A womanizing biologist studies life in a colony of penguins.A womanizing biologist studies life in a colony of penguins.A womanizing biologist studies life in a colony of penguins.
- Directors
- Writers
- Stars
Salmaan Peerzada
- Ahaz Khan
- (as Salmaan Peer)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I have only recently come across this film, and John Hurt is super. He is "Forbush", a rather rakish biology student who is coasting through life until his professor (Tony Britton) nominates him for a gig counting penguins - in Antarctica! Meantime, he has been bothering local barmaid "Tara" (Hayley Mills) who isn't really interested in him, and is frankly quite delighted when he announces his imminent project. He duly arrives, settles into Shackleton's hut and waits, and waits, and waits - no penguins! Then they arrive, slowly but surely and, despite himself, his interest is tweaked. He has to count them, weight them and generally monitor them and their behaviour. As winter sets in, they start to lay their eggs and incubate them from the extreme storms that very nearly do for him, too! As the chicks arrive and the skua's begin to raid, he becomes even more protective of his several thousand charges - and devises one hell of a catapult to exact his revenge. It's a bit of a slow starter, this, but once he is in situ, the story appealed to me. He has quite a few Eureka moments that vindicate the approach taken by his professor at the start - to help him grow up and develop a sense of purpose. The photography is fun - especially of the penguins milling about, and I really did quite enjoy Hurt's performance here. Well worth a watch, I'd say.
According to Bryan Forbes' autobiography as well as David Nathan's biography of John Hurt, the story behind this film is as interesting as the film itself.
When the producers saw the finished material, it was decided that the opening in London should be completely re-shot, with a different director - Roy Boulting instead of Alfred Viola - and a different leading lady - Hayley Mills (Boulting's wife at the time), instead of an unnamed RADA actress who reportedly did not photograph well. According to Boulting, the reason was that "It presented a ridiculous picture of a character who lived in a swinging London that never ever existed and who was totally artificial, totally unreal and totally unsympathetic." Even though Hurt seems to have agreed at least in part, he was very unhappy about the prospect - understandably so, after the ordeal of the long and difficult location shooting in the Antarctica. Producer Bryan Forbes persuaded him not to quit.
Hurt's feelings about the animals were quite different from his character's. "The penguins were a real pain in the arse. They have all the faults of the human race without the redeeming gift of occasional intelligence. I preferred the predators, greatly admired the skuas. They farm the penguins, taking only a certain percentage of the eggs. The other skuas fish and battle for existence on the mountains in extreme conditions. If you killed off the predators the penguin colonies would become so huge they would probably become extinct. That would be a bad thing for the skuas. There's only one good thing to say about penguins and that is that they taste delicious - fishy, but nice." The film team actually had a few penguins for dinner - with HP sauce.
Several years later, Richard Burton happened to see this film, and it motivated him to suggest Hurt for 1984.
I enjoyed the film more than I expected. I am not a sentimental animal lover, and for scientific subjects, I prefer to watch a documentary or read a book. What I enjoyed about this film is Hurt's tour de force performance, the great location footage (by Arne Sucksdorff), but also the humour and style of the opening (as a fan of British swinging sixties films in general). The machine Forbush builds for his futile fight against the skuas reminded me of the Acme contraptions in the COYOTE AND ROADRUNNER cartoons.
I find it interesting that - probably male - commentators write that Hurt is not convincing as a ladies' man. Judging from the number of - probably female - commentators who fell in love with him in this film (and others such as IN SEARCH OF GREGORY), Hurt's quirky sex appeal seems to have been underused. Pity, but typical, because most of the decision makers in the industry are male.
When the producers saw the finished material, it was decided that the opening in London should be completely re-shot, with a different director - Roy Boulting instead of Alfred Viola - and a different leading lady - Hayley Mills (Boulting's wife at the time), instead of an unnamed RADA actress who reportedly did not photograph well. According to Boulting, the reason was that "It presented a ridiculous picture of a character who lived in a swinging London that never ever existed and who was totally artificial, totally unreal and totally unsympathetic." Even though Hurt seems to have agreed at least in part, he was very unhappy about the prospect - understandably so, after the ordeal of the long and difficult location shooting in the Antarctica. Producer Bryan Forbes persuaded him not to quit.
Hurt's feelings about the animals were quite different from his character's. "The penguins were a real pain in the arse. They have all the faults of the human race without the redeeming gift of occasional intelligence. I preferred the predators, greatly admired the skuas. They farm the penguins, taking only a certain percentage of the eggs. The other skuas fish and battle for existence on the mountains in extreme conditions. If you killed off the predators the penguin colonies would become so huge they would probably become extinct. That would be a bad thing for the skuas. There's only one good thing to say about penguins and that is that they taste delicious - fishy, but nice." The film team actually had a few penguins for dinner - with HP sauce.
Several years later, Richard Burton happened to see this film, and it motivated him to suggest Hurt for 1984.
I enjoyed the film more than I expected. I am not a sentimental animal lover, and for scientific subjects, I prefer to watch a documentary or read a book. What I enjoyed about this film is Hurt's tour de force performance, the great location footage (by Arne Sucksdorff), but also the humour and style of the opening (as a fan of British swinging sixties films in general). The machine Forbush builds for his futile fight against the skuas reminded me of the Acme contraptions in the COYOTE AND ROADRUNNER cartoons.
I find it interesting that - probably male - commentators write that Hurt is not convincing as a ladies' man. Judging from the number of - probably female - commentators who fell in love with him in this film (and others such as IN SEARCH OF GREGORY), Hurt's quirky sex appeal seems to have been underused. Pity, but typical, because most of the decision makers in the industry are male.
10jhooke
It is many, many years since I saw this film, but unlike so many others I have seen, I have not forgotten the title or the substance of the film itself. I thought the way that Mr Forbush became so protective of the penguins and their eggs was wholly understandable and it was a hard lesson for him (and us, for that matter) to learn that he was the intruder in that landscape and he had to leave the penguins to protect their own eggs from the skuas. I just love watching penguins, so I got a good dose of that too. As a character study on what living a solitary life can do, I found it quite fascinating. It was not exactly an 'action' movie, but I found it very thought provoking and it sucked me right in from the start and kept me emotionally involved till the end. Well worth a look if you get the chance.
Alfred Viola, not everyone may know this, was a major American commercial director for several decades. If you watched television in the US for any amount of time in the last 30+ years you have assuredly seen some of his work. Keeping in mind that this film is the first feature by a commercial director, you will see the technical efficiency and streamlined storytelling of a VERY experienced filmmaker at work here. The backstory behind this production is that the studio performed some major hacking on the original Alfred Viola cut and brought in a new director to shoot a tacked-on slapstick opening, and the film suffers from this quite a bit. The first 10 minutes of the film lack style and indeed cohesion of any kind, but once we reach the glacier and John Hurt is left alone with his penguins, it is like a breath of fresh air. This is a beautiful piece of cinema history and although the DVD transfer is of extremely low quality, it is good to know that this piece has not been lost forever. A wonderful forgotten film of the 1970s.
I saw this movie on TV, under the title "Cry of the Penguins", sometime around 1980. I was in high school at the time and my young heart was breaking as I watched the character of Forbush struggling against the elements to study the penguins. I became strangely obsessed with John Hurt and began following his career. It seemed like every time I turned on the TV I would see him on something. I Claudius, The Naked Civil Servant, Crime and Punishment. (I watched a lot of PBS in those days.) Of course the Elephant Man was the ultimate trip. I was blown away by his versatile acting abilities, and couldn't understand why he wasn't very well known in this country! Although I am married and 43 years old now, my heart still beats a little faster when I see or hear of him. And I still remember how I felt watching him struggle to save those penguins!
Did you know
- TriviaAl Viola was dismissed from this movie and replaced by Producer Roy Boulting. Swedish documentary filmmaker Arne Sucksdorf had started filming the penguin footage in the Antarctic, but it failed to blend with the studiobound sequences. Boulting then brought his wife Hayley Mills on-board, which further added to this movie's escalating budget. This was one of the box-office disappointments, which led to Bryan Forbes' dismissal as head of EMI Films.
- GoofsWhen the first penguin arrives and slides on its belly towards Forbush, there are already other penguin belly tracks in the snow.
- Quotes
Richard Forbush: [to the predatory skuas] Retribution is near my fine feathered friends. Make no mistake about that.
Richard Forbush: [as he attacks the skuas with a catapult] You've asked for it, now you'll get it! Now it's your turn! You hear me? Go on, get out! GET OUT! ALL OF YOU! Die, damn you! Die! DO YOU HEAR ME? DIE! DIE!
Details
- Release date
- Country of origin
- Languages
- Also known as
- Cry of the Penguins
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 41m(101 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content