Les Dynamiteros

One thing I like about THE DESERTER is that it pulls no punches. No political correctness here to take your eye off the prime considerations of survival and revenge.

Captain Viktor Kaleb, convincingly played by the largely unknown then Yugoslav actor Fekim Behmiu, finds his wife skinned and otherwise tortured by marauding Apaches, and he kills her to end her misery. After doing that, he returns to base only to be threatened with court martial by the unsympathetic and bureaucratic Major Brown (played by Crenna, in a largely thankless role as ineffective fort commander).

Kaleb decides to desert the army and go on on the path of revenge right in the heart of Apache territory.

By all accounts, Kaleb is more successful on his ace than Brown's entire troop of misfits that include a lieutenant blandly played by Brandon de Wilde (a child star in SHANE who lost luster as he grew older and sadly died at 30); a chaplain who is a dynamite expert (Chuck Connors, possibly in his most memorable supporting role after THE BIG COUNTRY); Jackson, the Afro-American who hates Kaleb for no particularly clear reasons; the extremely reliable British actor, Ian Bannen, as guest officer of the Imperial Majesty's Army; and Kaleb's only friends, Tattinger (played by the always interesting to watch Slim Pickens) and Natchai (Ricardo Montalban, with a superlative minimalist performance).

And then you get John Huston as Gen. Miles. Montalban and he steal the show. Miles sees the need to use the revenge-driven Kaleb to hit at Apache Chief Durango, who's weaving nefarious plans to overrun the fort from his hideout in Mexico. Behmiu, always accompanied by his trusted wolf, has no sense of humor: he is out to do a job, picks the men for it, and heads them across territory that CHATO'S LAND would seem inspired by, two years later.

Thus Gen. Miles gives Kaleb the mission to strike at Durango and his marauding braves. Kaleb picks a team of men that he knows will test and undermine his authority. He knows that he will have to prove himself and his leadership capacity every step of the way. He and his lone wolf will do it in a relentless atmosphere of desert sand, sun, sweaty men, struggle for survival. Everyone knows the odds are very much against.

THE DESERTER is no masterpiece but it has the great merit of never seeking the easy way out and it certainly avoids any type of hypocritical political correctness. These are human beings pushing against the elements and against a barbaric enemy. No quarter given, none taken. Even children are no saints here.

Footnote: I found it interesting to see Behmiu close the eyes of the lieutenant played by de Wilde. There is something premonitory about that scene: de Wilde would be killed in a car accident in Denver just over a year later.

What can I say about this film?

Well, it has to be first Nixon doctrine spaghetti western with a frustrated general complaining about the rules of engagement that prevent him launching a search-and-destroy mission on an Apache stronghold in Mexico (Hmmmm...substitute Apaches for the Vietcong and Mexico for Vietnam...) It even has a buckskin Rambo, that being Captain Kaleb, who wants to take out the entire Apache nation after his wife is murdered.

Well, this gets me to the movie. It is one of those movie that used to get made in the Sixties and Early Seventies where scores of actors are assembled in various stock roles, with a screenplay that has recycled every action movie convention without much spark or imagination. And then there's Bekim Fehmiu. I've seen more vivid performances from driftwood.

In short, it's one of those movies you watch on a Saturday afternoon, when nothing else is on and pay very little attention to it.

The only exception I would have to make it for Piero Piccioni's score. It's got that cheezy late sixties jazz thing going on (apologies to Dennis Miller..)

Other than that, it is nothing terribly memorable...

Look at that cast! I guess with that lot you'd need a different plot from your usual Spaghetti Western plot (anti-hero, corrupt businessmen, Mexicans) so here we instead get a Dirty Dozen set up…which is the plot of many an Italian war film.

This one starts off with our hero Captain Kaleb of the US army discovering that his wife has been raped and flayed by a bunch of Apaches. After putting her out of her misery, Kaleb goes nuts at his superior officer as they were supposed to be guarding the mission where his wife was working. After shooting his superior officer in the leg, Kaleb heads off for the wilderness to go rogue and kill loads of Apaches.

Two years later, General John Houston turns up and demands that they find Kaleb for a special mission (They haven't seen him in that time, but it takes about five minutes to find him!) and promises him a pardon if he'll take a team of men over the border and wipe out a certain Apache army that's been troubling the US – but who will make up this Dirty Dozen-or-so? There's Chuck Connors (explosives expert, smoking), Ricardo Montalban (Native Indian, overblown philosophy), Woody Strode (Engineering, punch ups), Slims Pickens (good ol' Southern hospitality, tobacco chewing), Ian Bannen (Sarcasm, full of Buckfast) and some other guys. They all do what a Dirty Unspecified Quantity always do – start training! This being the seventies and not the eighties, we get a fairly long training scene instead of a montage.

After all that crap, it's time to go on the mission, but wait, Kaleb's superior officer has something to tell them, and I'd love to tell you what that is, but just as he's about to speak the Mill Creek version of the film immediately cuts to the Dirty Group heading for their destination. Thanks Mill Creek! Thanks also for the bit where Kaleb tells the group to shut up and ride in silence when no one was talking.

As you'd expect from films like this, this lot don't get on very well and have a few punch ups on the way, and not everyone will make it to the epic battle at the end. In tone this plays out a lot more like an American Western than an Italian one (although it's as violent as an Italian one!), which means it wasn't quite as daft, although I loved that bit where they are hoisting a donkey up a cliff face when the Apaches ride by, causing everyone to dive for cover and leave the donkey hanging there, looking genuinely perplexed.

Bekim Fehmiu had got a lot of exposure in _The Adventurers_, so here's Hollywood wondering if it should keep him around as a leading man. He gets a good director and a dream cast of character actors to support him. And there's a line in the script to identify him as a Serb in case you need an explanation of his accent, but the line isn't necessary; his English is fine.

Still, the burden is too much for Bekim. The film is a particularly dark Western. Writer/directory Kennedy, whose other films display a lot of warmth and humor, has given the star little to work with but grief and righteous resentment. You wish the hero well, but he doesn't engage you, and Bekim can't draw the missing sparkle forth from his own personality... not for an American audience, anyway.

We're left with a B movie, a movie that can command your attention but not your love.

Chuck Conners,Albert Salmi,Woody Strode,Pat Wayne,Slim Pickens,Ricardo Montalban.Sound like a good show?How about throwing in a little Richard Crenna and John Huston.Mix it all together with international star Bekim Fehmiu and you have the "Deserter".You have seen it before and if you take time, you will see it again.A worthwhile oater that is very watchable(The gatling gun scene that has the cast looking right at you),and enjoyable.I have to agree w/previous comment of the film being too short and not getting to know the charactors very well(they were good and could have been great!).This however was a Dino de Laurentis production,and he doesn,t do westerns very well.Check it out anyway.