Duel sauvage

The plot in The Duel is fairly complex, with non-stop double crosses and no one trusting anyone much at all by the end of it, but the brutal action scenes are frequent and quite exciting. This makes it an above average Shaw Brothers martial arts movie, but still a step or two below the studios' greatest efforts.

It's certainly a worthwhile watch for action fans, but part of me wishes it had either spent a bit more time making its story clearer, or just given an even bigger middle finger to the idea of story, cut 15 minutes of chit-chat from the film, and had 90 minutes of even more frequent, bloody fight scenes.

Quentin Tarantino selected this film for his first film fest, and going into this one knowing that piece of trivia made it a lot of fun to watch, as it becomes quite clear why he highlighted this martial arts film in particular. High crime, Ultra violence, and some really quirky characters sprinkled through out, especially David Chiang's "The Rover" (aka "Rangler" in Chinese), a super cool mystery man. If I had to describe through Tarantino, think Kill Bill meets Reservoir Dogs.

The plot is pretty straight forward, but I suppose the most important thing to focus on is the fact that the world changes around them, and it's interesting to see who stands their ground and who instead falls and changes with it.

The camera work is very impressive here, as the majority of screen time revolves around David Chiang's "Rover". It actually feels like while the rest of the world rages on, a quiet box sits around him. It really stabilizes the tone of the film and solidifies his role as one of the Top Bad-A** characters he's ever played.

The sound mixing is a bit funny in this film, as some effects seem updated and mixed in later into some fights, possibly due to an effect of a re-master?

To sum things up, the film is incredibly charming mostly because of the presence of David Chiang, and the overall quirkiness of many of the other main characters. But the niche really comes in because DUEL OF THE IRON FIST is very likely to have the MOST AMOUNT OF FIGHTING AND BODY COUNT I'VE EVER SEEN in a Shaw Bros. film. I would actually go so far to say it could be a bit out of control to some viewers, not making this one very marketable.

Definitely an underground piece, so watch if you dare. But fans of David Chiang will rejoice. Exceptionally Charming, but Quite Niche

A bunch of gangsters just hack the living $#!+ out of each other. Duel Of The Iron Fist is a mindless hack and slash action movie. It's just gleaming with angry f····rs wielding an assortment of blades and killing each other off in masses and in bloody like fashion. Seriously, you cannot go five minutes without some blood splashing mayhem. Now, I know the acting is stiff and the story is a bit disjointed; I don't give a flying f···. Angry Chinese people hacking each other to death is all that matters. 10 out of f·····g 10. End of f·····g review.

THE DUEL is an excellent Shaw adventure from the triumvirate combiation of director Chang Cheh and stars Ti Lung and David Chiang, perhaps their ultimate outing. It follows a simple, revenge-themed narrative that has much in common with other classics like VENGEANCE! And BOXER FROM SHANTUNG, with Lung going off the deep end when his clan leader is murdered. Chiang has a great dark role as a hired assassin. There's little plot but a huge amount of incredible fight scenes which are packed with blood sprays and a who's who supporting cast of famous Shaw fighters. The ending is the most homoerotic I've ever seen, and the whole thing is tremendously entertaining; I'd go so far as to say this is one of Shaw's best.

THE DUEL (aka DUEL OF THE IRON FIST, 1971) is a straight-out gangster film, with lots of kung fu-style knife fights, involving large numbers of combatants, sprinkled throughout the story. Set in the early 20th century, it has dark, atmospheric studio sets creating an almost film noir background against which the formulaic gangster story plays out.

Directed by Chang Cheh, it features his favorite star pair, Ti Lung and David Chiang. Ti plays a gang member who is forced into exile after a restaurant rumble in which his father, the gang boss, is killed. When he comes back after a year, he finds that the gang has joined forces with the rivals who had his father killed and finds himself under attack. David plays 'the Rover,' a mysterious knife fighter whose loyalties are not too clear until he reveals a surprising secret at the end.

There are many dramatic moments as Ti gradually links up with sympathetic former gang members who side with him as he seeks revenge. One of them is his half-brother, now a drunkard, who is played by Ku Feng, normally a villain in these films. The Rover shows up to help out even though Ti doesn't entirely trust him. Ti seeks out 'Butterfly,' his old girlfriend, only to find she's now a prostitute working for his enemies. He makes a bold rescue attempt with tragic results.

The film was released in the U.S. in an English-dubbed version titled DUEL OF THE IRON FIST in 1973 as part of the first wave of kung fu films to hit western shores following the success of FIVE FINGERS OF DEATH (aka KING BOXER). Despite the "Iron Fist" employed in that title, there's barely a fist in sight throughout the film, although the abundant knife fights are expertly staged, with Ti and David clasping their blades with the point down and rushing fearlessly into the attacking hordes, slashing and swinging with utter abandon. The staging of the fights is similar to the swordfights seen in Japanese Samurai and Yakuza films, particularly in shots where the camera tracks Ti as he proceeds down a corridor or balcony, slashing and dispatching each man in a line of opponents. The whole tone of the film, in fact, is closer to that of a Yakuza (gangster) film than it is to Chang Cheh's usual kung fu films. There's also a Sergio Leone-like feel to the proceedings, with at least one scene recalling A FISTFUL OF DOLLARS. It also has thematic and stylistic similarities to the Hollywood gangster epic, THE GODFATHER, which was made a year later. Despite all these influences and foreshadowing it remains a stunning departure from the Hong Kong action films of its time.

A cut version of this title was released on tape in the U.S. as DUEL OF THE SHAOLIN FIST. It's missing an 11-minute scene at the beginning, including the first big fight of the film, and at the end lops off the film's final three minutes.

ADDENDUM (11/15/08): Since I did the above review, I've acquired and watched the restored, remastered Celestial Pictures Region 3 DVD of this film, under its original title, THE DUEL. It's great to see this film's beautiful widescreen cinematography in its full glory. The colors and scenes are quite a bit brighter than in the VHS tape versions I had access to, so I don't know if I'd make such a big deal about the "film noir" aspect in a new review. Overall, the film just gets better upon re-viewing, especially now that it's widescreen and in its original language, Mandarin, with subtitles. The film's running time is 105 minutes, longer than both tape versions I had. Also, the subtitles give the nickname of David Chiang's character as "the Rambler," not "the Rover." The DVD contains the film's original trailer, which includes a line that erroneously brands this film as a sequel to VENGEANCE (1970), an earlier martial arts crime film from the same director and featuring the same two stars, but with no related plot elements.