Burke & Hare

How to tell the true story of notorious grave robbers Burke and Hare? As a bawdy sex comedy of course! Throw in an extremely silly theme song that tells of the lads escapades and you soon begin to wonder just what in hell they were trying to achieve with this one. At points it takes its material seriously but quite a lot of the rest of the time, it's a knockabout comedy, with the central characters a pair of lovable rogues who go about killing people. I know time is a healer but it makes you hope that in several years time film-makers don't think enough time has passed to make a musical comedy called Fred & Rose.

Like so many early 1970s British horror movies, I first saw BURKE & HARE at a drive-in as part of a double bill. I don't remember what else was showing that night but this was the movie that I came to see and it wasn't the first feature. I knew director Vernon Sewell from two earlier films, THE CRIMSON CULT and THE BLOOD BEAST TERROR and from being mentioned in David Pirie's landmark study of British horror cinema, A HERITAGE OF HORROR. Neither of those two movies were particularly good but they were entertaining, well made and boasted powerhouse horror casts (Peter Cushing, Robert Flemyng, Christopher Lee, Barbara Steele, Michael Gough, and Boris Karloff). This one didn't have the cast but it was about Burke & Hare.

I am fascinated by the Burke & Hare saga. Though he was hanged in 1829, Burke's skeleton is still on display in Edinburgh. I am also a huge admirer of John Gilling's 1959 version of the story THE FLESH & THE FIENDS. I have seen all 5 of the major cinematic versions of the story and this one is the weakest of the set which is too bad because there was real potential here. The problem is that the producers wanted to have their cake and eat it too.

They combined a horror movie with a period sex romp in the vein of FANNY HILL. The bordello scenes look like a completely different movie. The lighting is different, the music is cheerful, and the editing between the two storylines is haphazard. This is a shame because the B & H scenes are well staged and well acted by Derren Nesbit & Glynn Edwards. Yootha Joyce and Dee Shenderey are also very good as the women behind the men. Harry Andrews looks the part of Dr. Knox but lacks the depth of Peter Cushing's characterization'

I read that director Sewell envisioned a different film altogether as this lacks the tight editing of his other movies. What he thought of BURKE & HARE is probably best summarized by the fact that he quit the business after this one. Producer Kenneth Shipman, taking advantage of the new relaxed standards, made sure that there was plenty of female flesh on display (which Sewell had originally cut down quite a bit). Throw in some kinky behavior witnessed through peepholes and you have what looks like a spread for PLAYBOY magazine (or maybe it's PENTHOUSE since they're British).

While I can't really recommend the film it's not without its good points. This Redemption DVD looks absolutely gorgeous and is the uncut version. There's even a Blu-Ray edition with bonus features. Director John Landis obviously borrowed the film's overall comic tone for his 2010 BURKE & HARE with Simon Pegg and Andy Serkis which is very similar...For more reviews visit The Capsule Critic.

Disappointing horror/comedy account of Irish body snatchers who were operating in Edinburgh in the 1820's. More comic than horrific, much of the focus is on sexual comedy with a lot of the film taking place in a brothel. Plenty of nudity, very popular in the early 1970's, horror specialists Hammer themselves were doing this. Pity Hammer didn't do a straight horror version of this, likewise the Carry On team could have undoubtably made a much funnier movie. Lucky Derren Nesbitt as Burke shares a topless threesome romp with beauties Francoise Pascal and Yutte Strensgaard, and at least his accent sounds Irish. Glynn Edwards was great as Cockney barman Dave in ITV's "Minder" but is sadly quite poor as Hare, he is among several characters who have very unconvincing accents. It has a few good moments but overall I found this movie rather dull, the 2010 version is far better.

Two men go into business supplying medical colleges with cadavers by robbing graves.

What you might recall about this film more than anything else is its theme song, which is certainly rather fun and moving. Bringing this tale to life is important and a great addition to horror cinema. Sure, it had been done before as "The Body Snatcher" and "The Flesh and the Fiends"... but it is my understanding that this was the first to be so explicit in the title.

The film also asks another question, perhaps philosophical or ethical: do dead bodies have value? Certainly murder is a terrible crime, but what of people who died naturally? Certainly their owners do longer need them -- why not be taken for medical science? (We now have donor cards and the like, but indeed, how were surgeons to learn their craft without practice?)

With some very familiar faces from British TV & film this little film is quite good, the scenery is quite atmospheric, maybe the direction might have been a little stronger but overall it's good fun black comedy from early 70's... British style !