Black Beauty

Most of the reviewers giving this movie a low rating do so because they don't think it followed the original book. I didn't read the book, but watched the movie. It was fine, with action, adventure, some violence, humor and sadness. Even a touch of romance. So anyone reading this who has not read the book or seen the movie yet, it's good entertainment, but probably not for real young children. For those who have read the book, don't judge the movie on your misguided thinking that movies have to mimic the book. They can be different and both be good.

This internationally-produced version of the oft-filmed Anna Sewell classic about the adventures and misadventures of a horse that is seperated from its original owners is the best of several films based on the timeless tale. Mark Lester stars as the young boy who longs to be reunited with his beloved horse. The film rarely strays from its source, and I believe this is superior to the 1994 remake.

This is an excellent little horsey film with Mark Lester, the angel-faced victim of Bill Sykes (Oliver!), now playing the farm boy on what looks like Exmoor or somewhere similar (perhaps Scotland). His nemesis this time is the terrible, sadistic Sam Greene (Patrick Mower) whose mission is to wreak havoc on everyone on his newly-inherited estate following the death of his altruistic father.

Really, it's a bit of a naturalist film, with the actual birth of Black Beauty himself shown and lots of delightful shots of rural, country life in England amidst classical English landscape. There really is some fine cinematography with sweeping panoramic landscapes, etc. The Pro-Hunting enthusiasts in England would now love this film and there are tons of shots of bands of red tunic huntsmen all over the place, with packs of dogs and stuff in hot pursuit.

However, the editing is clumsy and contrived and the director seems to want to create some sort of pseudo-art film, with lots of slow motion shots of hunting accompanied by a cheesy, amateurish soundtrack.

This is a movie that can be looked at one of two ways. You can look at it as an adaptation of Anna Sewell's classic novel, or you can look at it as a story about a bunch of people who all happen to own the same horse. I'll do both.

As an adaptation of the novel this movie disappoints terribly. The plot bears almost no relation to the original story. Classic characters like John Manly, Reuben Smith, and Jerry Barker are cut out completely. New characters are often shallow and one-dimensional. Ginger, one of the most important horses in the story, acting as a foil for Black Beauty and with her own heart-wrenching story is turned into a gelding, given about three seconds of screen time and has no involvement in the actual story. The plot, particularly the ways in which Beauty passes from owner to owner, often seems contrived. On more than one occasion Beauty is simply standing around in the middle of nowhere and someone comes along and finds him. Other times he performs some heroic deed which would merit his owners deciding to keep him forever and the next thing we know he's being sold again. While the novel deeply explores the society of the time and the effects of that society (for better or for worse) on both the humans and the animals this movie disregards that aspect entirely. It portrays some rather stereotypical views. Worse, some of the bad guys are just that: bad guys with no depth or personality. Take for instance the young squire who is cruel for no reason and loves to hurt horses just for the fun of it.

As a movie with complete disregard to the book it isn't half bad. The story as it is presented here is not about the horse; it is about all the different people who own the horse. Beauty isn't a character so much as he is a plot device. If you don't mind the focus shifting from animal to human it is an enjoyable sequence of stories. I stand by what I said earlier about many of the characters being one-dimensional, but when the entire cast is reviewed as a whole it displays a wide range of personalities and backgrounds. There is a good balance between kind and cruel owners. Pacing was fairly good. The movie had a nice balance with enough action but not too much. Cinematography was very nice. Many of the shots of the countryside were beautifully done (if occasionally somewhat overdone). Most of the stories were fairly standard plots (a decent farmer at the mercy of a heartless bank, young lovers forbidden from meeting) but some, such as the circus family were rather creative and even the recycled plots were well done. Acting was good overall.

My conclusion: A good animal and people story, but if you want something closer to the source watch the 1994 version.

Back when there were no computers, long hours when there was often "nothing on" television worth watching (still true, by the way) made you search the library to look for some interesting books to read. My mother had Anna Sewell's "Black Beauty" on the shelf, but it didn't appeal to someone more interested in Tolkien and Twain. Horses were fun to ride, but could you do that in a book? Teenage boredom finally forced open the pages of "Black Beauty", and the horse was out of the barn. The story was immediately captivating because Ms. Sewell creates a wonderful animal character, and tells the story from the horse's point-of-view.

And, you believed it.

Now, you don't. In this adaptation, the all-important personality of the horse "Black Beauty" is almost non-existent, and the story is altered extensively - it really only vaguely resembles the original novel. Paramount filmmakers might have tried a "narration" to evoke some of the original's "first person" narrative, but they didn't. The animal's personality could still come through (as it does with "Lassie" and other animals), but it doesn't. So, we are left with a human protagonist, cute Mark Lester (as Joe Evans), who doesn't seem all that engaged in the role, and doesn't horse around for long. Chris Menges' photography is quite nice, though.

***** Black Beauty (4/71) James Hill ~ Mark Lester, Patrick Mower, Uschi Glas, Peter Lee Lawrence