Les Évadés de la planète des singes

Despite a conclusion showing the planet's destruction, 20th Century Fox requested another sequel, turning the films into a franchise.

Arthur P. Jacobs recruited Paul Dehn to a new script with a brief telegram: "Apes exist. Sequel required." Dehn immediately started work on what became the third film titled Escape from the Planet of the Apes. The film would once again change directors, Don Taylor was hired to direct and had a greatly diminished budget of $2.5 million dollars, which required a tight production schedule.

In the film, Zira and Cornelius are initially accepted by American society, but human fears that their child will bring about the destruction they predict to lead to their dates.

Compared to it's predecessors, Escape dwelt more heavily on themes of racial conflict, which became a primary focus through the rest of the series. The film opened on May 21, 1971, less than a year after the previous film and was well received by critics. It also performed really well at the box office, though not as strongly as the first two. Fox ordered a third sequel.

The story is just great, especially after the second film's poor story and the writer did a great job with creating this sequel's story. The direction and action is just amazing and cool. The film is really quick and amazing, but I just ran along with it.

The acting is just amazing in this one and the actors are just amazing. Kim Hunter and Roddy McDowall are good in there roles. Natalie Trundy is really good and is fantastic in her role. Bradford Dillman, Ricardo Montalban and Eric Braeden are really good in their new roles and they are fantastic and amazing.

Overall, ESCAPE FROM THE PLANET of the APES is really amazing and fantastic and it is one movie that definitely makes up for the previous film.

8/10.

ESCAPE FROM THE PLANET OF THE APES is a tale set in the madness of a paranoid 1970's in which zira and cornelius must fight for their lives and the life of their unborn baby. Using taylors ship zira and cornelius time warp to 1970's earth and are embraced by mankind. They soon become the target of a government think tank who fears their unborn child. In a era that listened to HAL LINDSEY scream the anti christ is coming this film taps into that paranoid vein with the "john birchish" character of Hessline who fears ziras baby. The film deals with the two apes dealing with 20th century earth and attempting to survive the scrutiny of the government. One of the best and most original films in the series the story told in this film makes it stand out. A fine film.

No, this film is not as awe-inspiring as the original but it still maintains the viewer's interest despite the scaled down approach which was due to budget constraints. For much of the film the there is a humorous tone. Good performances were turned in by familiar faces (Braeden, Montalban, Mineo). The story, despite some holes, was quite riveting. I'm looking forward to the fourth installment. The sense of adventure and exploration (this time by the apes) and the continued presentation of parallels between this fictional world and our world still make for worthwhile viewing. 7/10.

MORD39 RATING: *** out of ****

This third APES film ingeniously manages to keep the franchise alive and produces what is arguably the second best film of the five originals.

After the ultimate ending in BENEATH, who could have believed a new story was possible? Here the tables are turned from the original film with a remarkable twist: now three of our chimpanzee characters take off in Charlton Heston's spaceship and wind up going BACK in time, to "present Day" Earth (1973 A.D.) Once it is learned that Zira (Kim Hunter in her best performance in the series) is pregnant with the child that could possibly turn our future into the PLANET OF THE APES, she and her husband Cornelius (Roddy McDowall) go from becoming honored celebrities to dangerous threats to humanity!

It's a brilliant idea, and now it is possible to start the series anew (chronologically, this movie comes first) and see whether or not Taylor's nightmare from the first film can be prevented or will rear its ugly head for mankind.

A little defending is in order here. Many people get hung up on the story's notion that the chimpanzees can actually manage to fix Taylor's ship from the first film and actually launch it. Well, I say that if you can suspend disbelief long enough to accept the idea of a society of talking apes, why can't you accept that one of them (Dr. Milo) is a super-intelligent ape, sort of the "Albert Einstein" or "Thomas Edison" of his time? Besides, when folks get stuck on a point like that it becomes impossible for them to have a good time with a film. As Cornelius said in the movie: "Dr. Milo was a genius well in advance of his time." He was able to fly the ship. Case Closed.

Next case: the "TV Movie" look of the film. SO WHAT? People have become so accustomed to garbage like 1999's THE MUMMY that unless all films are over-swamped with spectacular sets and numbing effects, they can't enjoy them. Well, ESCAPE needs none of these to tell its simple story. It's got something that sci-fi stories today have lost..."heart".

You have Ricardo Montalbon, you have Soap star Eric 'mustache' Breaden, and you have Sal 'Rebel without a Cause' Mineo. How can you go wrong? You have guys in Chimp suits. You have Roddy. You have Kim Hunter from the first flick. It's great.

My chief memory/image of the flick is seeing them, the trio of apes, being given the Star treatment, getting outta a limousine in front of a crowded city street, etc. That is very much a part of the flick. It was made in '71, and yeah it really, really looks it-but ya gotta like it. William Windom as da Prez is pretty cool too, def. a knockoff of hostile Nixon in places I would say.

This sets up the next two fine, though its both better than them and better than #2 in the run also. I think you can do worse than to sit through this.......

**1/2 outta ****