Duel sauvage

The plot in The Duel is fairly complex, with non-stop double crosses and no one trusting anyone much at all by the end of it, but the brutal action scenes are frequent and quite exciting. This makes it an above average Shaw Brothers martial arts movie, but still a step or two below the studios' greatest efforts.

It's certainly a worthwhile watch for action fans, but part of me wishes it had either spent a bit more time making its story clearer, or just given an even bigger middle finger to the idea of story, cut 15 minutes of chit-chat from the film, and had 90 minutes of even more frequent, bloody fight scenes.

Quentin Tarantino selected this film for his first film fest, and going into this one knowing that piece of trivia made it a lot of fun to watch, as it becomes quite clear why he highlighted this martial arts film in particular. High crime, Ultra violence, and some really quirky characters sprinkled through out, especially David Chiang's "The Rover" (aka "Rangler" in Chinese), a super cool mystery man. If I had to describe through Tarantino, think Kill Bill meets Reservoir Dogs.

The plot is pretty straight forward, but I suppose the most important thing to focus on is the fact that the world changes around them, and it's interesting to see who stands their ground and who instead falls and changes with it.

The camera work is very impressive here, as the majority of screen time revolves around David Chiang's "Rover". It actually feels like while the rest of the world rages on, a quiet box sits around him. It really stabilizes the tone of the film and solidifies his role as one of the Top Bad-A** characters he's ever played.

The sound mixing is a bit funny in this film, as some effects seem updated and mixed in later into some fights, possibly due to an effect of a re-master?

To sum things up, the film is incredibly charming mostly because of the presence of David Chiang, and the overall quirkiness of many of the other main characters. But the niche really comes in because DUEL OF THE IRON FIST is very likely to have the MOST AMOUNT OF FIGHTING AND BODY COUNT I'VE EVER SEEN in a Shaw Bros. film. I would actually go so far to say it could be a bit out of control to some viewers, not making this one very marketable.

Definitely an underground piece, so watch if you dare. But fans of David Chiang will rejoice. Exceptionally Charming, but Quite Niche

Boasting a young production assistant by the name of John Woo, this knife-fighting film is considered by many to be the first HK-style gangster film. In fact Ti Lung would go on to star in "A Better Tomorrow". Ignore the shoddy production values, and enjoy this morality play. WARNING: Some US prints end with the government troops fighting Ti Lung and David Chiang in the rain. This is not the ending, the fight goes on for another 15 minutes! Enjoy the risible dubbing; at one point Ti Lung has 3 different accents in one sentence!

This film is a lot of fun. The revenge based plot means infinite opportunities for groups of bad guys to leap out from no where to try and kill the hero - which results in some fantastic, often knife based fights. It may not be realistic, but it sure is spectacular. And then there's the fun to be had with the bad dubbing by Americans from down South and the quirky, chop-sockyness of this film. But if that's not enough, the first major fight scene in this film will be very familiar to fans of Kill Bill volume 1. It was this film that inspired Quientin Tarintino's brilliant finale in the Blue Flower. The set is very reminiscent, and there is even a moment where the power is cut and the fighters are in darkness. So for classic, old school cinema that's still relevant to today - Dual of the Iron Fist is an excellent film.

THE DUEL is an excellent Shaw adventure from the triumvirate combiation of director Chang Cheh and stars Ti Lung and David Chiang, perhaps their ultimate outing. It follows a simple, revenge-themed narrative that has much in common with other classics like VENGEANCE! And BOXER FROM SHANTUNG, with Lung going off the deep end when his clan leader is murdered. Chiang has a great dark role as a hired assassin. There's little plot but a huge amount of incredible fight scenes which are packed with blood sprays and a who's who supporting cast of famous Shaw fighters. The ending is the most homoerotic I've ever seen, and the whole thing is tremendously entertaining; I'd go so far as to say this is one of Shaw's best.