Blindman, le justicier aveugle

This Spaghetti Western can be easily ranked as one of the top 20 of all time. T. Anthony was phenomenal for getting bad reviews and especially slandered for his acting he pulled off the blind role amazingly. I definitely agree, he is among the better actors such as Nero, Van Cleef, Kinski, and Milian. He is a better actor than Gemma and that is for sure. Blindman is a person who will not quit and is determined not to allow his handicap to get in the way with his business and that is to deliver 50 women to the miners. The movie was actioned packed throughout and kept the audience at full attention. I was honestly thinking to myself how is this plot going to be believable but it is very fun to watch and entertaining throughout. The movie added some very funny comedy to it which spiced it up a bit. I highly recommend this movie to die-hard spaghetti western fans.

Ferdinando Baldi's Spaghetti take on the 'Zatoichi' films is one of the most stylish and enjoyable Spaghetti Westerns I've seen. Tony Anthony stars as the titular hero who is after a group of seedy Mexican bandits (one of which is played by...Ringo Starr!) who have kidnapped 50 women that he was supposed to take to some miners in Texas. Loaded with well-directed scenes of violence and gratuitous nudity, 'Blindman' is a must-see. Ha-ha what a knee-slapper!

The most noticeable thing about Ferdinando Baldi's "Blindman" is that Ringo Starr plays a supporting role in it. Yes, the annular member of the Beatles appears in a spaghetti western...with his voice dubbed! It's more than a little jarring to hear the man who sang "Yellow Submarine" and "Octopus's Garden" have a neutral accent.

But anyway, it's an OK movie, not great. Tony Anthony plays a man hired to deliver fifty brides to the miners, but the brides get kidnapped and so he has to take charge. It's got a lot of the things that we can expect in a spaghetti western, along with a few things that wouldn't have been acceptable just a few years earlier. It's a fairly interesting flick, partly to see the most famous drummer in the world play a bandit, but mostly just to see this lesser known entry in the genre. Good times.

PS: Producer Saul Swimmer also co-produced the documentary "Let It Be" and directed the documentary about George Harrison's Concert for Bangladesh. In other words, this is one spaghetti western that's all about the Fab Four.

It's not the first and it won't be the last spaghetti western that sees a purely iconic anti-hero roaming the sierras of Almeria in search of loot, money or treasure of one kind or the other. But it's the first and probably the last time that such a loot will have feminists and other PC characters foaming so furiously in the mouth. The titular Blindman (Tony Anthony) has a contract to deliver 50 women to the workers of a mine in Texas, only he's about to discover his cargo has been stolen by a sardonic baddie named Domingo and is being kept somewhere in Mexico.

If I use the word 'cargo' to describe the 50 hapless women, it's because that's exactly how the movie treats them; as objects to be ravaged, enjoyed or transported as the need arises. They're herded and driven tied in wagons like cattle, washed with buckets of water like animals in a stable and always regarded as a piece of entertainment. Feminists will have a ball of course but Ferdinando Baldi's movie avoids any and all questions of moral and sexist nature by taking a purely cartoonish road. Blindman does not ask the viewer regard it as a serious piece of cinema anymore than it regards itself as such.

After the half-hour mark story becomes largely irrelevant and it's all about the set-piece and the explosive action. It's more or less Blindman trying to get his 50 women while they're being taken from one place to the other – but every five minutes someone is getting shot at or something blows up.

The two most prominent set-pieces among them being first the sight of the fifty women dressed in white nightgowns running scared through the desert while they're being pursued by a dozen savage Mexicans in heat, who proceed to shoot them, tear their clothes and take them right there and then. The other is the closing shootout taking place in a large windswept cemetery that perhaps recalls the ending of DJANGO.

Another interesting angle here is that the connection between the spaghetti western and samurai cinema is furthered by having protagonist Blindman explicitly homage blind masseur swordsman Ichi from the ZATOICHI series, perhaps the single most popular serialized character in Japanese chambara. Blindman is cut from the same mold of solitary badass as Shintaro Katsu's blind swordsman and he shares the same impeccable aim despite his physical shortcoming. But that's something the avid genre fan already knows – the moment Blindman appears on screen we know he's going to kick ass and kick ass he does. He even hefts his Winchester like a two-handed sword and there's a bayonet in the rifle to further resemble the samurai sword.

This is one of those movies that is just plain great. I would recommend this movie to anyone, not just spaghetti western fans.

Tony Anthony is great in this movie. This is the second Anthony spaghetti western that I have seen, and the other one (A Dollar Between the Teeth) is incredible also. After seeing this film, I am convinced that Tony Anthony deserves more recognition as a spaghetti western star than he has gotten. He belongs right up there with Nero, Gemma, Eastwood, and Milian (no one comes close to Lee Van Cleef). His character in this film is one tough hombre. He really takes a beating, but always returns to create Hell on Earth for his enemies. He has a lot of great lines in this movie too.

The movie really stretches ones suspension of disbelief when the blind man is able to ride a horse to Mexico, and when he exhibits his uncanny ability to aim a gun, but this is such a high-quality film that it manages to pull it off with ease.

The music score is excellent -a great classic spaghetti western sound with a little bit of sitar thrown in.

Besides being a spaghetti western, this film also borrows some elements from exploitation movies, (lots of scantily clad and naked women, women behind bars, etc.) but manages to do it without sacrificing the quality of the movie. Fans of both genres should be especially pleased with this film.

This is a must-see for spaghetti western fans, and I highly recommend it to anyone who enjoys movies that are somewhat off-beat, and very well made.