Doctor Jekyll y el Hombre Lobo

"Dr. Jekyll y el Hombre Lobo," directed by León Klimovsky, is a monster mash-up that pits the infamous Count Waldemar Daninsky, a werewolf played by Paul Naschy, against the grandson of Dr. Jekyll, portrayed by Jack Taylor. This 1972 Spanish horror film is the sixth installment in the Count Waldemar Daninsky werewolf franchise and offers a unique twist on the classic monster mythos.

The film's premise is intriguing: Daninsky, plagued by his lycanthropic condition, seeks a cure and finds himself at the door of Dr. Jekyll's grandson. In a desperate attempt to end his full moon madness, Daninsky injects himself with the Mr. Hyde formula, hoping that his evil side will battle and overcome his werewolf curse. This sets the stage for a battle of monstrous proportions.

Naschy delivers a committed performance, portraying not just Count Daninsky but also embracing the dual roles of the Wolf Man and Mr. Hyde. His physicality and dedication to the transformative nature of the characters are commendable. The makeup and special effects, while paying homage to the classic Universal monster movies, fall short of the impeccable standards set by their predecessors. The Wolf Man design, in particular, while creepy and effective, lacks the refinement of Jack Pierce's iconic creations.

The film's pacing is uneven, with some scenes dragging and others feeling rushed. The plot, though creative, fails to fully explore the intriguing implications of its premise. The potential for a thought-provoking exploration of good versus evil within the context of monstrous identities is sadly underutilized. However, the film does deliver on its promise of a monster mash-up, and fans of over-the-top horror will find some enjoyment in the film's more outrageous moments.

Despite its shortcomings, "Dr. Jekyll y el Hombre Lobo" has its charms. The film's ambition and willingness to play with classic monster tropes are admirable. It offers a fun, if not entirely successful, twist on well-known characters, and Naschy's dedication to his roles is evident.

In conclusion, while this film may not be a masterpiece, it is a serviceable entry in the monster horror genre. It will appeal to fans of Paul Naschy and those with a soft spot for campy, monster-filled mayhem.

While it falls short of a howling success, it offers a few growls and snarls that might entertain those seeking a less-than-serious horror experience.

"Dr. Jekyll and the Wolfman" deals with Waldermar Daninsky (Paul Naschy) who helped by Justine (Shirley Corrigan) searches for a cure to his full moon craziness by visiting the descendant (Jack Taylor as Henry Jekill supported by his helper Sandra played by Mirta Miller) of the infamous Dr. Jekyll from Robert Louis Stevenson novel . What ensues next is a lover's triangle , and a nasty Mr. Hyde who roams modern London and walks through at night in Soho streets and becomes into a werewolf on the disco floor .

Acceptable Werewolf movie with the unforgettable Waldemar Daninsky-Jacinto Molina , under pseudonym Paul Naschy . Continental Europe's biggest horror star again with his classic character and frightening to viewer . He returns as El Hombre Lobo for the umpteenth time and once again battles enemies . It is a B series entertainment with abundant sensationalistic scenes and a Naif style . The movie has a bit of ridiculous gore with loads of blood similar to tomato and is occasionally an engaging horror movie full of slow-moving fights , attacks , beheading and several other things . Naschy's portrayal of the anguished and sympathetic werewolf Daninsky -here along with a magnificent acting as savage sadistic Mr Hyde- became his signature part and consolidated his enduring cult status as a bona-fide horror icon and he spent more time in make-up . Jacinto Molina Aka Paul Naschy , who recently passed away , was actor , screenwriter and director of various films about the personage based on fictitious character , the Polish count Waldemar Daninsky . Jacinto often cited seeing Frankenstein and the Wolfman (1943) in a theater at age 11 as a seminal inspirational experience , his later movies would be filled with references to it . In 1967 he wrote the script for first film about Waldemar , it was ¨The mark of the Wolfman¨ by Enrique Eguiluz ; he was forced , out of necessity , to play the lead role of tormented werewolf Waldermar Daninsky after Lon Chaney Jr. turned it down . Later on , he reprised this character in over a dozen subsequent followings . As Molina went on the successful ¨Night of Walpurgis¨ by Leon Klimovsky , ¨Fury of the Wolfman¨ , ¨Doctor Jekill and the Wolfman¨ ,¨The return of the Walpurgis¨, ¨Howl of the devil¨, ¨The beast and the magic sword (1982)¨ that was filmed in Japan and finally ¨Licántropo (1998).

A talented athlete , Naschy played soccer for the school team and was a weightlifter who became the lightweight champion of Spain in 1958. Moreover , Paul penned Western pulp novels under the pseudonym Jack Mills and worked as an illustrator who did album cover art for a Spanish record label . Thanks to his muscular build , Naschy was able to break into the motion picture business in the early 1960s as an uncredited extra in such films as ¨El Cid¨, ¨55 days at Pekin¨ and the biblical epic ¨King of Kings¨ (1961) along with a Spaghetti , ¨Day of Anger¨ . Other significant horror figures Paul played were the Mummy , Jack the Ripper , Dracula ; as his performance as the Prince of Darkness in ¨Count Dracula's great love¨ (1973) was one of his personal favorites , the Hunchback , the Frankenstein Monster, the Phantom of the Opera , and even the Devil . Naschy made his directorial debut with Inquisition (1978) . Furthermore , Naschy made some Giallos such as "A Dragonfly for Each Corpse" , "The Killer Is One of Thirteen" and ¨Blue Eyes of the Broken Doll¨. The films , ¨El Caminante¨ and ¨El Aullido del Diablo¨ or "Howl of the Devil"(1987) were two of Paul's most personal projects and finest artistic achievements.

In ¨Doctor Jekill and the Wolfman¨ , Paul Naschy returns as Waldemar for the sixth time , Paul was such a perfectionist that he didn't have a stand-in, even for the lighting , as he did everything himself . Paul was a very serious man , though an introvert , always practicing his lines , his faces , and make-up . In the film appears a numerous secondary cast who starred innumerable films of Spaghetti/Paella Western and horror genres during the 60s and 70 such as Jack Taylor , Mirta Miller , Luis Induni , José Marco , Luis Gaspar and Barta Barri .

Creepy and eerie musical score by Anton Garcia Abril who composed the ¨Templar Zombies¨ saga by Amando De Ossorio . Adequate cinematography by Francisco Fraile shot on location in Soho , Big Ben , Houses of Parliament , Westminster , Piccadilly Circus , Trafalgar Square , London , England , UK and Madrid , Spain . The motion picture was professionally directed by Leon Klimovski . Mr. Klimovsky was a great director and in this movie he'd be shouting on his megaphone all the time . Leon was very close to the actor Jacinto Molina , they had a very strong friendship , and would always be talking business together . The flick will appeal to Paul Naschy fans and terror genre enthusiast . Rating : 6 , passable and amusing .

While it is fair to say that Dr. Jekyll Vs. The Werewolf' isn't the most successful collaboration between writer Naschy & film-maker Klimovsky its central premise, while spectacularly lurid, is a good one, and the venerable Naschy applies his singular vigour to the dual roles of his iconic Waldemar Daninski and by portraying an especially feral-looking, golden-eyed Hyde!

Both the script's lack of invention and the bizarre anachronistic quality to 'Dr. Jekyll Vs. The Werewolf' hinder it from being a Gothic schlock classic. While wealthy hard-headed Hungarian businessman Imrie Kosta(Jose Marco)and his bombshell wife Justine (Shirley Corrigan) visit his parents final remains in an especially spooky, dilapidated cemetery situated no less spookily very close to the greatly feared Castle home to anguished, romantically-inlined Lycanthrope, the tight roll-neck sporting Waldemar Daninsky, and in the grisly gnashing of his brawny bicuspids the action returns to swinging London where urbane Dr. Jekyll (Jack Taylor) heir to his infamous ancestors malevolent serum stoically attempts to cure the beleaguered Waldemar but inadvertently encouraging a diabolical metaphysical battle of primordial wills between Daninski's relentless Lycanthropic tendencies and the indomitable will of the preternaturally evil Mr. Hyde!

While Naschy once again delivers another hair-raisingly haunted performance as the diabolically-inclined Daninsky, it is his howlingly hideous transfiguration into the hateful Hyde that engenders the greatest frisson of fear in Klimovsky's uneven monster mash up, but for all its absurdity it remains a fitfully fun movie with another credible, blissfully boisterous werewolf workout for the hirsute Naschy and once again ace composer Antón García Abril creates a marvellously moody score.

Newlyweds Imre (José Marco) and Justine (Shirley Corrigan) travel to the Carpathian mountains of Transylvania for their honeymoon, where Imre intends to visit the graves of his murdered parents (the man sure knows how to show his new wife a good time). Ignoring warnings from a superstitious local who tells them that the cemetery is a place of evil, the couple are attacked by a gang of local villains that try to break into their car. Imre is stabbed to death, and Justine narrowly avoids being raped when Waldemar Daninsky (Paul Naschy) leaps to her assistance (crushing one guy's face with a rock in the process).

Waldemar carries Justine to his castle, which is also home to a leprous man who has zero bearing on the plot, and an old lady whom the locals believe is a witch, and who tells Justine of Waldemar's 'illness': whenever the full moon rises, he turns into a werewolf!!! After Waldemar, in hairy form, kills several more villagers, a rabble of pitchfork wielding locals hack off the old woman's head, stick it on a pole, and proceed to storm the castle. Waldemar and Justine sneak out the back door and flee to London, where they enlist the help of Dr. Jekyll (Jack Taylor), whose infamous grandfather's personality-altering serum might be able to release Daninsky from his curse.

The sixth film in Paul Naschy's Waldemar Daninsky series, Dr. Jekyll vs. the Werewolf is just as silly as the title suggests, offering up all manner of Euro-monster-mash madness. Naschy not only sports one of his more impressive looking werewolf make-ups, but also looks sufficiently slimy as Mr. Hyde, whose personality he adopts when injected by Jekyll's serum. The daft plot also includes a treacherous assistant for Jekyll in the form of Sandra (Mirta Miller), sees Hyde enjoying enjoying London's swinging nightlife (which allows for some particularly hilarious gyrating from a podium dancer), and provides several excuses for some cheesy gore.

N.B.: There are three edits of this film doing the rounds. My middling rating of 5/10 is for the heavily edited Spanish version that came as part of my Mill Creek Pure Terror box-set, and which is notably bereft of any gratuitous nudity (what's a Euro-horror without some boobs to go with the blood?). The US edit, however, does feature some nudity in the last half hour, while the fullest cut—the German version—delivers even more bare flesh, with Justine's breasts getting an airing during her attack, and Waldemar's werewolf tearing open his victims' clothes before tearing out their throats, all of which undoubtedly adds to the fun.

The sixth of the 13 Waldemar Daninsky / Wolfman films by Paul Naschy. In this film he plays three roles. He is also Mr. Hyde.

In this tale, the Count saves Justine (Shirley Corrigan) from the clutches of three slobbering rapists who have just murdered her husband. He consoles the grieving widow, and they spirit off to London just ahead of an angry mob of villagers. They seek out Dr. Jekyll (Jack Taylor) to cure his lycanthropy.

Unfortunately, a nurse (Marisol Delgado) and a streetwalker (María Luisa Tovar) are ravaged by the werewolf before the formula can be perfected.

Things take a nasty turn and the Count is turned into Mr. Hyde. He is even more evil than the werewolf.

The story ends as all werewolf movies do, leaving you to wonder how he will return seven more times.