Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.
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Featured reviews
The story is timeless. It takes a very definite philosophical stance on a subject which will always be relevant to all of us. Namely, how shall we cope with our own deaths when the reality confronts us?
What impressed me most about this production was the way in which death was presented. Death appears here as a gentle, benign presence. This presentation is a far cry from the monstrous horror we have come to expect from death. Death in this film is not a Grim Reaper wishing to engulf us in his inevitability. He wishes only to present himself as a fact of life. To understand himself and be understood by others as an experience which has a unique time and place for everyone. Occurring not one moment sooner nor later than necessary, and then as something not to be feared, but rather embraced in its turn.
There are other reasons to watch this rare production of the story. The fine cast: the beautiful Yvette Mimieux is in her prime here and perfect for the title role. I say "title role" because there is actually a dual title role here. It is the interaction between Yvette Mimieux's character and Monte Markham as Death that sets up the central dilemma that drives the picture. Myrna Loy and Melvyn Douglas are fine in supporting roles. Laurindo Almeida's haunting score creates an atmosphere of romantic suspense even while it facilitates contemplation.
So why doesn't this production have a better reputation? I suspect it's because, while the actors fulfill their roles admirably, they do so in a nuts and bolts manner which lacks drama. This production of the story is therefore out of step with the prevailing value in Hollywood: entertainment. For maximum entertainment value, a picture with greater dramatic impact is preferable.
Nevertheless, it is testimony to the dramatic impact and eternal relevance of this story that it has been remade several times since with great success, most notably in "Meet Joe Black." "Death Takes A Holiday" is a fine, underrated film which I give three stars!
Recently I've started wondering if it really was all that great, but after bumping into the reviews I just read here, my desire to see it again has returned. It was good to see that others were haunted by this film also....
If anyone knows where to get a copy of this movie or has information about when it could air, I would be very excited to know! If for nothing else, to be done looking. I must have really loved this movie!
Death takes human form and comes to earth to find out, as he puts it, "why people claim so tenaciously to life." Like the angel in "The Bishop's Wife," he falls for a mortal, played by Yvette Mimieux. Of course, while Death is on vacation, so to speak, nobody dies. And that has repercussions for Mimieux's family.
The cast is absolutely superlative - Melvyn Douglas, Yvette Mimieux, Monte Markham, Myrna Loy, and Bert Convy.
If you have a chance to see this film, don't miss it. I remember it so vividly. Make sure you have a box of tissues next to you.
Poor TV rehash of a classic, which dissipates all of the story's value by stressing pretentious, pseudo-contemporary. Nauseatingly contrived dialogue. Death, personified as a man, coming to Earth and falling in love, and then returning home, thereby breaking the spell of no death in the world while he is here. It's a plot that should be put to rest,
Did you know
- TriviaIn her biography Myrna Loy recalled working with her longtime friend Melvyn Douglas on this TV film. "Mel and I have some lovely moments in Death Takes a Holiday. We finished the last of them way up on the hill at Universal, when suddenly we heard a studio tour guide bellowing, 'And this is Rock Hudson's dressing room.' The travelogue persisted throughout our gentle scene. 'O.K.!' Mel roared when we finished. 'I've had it!' He stomped off the set and flew back to New York on the next plane without doing his dubs. Universal had to send someone after him to record them, which delighted me. It is really such an insult to actors to work under those circumstances."
- Quotes
David Smith: [Peggy has tried to throw herself off the cliff] Peggy! What were you trying to do?
Peggy Chapman: You know what I was trying to do.
David Smith: Why? Why would you want to?
Peggy Chapman: [she touches his face] I thought you'd look different... but you don't.
David Smith: He told you?
Peggy Chapman: Yes.
David Smith: And now?
Peggy Chapman: I don't know... I was so frightened at first, so many things bouncing around in my head and then... absolute stillness inside. There were no more questions I had to ask.
David Smith: But you still haven't told me why! Why this?
Peggy Chapman: Because I wanted to leave with you.
- ConnectionsRemake of Trois jours chez les vivants (1934)
Details
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- Also known as
- La muerte está en un dilema
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- Runtime
- 1h 13m(73 min)
- Sound mix
- Aspect ratio
- 1.33 : 1