Doctor Jekyll y el Hombre Lobo

This is the first Waldemar Daninsky movie I've seen, even though it is (the box says) the fifth in a series (perhaps IMDb's years for the titles are off?). I bought it primarily because I've liked all the other Mondo Macabro DVDs I've bought.

It's also the first Paul Naschy movie I've seen, or at least the first one I've seen while knowing him to be a big Spanish horror star.

A couple return to the husband's homeland so he can visit his parents' graves. Unfortunately, the graveyard they're in was abandoned during World War II, and is neglected, rumored to be haunted, and a place where murderous bandits can be found. It's also located near the Black Castle, where a monster lives. The monster is Daninsky, who turns into a wolf-man when the moon is full. As a wolf-man, he kills people or bites chunks of flesh out of them. As Daninsky, well, he kills people too, but he has more of a choice as to who he attacks: he only goes after bad guys.

Daninsky gets taken to see Dr. Jekyll, the grandson of the infamous one, in England. Dr. Jekyll has a plan to cure Daninsky's lycanthropy, but I confess I did not understand it. It involved turning Daninsky into Mr. Hyde, and then somehow having the Mr. Hyde and Werewolf in Daninsky battle it out. That isn't what seems to happen, so perhaps I'm way off. I thought it peculiar that Daninsky turns into Mr. Hyde - Mr. Hyde had been the evil part of Dr. Jekyll. Daninsky's evil side might have been similar, but identical, and they give him the same name...?

It is fairly entertaining, and I'm curious to see some other Daninsky werewolf movies now (this wasn't one of Nachy's more favorite ones), and perhaps some more of Nachy's other horror movies. The DVD is good, has some nice extras including an interview with Nachy and a text covering the short history of Spanish horror movies, and the DVD will be staying in my collection.

It seems he's played the Waldemar Daninsky werewolf character in about thirteen movies, of which perhaps only four are readily available (through out of print videotapes and cheap poor quality DVDs), and the original is not one of them! It would seem a box set is needed, though I have not heard rumors of one.

"Dr. Jekyll y el Hombre Lobo," directed by León Klimovsky, is a monster mash-up that pits the infamous Count Waldemar Daninsky, a werewolf played by Paul Naschy, against the grandson of Dr. Jekyll, portrayed by Jack Taylor. This 1972 Spanish horror film is the sixth installment in the Count Waldemar Daninsky werewolf franchise and offers a unique twist on the classic monster mythos.

The film's premise is intriguing: Daninsky, plagued by his lycanthropic condition, seeks a cure and finds himself at the door of Dr. Jekyll's grandson. In a desperate attempt to end his full moon madness, Daninsky injects himself with the Mr. Hyde formula, hoping that his evil side will battle and overcome his werewolf curse. This sets the stage for a battle of monstrous proportions.

Naschy delivers a committed performance, portraying not just Count Daninsky but also embracing the dual roles of the Wolf Man and Mr. Hyde. His physicality and dedication to the transformative nature of the characters are commendable. The makeup and special effects, while paying homage to the classic Universal monster movies, fall short of the impeccable standards set by their predecessors. The Wolf Man design, in particular, while creepy and effective, lacks the refinement of Jack Pierce's iconic creations.

The film's pacing is uneven, with some scenes dragging and others feeling rushed. The plot, though creative, fails to fully explore the intriguing implications of its premise. The potential for a thought-provoking exploration of good versus evil within the context of monstrous identities is sadly underutilized. However, the film does deliver on its promise of a monster mash-up, and fans of over-the-top horror will find some enjoyment in the film's more outrageous moments.

Despite its shortcomings, "Dr. Jekyll y el Hombre Lobo" has its charms. The film's ambition and willingness to play with classic monster tropes are admirable. It offers a fun, if not entirely successful, twist on well-known characters, and Naschy's dedication to his roles is evident.

In conclusion, while this film may not be a masterpiece, it is a serviceable entry in the monster horror genre. It will appeal to fans of Paul Naschy and those with a soft spot for campy, monster-filled mayhem.

While it falls short of a howling success, it offers a few growls and snarls that might entertain those seeking a less-than-serious horror experience.

Dr. Jekyll vs. the Werewolf (1972)

*** 1/2 (out of 4)

Waldemar Daninsky (Paul Naschy) falls in love with the beautiful Justine (Shirley Corrigan) who convinces him to travel to London to see if Dr. Jekyll (Jack Taylor) can cure his curse of turning into a werewolf. Once in London Jekyll's evil assistant injects Daninsky to where he turns into Mr. Hyde. I've now seen three different versions of this film. The Spanish "clothed" version was a highly entertaining gem. The American "nude" version brought a little added sleaze and T&A to the film. Now, the third version from Germany was just recently found and is making its way through various fan boards and it features extended nudity, which just takes this film to a whole new level and actually makes it even better. Even though this print is in Spanish without any subtitles, I've never enjoyed this film more and I think the added dirty bits really makes this one of the sleazier Spanish films from this era.

With this Germany version, the film just contains a very perverted and sinister feel to it that's not in any other version. It really does take the material and gives it a much darker approach, which is very much a positive and especially when we've already gotten some excellent atmosphere from director Leon Klimovsky. Another great benefit is that Naschy is at the top of his game here. No matter which version you watch, the werewolf here is without question one of the best looking in the series and it also features some of the most graphic violence. There's plenty of blood flowing around for fans of that type of thing. The actor also does a marvelous job in the role of Hyde and this is especially more true when you see the darker, more perverted version. Corrigan makes for one of the more memorable leading ladies in the series and it's great fun getting someone like Taylor on board.

The film also benefits from some very effective scenes. One includes the scene where the woman is attacked by three hoods. Another includes her looking down from her window at her new love who is in his werewolf form. Then, of course, there's the werewolf hitting the streets of London. Seeing Naschy running around the swinging style of London in the 1970s is just a wonderful sight. DR. JEKYLL AND THE WEREWOLF is a "fun" Gothic film even if you watch the non-nude version. You watch the American version and it's just as much fun with the added nudity. However, to get the full impact one really needs to find the German cut as all the added stuff just makes it so much more fun.

While it is fair to say that Dr. Jekyll Vs. The Werewolf' isn't the most successful collaboration between writer Naschy & film-maker Klimovsky its central premise, while spectacularly lurid, is a good one, and the venerable Naschy applies his singular vigour to the dual roles of his iconic Waldemar Daninski and by portraying an especially feral-looking, golden-eyed Hyde!

Both the script's lack of invention and the bizarre anachronistic quality to 'Dr. Jekyll Vs. The Werewolf' hinder it from being a Gothic schlock classic. While wealthy hard-headed Hungarian businessman Imrie Kosta(Jose Marco)and his bombshell wife Justine (Shirley Corrigan) visit his parents final remains in an especially spooky, dilapidated cemetery situated no less spookily very close to the greatly feared Castle home to anguished, romantically-inlined Lycanthrope, the tight roll-neck sporting Waldemar Daninsky, and in the grisly gnashing of his brawny bicuspids the action returns to swinging London where urbane Dr. Jekyll (Jack Taylor) heir to his infamous ancestors malevolent serum stoically attempts to cure the beleaguered Waldemar but inadvertently encouraging a diabolical metaphysical battle of primordial wills between Daninski's relentless Lycanthropic tendencies and the indomitable will of the preternaturally evil Mr. Hyde!

While Naschy once again delivers another hair-raisingly haunted performance as the diabolically-inclined Daninsky, it is his howlingly hideous transfiguration into the hateful Hyde that engenders the greatest frisson of fear in Klimovsky's uneven monster mash up, but for all its absurdity it remains a fitfully fun movie with another credible, blissfully boisterous werewolf workout for the hirsute Naschy and once again ace composer Antón García Abril creates a marvellously moody score.

Paul Naschy has been playing tortured Polish werewolves since 1967, the high watermark being 1970's Werewolf vs the Vampire Women. Made a year later Doctor Jekyll and the Werewolf, if not exactly in the same league is certainly entertaining. After her fiance is murdered by thuggish villagers Justine is saved from death by loner Waldemar. A man with `an illness' Waldemar is of course the hairy side of the title, although the sadistic local villagers seem more violent and pose more of a threat than the beast he becomes. After every distant relative and friend of his has been decapitated or murdered by these apeish normals Waldemar heads off with Justine to a post- swinging London. There he turns to the grandson of Dr Jekyll who tries to help him out by somewhat illogically turning him into a pasty faced eye ball rolling `new' Mr Hyde. Soon all hell breaks loose thanks to Waldemar's triple personality. Let loose on London there is the kinky Mr Hyde who wields a mean whip, and a werewolf attacking Londoners more than a decade before An American Werewolf in London. Despite the Madrid-ish look to some of the London scenes some parts were indeed shot in `Londris', Blimey! Naschy and director Klimovsky found a good locale in Soho, London's notorious red light district back in the days of outdoor bordellos, the neon windmill of the Windmill theatre and sex -education documentary Love in Our Time playing in theatres. Theres a tale Naschy likes to tell about filming these scenes- while dressed as Mr Hyde some Soho regulars, not realising a film was being shot heckled who they thought to be a madman dressed in Victorian clothes. With the shot ruined `Mr Hyde' promptly chased the pesky raincoat dwellers with his cane. Compared to Werewolf Vs the Vampire Women which was a hit world-wide, Dr Jekyll was only fleetingly released in the US and UK, and today can only be found on tape from American public domain companies, releases drawn from badly transferred and tatty looking prints that can't possibly do this 70mm scope production justice. A real melting pot of a film, eclectic doesn't come close- Justine's fiance is built up as a major heroic character, but in a Psycho fashion is shockingly murdered half an hour in, then we settle down for a traditional werewolf picture, then suddenly this becomes a Mr Hyde picture with swinging Sixties overtones before the furballs and claws are brought back for the discotheque set climax. All this was obviously done to avoid routine (this was Naschy's sixth werewolf film). Unfortunately the same factors that made the Werewolf Vs the Vampire Women and the `groovy' Dracula Vs Frankenstein breath taking, seem plodding and unfocussed in Doctor Jekyll and the Werewolf. However the London scenes, the enraged teddy of a werewolf and Naschy's unusual looking Mr Hyde supply the film with more than its fair share of memorable moments, definitely enough to justify digging this up from the grave marked `Spanish horror cinema RIP', its certainly a better film than its obscure reputation suggests.