Les sorcières du bord du lac

In the wake of a road accident, a young drifter on motorbike is lured to his unforeseen fate at the hands of three stunning sisters, residing in an incommunicado deep-woods cabin(with interior furnishings that look like they were lifted from the sets of A CLOCKWORK ORANGE).

LE REGINE is a more-than-partially successful merging of pop-artsy midcentury modernism with fairly routine erotic eurohorror. A variably intriguing mood piece with a retro-cool music score by Angelo Francesco Lavagnino(a soundtrack LP was released), it's thick with a phantasmagorical atmosphere, both sinister and celestial. The highly attractive primary castmembers vitalize their characters with moxie, especially during the intermittent soft-erotic scenes(which are to the libido as the spur is to the bronco).

Le REGINE maintains a slow but steady pace, and remains interesting and consistently watchable straight through to the alarming and entirely out-of-nowhere final curtain. While it's certainly not a perfect picture, this largely overlooked oddity warrants reassessment, and probably deserves a few long-withheld acknowledgements...it's a notch or two above the standard for sexy 70s Eurotrash, and just that little bit out of the ordinary.

7/10...a nice surprise.

Queens of Evil is a completely obscure Eurotrash flick, and that's not surprising at all as this film has zero mass market appeal and will appeal only to fans to obscure cult cinema - and even then, not all fans. Queens of Evil is a simply bizarre movie and I really don't know what the point of it is. It can't really be pigeon holed into any of the main genres of Italian cinema - it would probably fall somewhere between a sex flick, an exploitation film and a cult themed Giallo (a la All the Colours of the Dark) - but even that definition doesn't really fit it. Our main character is David - a hippy travelling aimlessly on his motorcycle. After a strange encounter with a man who needs his tire changing, David rides on and soon comes across an apparently deserted house. He decides to spend the night in the shed and is surprised the next morning to be awoken by a beautiful young woman named Liv. Liv seems keen to get rid of David, but after her sisters catch sight of him; they ask him to stay and David soon discovers that he has bitten off more than he can chew...

The atmosphere is the key thing about this film. Director Tonino Cervi handles the film well and ensures that it's always mysterious. The locations used make the film feel isolated and claustrophobic and this adds well to the atmosphere. The film boasts a good cast, with the handsome Ray Lovelock fitting into the lead role well and convincing as a hippy. You'd expect some nice female talent too considering the plot here, and the film doesn't disappoint. All three of the leading ladies (Evelyn Stewart, Silvia Monti and Haydée Politoff) provide nice eye candy and also manage to create a foreboding chemistry between themselves and Ray Lovelock. The film is very slow to start and not a lot happens for the first hour or so; but to be honest, I preferred this part of the film to the build up to the climax. Considering how slow the first two thirds are, you would think that the film would kind of explode at the end, and while we do get something of a twist; the ending actually isn't all that interesting and doesn't make a lot of sense. Overall, this is an interesting mood piece and I did enjoy it, but I'm not sure why and I wouldn't recommend it.

This offbeat art/sexploitation flick is at once typical of an adventurous era in European cinema, and a sort of "fine--but what are you gonna do with it?" curio. Handsome Ray Lovelock (who sings a couple uninspired folk-troubador songs on the soundtrack) is a longhaired motorcyclist lured into the forest idyll of three classic Eurobabes circa 1970 (big hair/wigs, near-Kabuki levels of makeup, outré couture wear when they're wearing any clothes at all) living in a pop-art palazzo in the middle of nowhere for no reason at all. Of course, something supernatural is going on, and it's hardly a spoiler to say that once these three glam spiders have had their way with this male butterfly, he won't be riding off into the sunset but meeting a considerably grimmer fate.

Not as much fun as the Swinging London blowout "The Touchables" two years earlier, which had a similar Adam-held-captive-by-three-sexy-Eves premise, this takes its allegorical aspects just seriously enough to be rather ponderous, partly because it's a little too highly polished in presentation without quite being eccentrically individual enough in style. The aesthetic is a little like high-fashion advertising--skilled, artistic, but a little arid. When the violence finally arrives it is bracingly unbridled, but more attention to the creeping dread of the horror undertow and less mild, picturesque erotica would have made the movie seem less mannered and empty as it idles its way towards the inevitable. Still, if you're a fan of such vintage counterculture/Eurotrash kitsch, it's certainly worth seeing once.

Another "Euro-Cult" offering I was unaware of (prior to the week-end before last, in fact) but, proving intriguing upon reading its synopsis, I decided to get hold of immediately; this fact, however, did not really have anything to do with my watching it so quickly – just that the disc the film was recorded on was handy at the time. Anyway, QUEENS OF EVIL was quite good, if not exactly a 'lost' gem; thematically, it anticipated THE WITCHES OF EASTWICK (1987) – though I have never watched the latter myself – since the plot revolves around a bearded young man traveling on a motorcycle (Ray Lovelock) ensnared by three lovely women (Haydee' Politoff, Silvia Monti and Evelyn Stewart) he encounters and who are ultimately revealed to be witches; incidentally, while the girls live in seclusion in the woods, their abode is decked-out with all the modern trimmings one associates with the fashion world (including blow-ups of each of them hanging above their respective beds)! Lovelock and Stewart were both "Euro-Cult" stalwarts (he even supplies the rather thin vocals to the soundtrack's two numbers!); I first noticed Politoff in the equally obscure giallo INTERRABANG (1969) – where she had emerged the best of another sensuous trio – but, here, it is Monti (the one I was least familiar with) who particularly shined as the hero's most fiery seductress. Though the film's languid pace was to be expected, it also proves somewhat uneventful until the violent twist ending – organizing a party to which they invite their devilish friends, the girls reveal their true nature and turn on the mystified 'hippie'…egged on by their leader, an aging aristocratic type Lovelock had actually met (and apparently saw killed in a car crash!) at the very start of the picture!! For the record, I had previously watched the good Spaghetti Western TODAY IT'S ME…TOMORROW YOU (1968) from the same director, with two more (and still different) titles I will hopefully manage to check out during my ongoing "Euro-Cult" marathon.

I recently watched the Italian film 🇮🇹 Queens of Evil (1970) on Tubi. The story follows a motorcycle traveler who stumbles upon what seems like an oasis on his journey: three stunning sisters who eagerly welcome his company. At first, it feels like a utopia he hopes will never end-until their true intentions begin to unfold.

Directed by Tonino Cervi (Nest of Vipers), the film stars Silvia Monti (The Fifth Cord), Haydée Politoff (Bora Bora), Ray Lovelock (Fiddler on the Roof), and Ida Galli (The Psychic).

I really enjoyed the strong "hippie" vibes throughout-the outlook, the fashion, the free-spirited dialogue. The whole movie radiates flower child energy. The decor is top-tier, the settings are playful, and the women are absolutely captivating. While the acting is serviceable, the story is the real highlight, blending cult, witchcraft, and folklore in a way that keeps things interesting. The oddball tattoos had me cracking up, and the soundtrack and hairstyles are undeniably cool.

My main gripes are the lack of horror elements and the surprisingly tame approach to nudity, especially given the film's concept. Still, it was an enjoyable ride in its own quirky way.

In conclusion, Queens of Evil is a modest but fun entry in the horror genre. It holds your attention, but doesn't quite rise above the pack. I'd give it a 5/10 and recommend seeing it once.