Une vierge chez les morts-vivants

Christina, Princess of Eroticism (1971)

**** (out of 4)

A young woman named Christina (Christina von Blanc) goes to a small village where she's to meet some of her relatives as well as hear the reading of her father's will. Before long it dawns on her that something isn't quite right with the family when her uncle (Howard Vernon) slaps her for inviting an outsider to the house and when her dead father (Paul Muller) shows up to try and warn her.

This here is without question one of the best films in director Jess Franco's career as it's a perfect mixture of art, Gothic nightmare and just a cold look at death. There are countless experts out there who will give theories on how this movie was Franco's most personal and why it was a direct connection to his star Soledad Miranda being killed shortly before this was made. It's worth noting that a lot of people overlook this as some sort of cheap horror movie but I think that's selling the film quite short. Known under a variety of titles including A VIRGIN AMONG THE LIVING DEAD, this film certainly manages to build up an eerie atmosphere and some great performances.

Some might say the story makes no sense but I'd argue that many dreams or nightmares don't make sense. This film is somewhere in between a dream and a nightmare because there are so many moods going on here. The dream-like nature can be seen in moments like when Christina goes swimming not realizing that she's being spied on. Another great and peaceful sequence simply shows her sleeping in her bed not knowing the evil she's surrounded by. The nightmare aspect of the film is perfectly captured in the atmosphere including the entire final fifteen-minutes where this character that you've come to care for slowly loses everything.

Performances are something that don't often get talked about when it comes to any Franco movie, which is a shame because we've got some great stuff here. This includes von Blanc who perfectly makes you believe the innocence of the character. Britt Nichols is wonderful as the overly sexual member of the family and Vernon is always worth watching. Muller and Anne Libert are good in their roles as is Franco who plays a dimwit. Another item that often gets criticized is Franco's use of zooms but they actually work well here and help build up the atmosphere and coldness of the picture.

As with many Franco films, this one here is available in several versions. I've seen at least six different versions including one with hardcore footage and another that had Jean Rollin adding zombies to the film. The best version to watch is the one running in at 79-minutes. It's the shortest version out there but it's said to be the one closest to the director's preferred cut. As is, Christina, PRINCESS OF EROTICISM is without question proof that Franco could create an art film and a great one at that.

The viewer that purchased the movie in a sale bin for 5 bucks, said it sucked!! Well with the entire movie on the cutting floor I can wonder why. I just finished the movie tonight, and saw the complete uncut version. It is the complete version with all the scenes. The FULL VERSION is great, spend some time to find the right copy, and then write your summary.

I'm not implying that watching this drunk would be a great idea, I meant it in a "Fear & Loathing in Las Vegas" kind of way, if that makes no sense. nevermind. Back to the subject. We already have Night of the Living Dead, Erotic Nights of the Living Dead, we even got a Hell of the Living Dead, so why the hell not A Virgin Among the Living Dead? They could probably use one. Although, that's not the original title, and has absolutely nothing to do with what goes on, I'm not entirely sure what to think of this one, yet, that's probably why I dig it so much. What almost seems more like some kind of shroom-dream... make that shroom-nightmare, A Virgin Among the Living Dead is director, Jess Franco's exploration into the grey area between life and death, or at least that's what they say. As of this moment, all traditional B-horror rules have now been thrown out the window.

We begin with a young woman, Christina, traveling to an out of the way, castle, in Spain. There, stay the relatives of her estranged father, who has recently committed suicide, soon, there will be a reading of the will. Once Christina arrives in town, she's looked at like shes crazy after asking for directions, she's told no one lives there. The next day, with the guidance of a mute, Christina arrives at Monserat, to find that all her relatives are somewhere between eccentric, and insane. Monserat is filled with some kind of evil/confusion/ insanity, it's just very incoherent. Although her peculiar relatives seem kind of harmless, Christina suspects that something is a little off, when her step-mother warns her to leave, seconds before her death, not to mention bizarre occurrences such as, waking up one morning to find a big, black dildo on the floor, and a blind girl sitting in the corner, walking in on blood sucking sessions, finding dead bats on her bed, just, confusion, after confusion. and not even being allowed to have friends over, also seems a bit suspicious. Besides all the random confusion, it really seems like death is hovering over everything. With this film coming off as a dream, and being about death, then, isn't this just one big nightmare? Possibly, but I think it's deeper than that.

It is said that Jess Franco made this film as a way to cope with the death of Soledad Miranda, hence, the emphasis on death. For a horror film to come off as a genuine nightmare will always be a job well done, regardless of the intended message. Whatever message Franco intended, was intended for Franco, we're just lucky that he shared it with us, because witnessing such surreal magnificence really is a rare experience. The vibe of this film is simply indescribable. For more dream on film, check out Messiah of Evil, and Death Bed, although, You really won't find anything quite like this one anywhere, not even from Franco. Above all else, A Virgin Among The Living Dead is bold, independent film-making in its purest form. 9/10

O.k...so if you watch this movie expecting Tom Savini type zombies and lots of hot sex you will be disapointed...this is more like an art house surreal-dream/nightmare flick.Check out The Queen of the night's beautiful haunting song.Definitely a movie for the midnight hour.Great stuff,but only if you have the original uncut version!!

It's a shame that most people here seem to have seen a cut version of this film, because the actual original is absolutely beautiful, and belies the criticism that Franco was a complete hack. It is a perfect example of what can be achieved in the horror genre with an almost zero budget in what was probably the director's busiest period. However most people seem to have seen the US release print, which also circulated on video in the UK in the 80's under the title of `The Invisible Dead'. This film was marketed as being a successor to Fulci's `Zombi', and basically was padded out with scenes from Jean Rollin's `Lake of Zombies' (shot almost 10 years after Franco's original film) and had all nudity removed.

There is another version which circulated with hardcore black mass footage featuring Franco regular Alice Arno and a host of stunt doubles for Vernon, Nichols and von Blanc.

The only video release of the original film at present is on Redemption, featuring a couple of nude mass scenes, some lesbian vampire sucking, a bizarre scene where Christina knocks over a giant phallus and an effectively hypnotic score from Bruno Nicolai. The UK version is missing the rather graphic rape scene present in the Benelux versions.

Christina von Blanc never unfortunately appeared in any other Franco films – in fact only appeared in a couple of others including the giallo `L'Etrusco uccide ancora'. The delightful pairing of Britt Nichols and Anne Libert occurs again in his bizarre `Erotic Rites of Frankenstein' and `Les Demons', amongst other films of the period. If you are interested in Franco, this is one of his best of the period, very atmospheric and deserves to be seen in its original version.