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Le sang du vampire

Original title: Blood of the Vampire
  • 1958
  • Tous publics
  • 1h 27m
IMDb RATING
5.5/10
1.6K
YOUR RATING
Le sang du vampire (1958)
In 1870s Transylvania, scientist Dr. Callistratus is put to death by villagers who wrongly believe he's a vampire. However, his horribly disfigured henchman, Carl is on hand to orchestrate a life-saving heart transplant.
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HorrorSci-Fi

In 1870s Transylvania, scientist Dr. Callistratus is put to death by villagers who wrongly believe he's a vampire. However, his horribly disfigured henchman, Carl is on hand to orchestrate a... Read allIn 1870s Transylvania, scientist Dr. Callistratus is put to death by villagers who wrongly believe he's a vampire. However, his horribly disfigured henchman, Carl is on hand to orchestrate a life-saving heart transplant.In 1870s Transylvania, scientist Dr. Callistratus is put to death by villagers who wrongly believe he's a vampire. However, his horribly disfigured henchman, Carl is on hand to orchestrate a life-saving heart transplant.

  • Director
    • Henry Cass
  • Writer
    • Jimmy Sangster
  • Stars
    • Donald Wolfit
    • Vincent Ball
    • Barbara Shelley
  • See production info at IMDbPro
  • IMDb RATING
    5.5/10
    1.6K
    YOUR RATING
    • Director
      • Henry Cass
    • Writer
      • Jimmy Sangster
    • Stars
      • Donald Wolfit
      • Vincent Ball
      • Barbara Shelley
    • 38User reviews
    • 42Critic reviews
  • See production info at IMDbPro
  • Videos1

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    Photos88

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    Top cast40

    Edit
    Donald Wolfit
    Donald Wolfit
    • Callistratus
    Vincent Ball
    Vincent Ball
    • John Pierre
    Barbara Shelley
    Barbara Shelley
    • Madeleine
    Victor Maddern
    Victor Maddern
    • Carl
    William Devlin
    • Kurt
    Andrew Faulds
    Andrew Faulds
    • Wetzler
    John Le Mesurier
    John Le Mesurier
    • Judge
    Bryan Coleman
    • Auron
    • (as Bryan Coleman/Brian Coleman)
    Cameron Hall
    • Drunken Doctor
    George Murcell
    George Murcell
    • First Guard
    Julian Strange
    • Second Guard
    Bruce Wightman
    Bruce Wightman
    • Third Guard
    • (as Bruce Whiteman)
    Barbara Burke
    • Housekeeper
    Bernard Bresslaw
    Bernard Bresslaw
    • Tall Sneak Thief
    Hal Osmond
    Hal Osmond
    • Small Sneak Thief
    Henri Vidon
    • Professor Meinster
    • (as Henry Vidon)
    John Stuart
    John Stuart
    • Uncle
    Colin Tapley
    Colin Tapley
    • Commissioner of Prisons
    • Director
      • Henry Cass
    • Writer
      • Jimmy Sangster
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews38

    5.51.6K
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    Featured reviews

    TheCapsuleCritic

    Ersatz Hammer Horror Is Surprisingly Good.

    British filmmakers Robert S. Baker and Monty Berman were among the first to try and duplicate the success of Hammer Films' horror pictures and they did quite well. One of the reasons is that they used Jimmy Sangster, the same screenplay writer that Hammer did. He would write four of their five genre films. Another is that they were able to capture the look of the Hammer films as both Baker and Berman were cinematographers before becoming producers and took turns filming their movies. They occasionally directed them as well. As all their films were B movies, they were quite successful. However the team went into television in 1962 and struck it big with THE SAINT starring a young Roger Moore.

    The title BLOOD OF THE VAMPIRE is a misnomer as there is no vampire in the movie. In fact there is nothing supernatural at all. What you have is a Gothic melodrama with a heavy dose of Grand Guignol added in an attempt to emulate the Hammer blockbuster THE CURSE OF FRANKENSTEIN which was made the year before (1957). Hammer's iconic DRACULA with Christopher Lee was made after this film but released before it so the vampire title may have been an attempt to cash in on the success of that movie. Many online reviewers slam the film for not having an actual vampire in it which is too bad as BOTV has a lot going for it once you get past that fact.

    For starters the movie is wonderfully atmospheric with a dark color palette in the opening and a wonderfully gruesome sound effect as the "vampire" is being staked. Later on there are some truly impressive dungeon sets and an underground laboratory for nefarious experiments. Celebrated Shakespearean actor Donald Wolfit (made up to look like Bela Lugosi) is Dr Callistartus, a mad scientist who drains prisoners of their blood in order to keep himself alive. Australian actor Vincent Ball and Hammer regular Barbara Shelley are the romantic couple trying to escape from the diabolical doctor. Character actor Victor Maddern is very good as a Quasimodo like character who faithfully serves the doctor.

    Sangster's script borrows elements from 19th century mainstays FRANKENSTEIN, THE HUNCHBACK OF NOTRE DAME, and THE COUNT OF MONTE CRISTO. Images and situations from this film would later turn up in Mario Bava's BLACK SUNDAY and Georges Franju's EYES WITHOUT A FACE so it did have an impact on its initial release. For years it was thought lost before turning up on VHS in the late 1980s. This 2006 Dark Sky release uses an excellent color print and is coupled with the Baker/Berman team's last horror film, THE HELLFIRE CLUB which is more of a historical adventure. The DVD comes with retro drive-in commercials and recreates the old double feature presentations...For more reviews visit The Capsule Critic.
    rixrex

    Hammer "cash-in" done in great style by US production company

    Here's a well-done Hammer-styled "cash-in" of Horror of Dracula, interestingly enough done by a US production company and released by Universal (Universal-International in those days), which of course was the company that did all those great classic horror films that Hammer eventually updated with great success.

    It is too bad that this film has been so neglected that it cannot be seen except on worn-out and ridiculously expensive factory VHS tapes that are rare, or on DVD duplicates made off of faded 16mm film prints. I saw this 30 years ago on TV from a good 35mm print and remember that the colors were great, but the recent 16mm dupe I saw was really faded. Still, increase the TV color saturation, and it's way better than nothing at all. (UPDATE: I thought I'd better update this now that a factory DVD has been recently released. No longer do you have to pay way too much to see this.)

    The few occasional lapses in logic notwithstanding, this is bound to please any fan of the early Hammer horror films, and Donald Wolfit does a great turn as the doctor who has become a sort of living vampire. Though there are no real supernatural elements, this film tops many others without having to rely upon the fantastic to carry it. A fabulous beginning title sequence is followed by a great scene where the vampire-doctor is revived, with his misshapen servant beside him, and then a large bat flies out from the ceiling rafters. You would swear it was an actual bat, and then wonder how did they get it to do it just right?

    As an example of the attention to detail you'll see here: during a conversation between two prisoners, a rat scurries behind one unnoticed and for no other reason than to show that the place is a squalid jail cell. Nobody sees it, yells or stomps on it, or anything you'd expect to happen in another film. It's just there and passes by. Now that's real set design!
    tedg

    The Evil Eye

    We each have the experiences that brought us to the way we dream, and the forms we use in wrangling the world. My cinematic maturity is pretty traceable because the films and the watching were so self-ware.

    Going back before well-formed notions of self, this was one film experience that changed me. Or rather I should say that the first two minutes changed me. It was my first movie alone, and my first non-cartoon movie. Sent on a mission to get bread, this ten year old sneaked into a matinée with the 15 cents left over. Sitting virtually alone I knew that what I was doing would be costly, and that I would be crossing a boundary with my life never fully retrieved.

    This movie starts with some text that tells us about the curse of the vampire being the greatest evil ever visited on the earth and that we are entering Transylvania during what I assumed was its riskiest, spookiest time. The only way to kill a vampire, we are told, is by a stake through the heart. We are in an unkempt graveyard, Leni Riefenstahl's mountains in the background. If a church bell tolls it doesn't matter because I heard it. Tones are muted, the distance is far. We know it is the deepest part of night.

    Townsfolk carry a wrapped corpse on a stretcher, careful about their delicate business in managing the evil undead. They tip the corpse into the shallow grave, the only real space, and the covering comes off the body's face. We see not the artificial snarling teeth that we expect, but a regular bank president sort of guy.

    The camera now looks up from the grave at two hired executioners. One has a stake five feet long, the other a wooden mallet with a head as big as his, something I suppose actually existed. But it is huge and the wide lens makes it very much larger as we hear the crunch of the stake through flesh and see and hear the pounding just as if it were our heart. The camera then shows the stake, the palette effectively shifting from black and white to color.

    A quick title and then we see a hunchback skulking behind a rock. His right eye (the wrong color) drooping two inches too low. Even a ten year old cinematic virgin could see at once that the action we have witnessed we have seen through his eye and that of the corpse. I was out of that air conditioned theater like my life depended on it. The bread did not survive.

    Now, after more than 50 years I can sit through the entire film. The first sequence is still masterful I think. But the rest of the thing must have been created by another team. Boring. It has dogs, which together with the opening must have been all Sangster had in mind when he started.

    Funny how you build a life.

    Ted's Evaluation -- 2 of 3: Has some interesting elements.
    7moonspinner55

    Illogical and mistitled, but sheer fun...the one gem out of a thousand bad mad-scientist offerings

    A lunatic doctor in 1874 Transylvania, thought to be a vampire and killed with a wooden stake through his heart, is given a new ticker and resurrected from the dead; after changing his identity, he is put in charge of a remote prison for the criminally insane, but finds he needs medical help after his antagonistic blood cells are at odds with each other. Enter Vincent Ball (who amusingly resembles Edward Norton!) as a young doctor railroaded into prison via tampered evidence, and Barbara Shelley as Ball's sweetheart who believes her fiancé is innocent. Amazing, unusual screenplay from the talented Jimmy Sangster and solid performances bolster this horror-movie-which-really-isn't. A prologue complete with vampire-hunters and bright red blood prepares us for the standard bloodsucker set-up, yet Sangster is more interested in the wronged victim than the so-called vampire, and the action inside the heavily-guarded jail is surprisingly suspenseful. Some of the violence is a bit timid or rushed through, such as when a sadistic guard lands on his own bayonet blade (either director Henry Cass or his editor skitter passed the gruesome incidents), and there are a few plot-holes which the writer leaves gaping. Otherwise, an efficient and enjoyable British-made thriller filmed in muted, gloomy Eastmancolor; not the 'shocker' advertised, but actually so much more. *** from ****
    BaronBl00d

    What! No Vampire?

    Blood of the Vampire is one of those films that suggests it is more than it is. There is no vampire in the film, and there were only two references to vampires at all in the entire film. The film is a story of a doctor who tries revolutionary surgery on a dying patient only to end up as a visitor(prisoner) at a remote castle-prison run by a wicked scientist-warden and some of the most depraved prison guards around. The warden is played by none other than heavy Sir Donald Wolfit in full regalia as a thick slice of ham. Wolfit is a pleasure to watch as he barks out orders and sadistic lines to his lazy-eyed hunchback assistant and other minions about the prison. It seems he needs a scientist to help him with a blood disease he has. Victor Ball does a credible job as the good-natured prisoner. Lovely Barbara Shelley plays his love-interest. Miss Shelley looks simply wonderful. I was fortunate to meet Miss Shelley recently, and she told me that the film The Dresser was based on the life of Sir Donald Wolfit. It isn't hard to believe after watching this film. The man has an enormous presence about him. He really blows into existence what little life this film has. The film has a Hammer look to it, although not nearly as well-made. The budget for this film was apparently limited. The gothic look is, however, pretty genuine. I particularly liked the castle used. The pace of the film would be viewed by many as plodding. I rather enjoyed it...campness and all. A good old-fashioned horror tale!

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    Related interests

    Mia Farrow in Rosemary's Baby (1968)
    Horror
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Victor Maddern got a headache from the extensive makeup he had to wear as the deformed hunchback Carl.
    • Goofs
      Kurt Urach's date of death is given as 1881 in the paper, but 1892 on his tombstone.
    • Quotes

      Callistratus: Since you're so interested in my work, there s no reason why you should not assist me. My experiments so far have been confined to male blood groups. I think it's time to extend my activity.

    • Crazy credits
      Opening credits prologue: Transylvania 1874

      The most loathsome scourge ever to afflict this earth was that of the Vampire.

      Nourishing itself on warm living blood, the only known method of ending a vampire's reign of terror was to drive a wooden stake through his heart.
    • Alternate versions
      There is additional footage of Karl tormenting some chained female victims and also more of his death and some bloody lab shots in a version released on VHS in France in the 80s.
    • Connections
      Featured in 100 Years of Horror: Scream Queens (1996)

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    FAQ13

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    Details

    Edit
    • Release date
      • April 27, 1960 (France)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Blood of the Vampire
    • Filming locations
      • Alliance Film Studios, St Margarets, Twickenham, Middlesex, England, UK(studio: made at Alliance Film Studios Twickenham)
    • Production company
      • Tempean Films
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 27m(87 min)
    • Aspect ratio
      • 1.85 : 1

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