundtrack is a bit goofy but isn't that part of what gives these particular movies their appeal.
In a nutshell no The Fifth Cord is not the best Giallo you will ever see and is not even director Luigi Bazzoni's best although he does have a short career I still think if you give it a chance and are a fan of the genre you will agree it is actually a fairly good movie.
Sit back and take a watch you won't be disappointed.
The acting is of course not the greatest in the world and it takes some time to begin to like(or dislike the characters)
There are some excellent kills in it as all Giallo's must have. The soundtrack is a bit goofy but isn't that part of what gives these particular movies their appeal.
In a nutshell no The Fifth Cord is not the best Giallo you will ever see and is not even director Luigi Bazzoni's best although he does have a short career I still think if you give it a chance and are a fan of the genre you will agree it is actually a fairly good movie.
Sit back and take a watch you won't be disappointed.
Excellent Cinematography & Music. Story is lacking, maybe in the English Translation.
This is the same director and cinematographer who made Footprints on the Moon, excellent movie.
This movie also has great cinematography and the directing/editing is a fine job. Music is good as well. The acting is good. But the story is lacking. Maybe the story is lost in the English translation. Best suspense is when the killer was going after the kid. It's a good thing the kid didn't get killed, that would have been bad, and sick! Maybe in the original Italian, the story holds up better. And maybe some graphic scenes were cut out for the English release. If so, then this is a great film, and great production. But as it stands I can only give it a C, or B -, 6 stars. Worth checking out for the camera work.
This is the same director and cinematographer who made Footprints on the Moon, excellent movie.
This movie also has great cinematography and the directing/editing is a fine job. Music is good as well. The acting is good. But the story is lacking. Maybe the story is lost in the English translation. Best suspense is when the killer was going after the kid. It's a good thing the kid didn't get killed, that would have been bad, and sick! Maybe in the original Italian, the story holds up better. And maybe some graphic scenes were cut out for the English release. If so, then this is a great film, and great production. But as it stands I can only give it a C, or B -, 6 stars. Worth checking out for the camera work.
The Fifth Cord is a giallo from director Luigi Bazzoni, who was also responsible for another entry in the genre, the excellent Footprints on the Moon. This film is a lot more conventional than Footprints. In it, an alcoholic journalist becomes entangled in a series of murders that seem to be connected somehow. This plot-line is pretty unremarkable and typical. But three things make this one stand out. Firstly it has the charismatic Franco Nero in the central role, secondly it's got another impressive Ennio Morricone soundtrack and thirdly, and most importantly, it has exquisite photography from the great Vittorio Storaro who previously shot The Bird with the Crystal Plumage and later did Apocalypse Now. The cinematography really is fantastic here. Geometric spaces are shot with consummate skill and every frame seems to have been considered in detail. Aesthetically, The Fifth Cord is an unarguable triumph.
It's not particularly violent for a giallo. The murders are not very graphic at all. Although it does have some impressive suspenseful moments such as the sequence where a disabled woman - played by the always interesting Rossella Falk – is terrorised in the dark by an unseen assailant. Otherwise it does have the usual combination of crazy components that are typical to the genre, such as sex parties, astrology and blackmail. Although I guess the story holds together more solidly than most other gialli. Bazzoni hasn't made a classic of the genre to be fair but he has directed a very stylish one. It comes from the slightly more restrained side of the genre but it should definitely interest seasoned fans of this type of thing.
It's not particularly violent for a giallo. The murders are not very graphic at all. Although it does have some impressive suspenseful moments such as the sequence where a disabled woman - played by the always interesting Rossella Falk – is terrorised in the dark by an unseen assailant. Otherwise it does have the usual combination of crazy components that are typical to the genre, such as sex parties, astrology and blackmail. Although I guess the story holds together more solidly than most other gialli. Bazzoni hasn't made a classic of the genre to be fair but he has directed a very stylish one. It comes from the slightly more restrained side of the genre but it should definitely interest seasoned fans of this type of thing.
Did you know
- TriviaIsabelle Lancia smokes Astor brand cigarettes, a common favorite of leading ladies in gialli.
- GoofsWhen Andrea enters a car after seeing a woman dead in the bathtub, a cut can clearly be seen when he grabs the wheel.
- Quotes
Andrea Bild: I may have become a piece of shit but you are what you are when you started, a bastard who sold his soul.
- Alternate versionsAlthough intact on the cinema a 2 sec cut was made to the UK Redemption video release to edit a throat-cutting.
- ConnectionsFeatured in Giornata nera (2006)
- SoundtracksPop! Goes the Weasel
(uncredited)
Traditional
- How long is The Fifth Cord?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Journée noire pour un bélier
- Filming locations
- Incir De Paolis Studios, Rome, Lazio, Italy(as Incir De Paolis Studios)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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