Crucible of Terror

Just rewatched this for the first time in about 30 years and it is every bit as good and bad as I remembered. It has so much going for it - some real heavyweight acting talent; fantastic settings and atmosphere; Judy Matheson at her most luminous in a substantial role; and, best of all, a really off-kilter story. The pieces are all there. Of course it often belies its low budget and while there are some great actors on display others may not be quite so top-drawer. But none of that reduces the enjoyment of Crucible of Terror. Like several other British horrors it succeeds because of its shortcomings rather than in spite of them. If you're a fan of the genre you owe yourself a viewing.

Well this is NOT the worst film I've ever seen - If you want a down right bloody awful film try "Hillbillys in a Haunted House (1967)". Crucible of Terror (1971) is not good but it's not all that bad either. The big let down is the ending.

The supernatural element in the film is revealed about 20 minutes into the movie by Michael Clare (Lacey) to John Davies (Bolam) about Chi-San (Lay) and this throws a hint about the ending BUT the ending is terrible.

I have to agree with other reviewers that the actors are a bit "wooden" but they are not all that bad either. And as far as the story goes it is somewhat interesting - can hold some people's interest until the very end (even if the ending is a bit corny).

Not a bad watch late at night if there is nothing else on TV that you care to watch.

6/10

This movie is a certifiable stinker. I rented it out of the "horror" section, but it's about as scary as the elm tree in my front yard. I found myself fast-forwarding through most of it, after watching about 20 minutes normally and wondering when something would happen. I like a good horror movie (although most of them aren't really scary), which this isn't. It should likely be reclassified as "drama."

There's more boring drama than horror in this chunk of British trash. The poor man's Christopher Lee, Mike Raven was a radio DJ who dabbled in the occult and tried to be the next big horror star of the 70s. He has a menacing look and some screen presence but films like this ruined his career. There are some brief and nasty murders to keep you awake but this film is hardly worth the effort. Me Me Lay, who would go on to appear in some notoriously gory Italian cannibal movies, appears under heavy makeup as a vengeful undead Japanese woman which was the highlight of this sorry excuse for a horror film.

"Crucible of Terror" is potentially interesting but nevertheless poor 70's horror of which the weak storyline constantly bounces back and forth between two popular horror themes; namely the house-of-wax theme and the satanic-cult theme. Especially this last theme was used frequently during the early 70's, with other (and better) titles such as "The Blood on Satan's Claw" and "To The Devil a Daughter". The story of this fun turkey revolves on an art-gallery owner and his gorgeous girlfriend encountering a hugely eccentric sculptor and his messed up family. I'm not sure I understood all the bizarre family relations but I think the artist lives together with his demented wife as well as with his mistress. Meanwhile, he also successfully woos the wife of his alcoholic son... Then there's also this elderly guy living in the same house but I have absolutely no idea what his position is towards the rest of the family. Anyway, one of all these annoying people is a vicious murderer and, even though you absolutely can't see it coming, the revelation of his/her identity is utterly ludicrous! "Crucible of Blood" contains some enjoyable sequences, more particularly the gross murders, but overall it's boring and unoriginal low-budget trash. The female actresses are painfully untalented but look very ravishing and Mike Raven is completely miscast as the womanizing artist. He looks somewhat like a crossover between Christopher Lee and David Carradine but totally lacks the charisma of both. In fact, this "Crucible of Blood" would work a lot better as a British government film to promote the tourist opportunities of Cornwall, because the filming locations are really beautiful and well-illustrated by cinematographer Peter Newbrook. As a shocking horror film, however, it's not the least bit impressive.