A religious sect called the Brethren has taken control of widow Birdy, sending her unstable son, Kenny, into a spiraling descent into madness. No woman is safe when Kenny's religious mania o... Read allA religious sect called the Brethren has taken control of widow Birdy, sending her unstable son, Kenny, into a spiraling descent into madness. No woman is safe when Kenny's religious mania overpowers him and leads to murder and chaos.A religious sect called the Brethren has taken control of widow Birdy, sending her unstable son, Kenny, into a spiraling descent into madness. No woman is safe when Kenny's religious mania overpowers him and leads to murder and chaos.
Dee Shenderey
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- (as Dee Shenderry)
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Featured review
The Fiend, a 1972 British horror film directed by Robert Hartford-Davis, is a gruesome and grisly affair that embraces the sexploitation vibes of the early '70s. With a backdrop of religious fanaticism, this flick tries to shock and awe with its blend of murder, manipulation, and moral mayhem. But does it succeed? Well, let's just say it's a hell of a ride, even if it's not exactly a holy roller.
Kicking things off with a bang, The Fiend quickly devolves into a tedious trudge through tiresome encounters and dull supporting characters. It's like a TV movie that randomly cuts to scenes of violence and nudity to keep viewers awake. The story meanders and struggles to find its footing, but the cast does their damnedest to keep things afloat. Ann Todd and Patrick Magee bring their A-game to this B-movie, even as the odds are stacked against them. The real stars, though, might just be the itchy police uniforms and hip threads worn by the younger cast-a fun, fibrous fashion show amidst the fiendish festivities.
The film's technical aspects are a mixed bag. The AVC-encoded image is a blessing, offering a detailed view of the set decoration, from the Brethren church to the characters' homes. You can practically feel the fabric of the costumes and see the evil in every macabre murder. But the direction is as flat as week-old soda, lacking the fizz needed to make this a true cult classic. The film feels disjointed, with ugly, staccato close-ups that disrupt the flow.
The Fiend is like a rollercoaster with a rickety start, a few thrilling peaks, and an underwhelming conclusion. It's not a film that will haunt your dreams, but it might keep you entertained on a gloomy night. With a runtime of 98 minutes (or 87 if you watch the edited version), it's a commitment that could've benefited from a tighter script. Overall, it's a gory good time that falls just short of greatness, earning a respectable 5 out of 10 rating.
So, if you're in the mood for a blast from the past that's bloody, bizarre, and a bit of a bumpy ride, give The Fiend a go. Just don't expect to be converted to its cult following.
Kicking things off with a bang, The Fiend quickly devolves into a tedious trudge through tiresome encounters and dull supporting characters. It's like a TV movie that randomly cuts to scenes of violence and nudity to keep viewers awake. The story meanders and struggles to find its footing, but the cast does their damnedest to keep things afloat. Ann Todd and Patrick Magee bring their A-game to this B-movie, even as the odds are stacked against them. The real stars, though, might just be the itchy police uniforms and hip threads worn by the younger cast-a fun, fibrous fashion show amidst the fiendish festivities.
The film's technical aspects are a mixed bag. The AVC-encoded image is a blessing, offering a detailed view of the set decoration, from the Brethren church to the characters' homes. You can practically feel the fabric of the costumes and see the evil in every macabre murder. But the direction is as flat as week-old soda, lacking the fizz needed to make this a true cult classic. The film feels disjointed, with ugly, staccato close-ups that disrupt the flow.
The Fiend is like a rollercoaster with a rickety start, a few thrilling peaks, and an underwhelming conclusion. It's not a film that will haunt your dreams, but it might keep you entertained on a gloomy night. With a runtime of 98 minutes (or 87 if you watch the edited version), it's a commitment that could've benefited from a tighter script. Overall, it's a gory good time that falls just short of greatness, earning a respectable 5 out of 10 rating.
So, if you're in the mood for a blast from the past that's bloody, bizarre, and a bit of a bumpy ride, give The Fiend a go. Just don't expect to be converted to its cult following.
- MajesticMane
- Jun 18, 2024
- Permalink
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Did you know
- TriviaMaxine Barrie, who sings at the start of the film, was the first winner of the UK TV show Stars In Their Eyes (as Shirley Bassey)
- GoofsAt the beginning of the movie when the young boy is baptized, the boy is placed inside the baptismal pool. However during one shot of the congregation shouting, he is shown completely dry, back on his pew and seconds again later he is sat in the baptismal pool.
- Alternate versionsFor its original UK cinema release the film was heavily cut by the BBFC with edits to the murder scenes (the torch murder and the strangling/stripping), shots of a girl's body on a meat hook, and the sequence where Kenny listens to the taped pleadings of his victims. The uncut version was once shown on BBC1 though later showings used an edited print. The 2010 Odeon DVD features the fully uncut version.
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