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The Gilded Age is a period drama series created by Julian Fellowes. The HBO series is set during the Gilded Age in New York City, and it follows Marian Brook, a young woman from rural America, as she enters the rigid social scene of the city and frequently clashes with her neighbors. The Gilded Age stars Carrie Coon, Morgan Spector, Louisa Jacobson, Denée Benton, Taissa Farmiga, Harry Richardson, Blake Ritson, Thomas Cocquerel, Simon Jones, Jack Gilpin, and Cynthia Nixon. So, if you loved the period setting, entertaining story, and compelling characters in The Gilded Age, here are some similar shows you should check out next.

Downton Abbey Credit – ITV

Downton Abbey is a British historical drama series created by Julian Fellowes. The PBS series is set during the early 20th century in the fictional Yorkshire country estate of Downton Abbey,...

On Wednesday July 2 2025, HGTV broadcasts Holmes Family Rescue!

Upstairs, Downstairs Season 3 Episode 5 Episode Summary

The upcoming episode of “Holmes Family Rescue,” titled “Upstairs, Downstairs,” promises to deliver an exciting and emotional journey for Sarah and Matt. After enduring a four-year battle with a bad builder, their home has become a series of structural problems. The Holmes family steps in to help restore the house and bring hope back to this family.

In this episode, viewers will see Mike Holmes and his team tackle the many issues that have plagued Sarah and Matt’s home. The challenges are significant, as the previous work has left the house in disarray. From faulty installations to unsafe structures, the Holmes family will work diligently to fix the mistakes of the past.

The goal is not just to repair the house but to create a safe and welcoming environment for Sarah and Matt’s future.

In the upcoming episode of “Holmes Family Rescue,” titled “Upstairs, Downstairs,” the Holmes family faces a challenging project that promises to tug at the heartstrings. Set to air on Wednesday, July 2, 2025, at 9:00 Pm on HGTV, this episode dives deep into the struggles of Sarah and Matt, who have been living in a home plagued by a four-year nightmare caused by a bad builder. Their house has become more of a burden than a sanctuary, filled with structural issues that need urgent attention.

The Holmes family steps in to help Sarah and Matt reclaim their home. With a keen eye for detail and a knack for problem-solving, they will tackle the mess left behind, addressing the various dysfunctions that have accumulated over the years. This episode promises to showcase the transformation of not just the house, but also the family’s spirit as they work together to create a living...

Doctor Who has paid tribute to classic series cast member Jean Marsh following her death at age 90. Marsh played The First Doctor's companion Sara Kingdom in the 1960s.

BBC News reported that Marsh's friend, the director Sir Michael Lindsay-Hogg, confirmed that Marsh died "peacefully in bed looked after by one of her very loving carers" on Sunday (April 13). Doctor Who later published its own tribute to Marsh on X, saying it was "sad to report" news of the former companion's death.

We're sad to report the passing of Jean Marsh, who played multiple roles in Doctor Who over the years including companion Sara Kingdom, Joan of England and the sorceress Morgaine â¤ï¸â¤ï¸Read more here âž¡ï¸ https://t.co/31gID2TOCqpic.twitter.com/LEhWIpgCln— Doctor Who (@bbcdoctorwho) April 14, 2025 Jean Marsh Dies at Age 90

The actress first appeared in Doctor Who in a minor role in 1965's First Doctor serial "The Crusade,...

Emmy winning English actress Jean Marsh passed away yesterday as a result of complications from dementia. She was 90.

She terrorized many ’80s kids as the head-switching princess Mombi in Return to Oz and the evil queen Bavmorda in Willow.

Marsh’s other genre roles include with Alfred Hitchcock‘s Frenzy, haunted house classic The Changeling, Dark Places opposite Christopher Lee, and the Twilight Zone episode “The Lonely,” in which she played a lifelike robot.

She also co-created and starred in the acclaimed period drama “Upstairs, Downstairs,” for which she won an Emmy for Outstanding Lead Actress in a Drama Series.

Other notable roles among Marsh’s 100+ credits include “Doctor Who,” Cleopatra, and The Eagle Has Landed.

Jean Marsh in ‘Willow’

Jean Marsh in ‘Frenzy’

The post ‘Return to Oz,’ ‘Willow’ Actress Jean Marsh Has Passed Away appeared first on Bloody Disgusting!.

Jean Marsh, the Emmy-winning star of Upstairs, Downstairs, has passed away.

Per the New York Times, Marsh died at her London home on Sunday. According to her close friend, filmmaker Michael Lindsay-Hogg, Marsh's death was attributed to complications from dementia. She was 90 years old.

Jean Lyndsay Torren Marsh was born on July 1, 1934. She attended theater school before making her on-screen debut at the age of 18 in the 1952 TV movie The Infinite Shoeblack. She's make her feature film debut the following year in 1953's The Limping Man. By 1959, she relocated to the United States, picking up a role in the first season of The Twilight Zone as a robot companion created for a prisoner (played by Jack Warden) on an asteroid.

In the early 1970s, Marsh helped launch the TV series Upstairs, Downstairs. The show lasted from 1971 to 1975 in England and from 1974 to 1977 in the United States. Marsh played the role of Rose,...

Jean Marsh, the actress who co-created and starred in Upstairs, Downstairs, has died. She was 90.

Marsh passed away Sunday at her home in London from complications of dementia, her close friend, filmmaker Michael Lindsay-Hogg, told the New York Times.

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Marsh co-created Upstairs, Downstairs, and starred in the series as parlormaid Rose Buck. The ITV drama ran from 1971-1975, during which time Marsh was nominated for three primetime Emmys.

Jean Marsh, the creator and star of the beloved 1970s series “Upstairs, Downstairs,” died Sunday of dementia at her home in London. She was 90.

Marsh’s close friend Michael Lindsay-Hogg confirmed her death and its cause to the New York Times.

“Upstairs, Downstairs” aired from 1971 to 1975 in England and 1974 to 1977 in the United States. The show was about the Bellamy family and the staff that kept their elegant townhome running. Marsh starred as Rose, the head parlor maid.

In 2010 Marsh decided to return to the show by way of a reboot. “At first, I wasn’t sure if it was a retrograde thing to do,” she told the Telegraph at the time. “But then I thought: am I being pompous? It was a wonderful part. I think Rose got into me as much as I got into Rose.”

The reboot took place only six years after the show’s original...

Jean Marsh, the Emmy-winning actress and co-creator behind the acclaimed ’70s ITV period drama Upstairs, Downstairs, has died at the age of 90.

Her cause of death was a result of complications from dementia, her close friend Michael Lindsay-Hogg, told the New York Times, which first reported the news.

Before there was Downton Abbey, the seminal series — set at the turn of the 20th century across nearly three decades of Edwardian England — traced the lives of the fortunate Bellamy family and its servants, set against the backdrop of the era’s sociopolitical upheaval. Marsh starred as Mrs. Rose Buck, the household’s parlormaid, winning a Lead Actress Emmy for the role in 1975 (she was also nominated the year prior and year following). The British series ran from 1971 through 1975, encompassing 68 episodes. It was later revived in 2010 for two seasons for BBC One, tracing the family after the events of the mothership under...

Jean Marsh, best known for both starring and co-creating the British drama series Upstairs, Downstairs, died at the age of 90 on Sunday, April 13. Marsh died from complications of dementia, according to filmmaker Michael Lindsay-Hogg, who was her close friend, via The New York Times. She was in her London home. Marsh was born on July 1, 1934, in the Stoke Newington district in London, England. She studied acting and mime as a child, with her first involvement in the entertainment business coming as a cabaret singer, model, and dancer. Her first time on a Broadway stage was in a production of Much Ado About Nothing in the 1950s, with British actor, director, and producer John Gielgud. Her first onscreen role came in the 1952 BBC TV movie The Infinite Shoeblack. Her other early roles included episodes of The Twilight Zone (as a female robot), Walt Disney’s Wonderful World of Color, and I Spy.

Jean Marsh, the Emmy award-winning actor who co-created and acted in the ’70s British drama series “Upstairs, Downstairs,” died Sunday in her London home. She was 90.

Marsh’s death was confirmed by The New York Times, with the cause being complications of dementia, according to filmmaker and close friend Michael Lindsay-Hogg.

Marsh co-created “Upstairs, Downstairs” with actor Eileen Atkins. Marsh ended up playing Rose Buck, the house parlor maid, throughout 54 episodes of the show from 1971-1975. She also reprised her role in the 2010 continuation of the series.

For her on-screen work, Marsh won a Primetime Emmy in 1975 in the outstanding lead actress in a drama series category. The original run of the show took home seven Emmys and a Peabody Award. In total, Marsh was nominated for four Emmys throughout her career, including for her work in the “Upstairs, Downstairs” reprisal.

Over the years, Marsh starred in numerous films and shows,...

Jean Marsh, the sleek British actress who co-created Upstairs, Downstairs and won an Emmy for her performance as the prim and proper parlormaid Rose Buck on the acclaimed ITV drama, has died. She was 90.

Marsh died Sunday at her home in London from complications of dementia, filmmaker Michael Lindsay-Hogg told The New York Times.

Doctor Who historians know Marsh for her portrayal of Sara Kingdom, who ably assists William Hartnell’s Doctor in his fight against the mutant Daleks, on the third season of the BBC sci-fi series in 1965-66.

A year earlier, she had played King Edward’s French princess sister, Joanna, on the show’s “The Crusade” serial, then returned as the ruthless enchantress Morgaine for 1989’s “Battlefield” storyline.

On American TV shows, the London native starred as an android brought to an asteroid to keep a prisoner (Jack Warden) company on 1959’s “The Lonely,” the seventh episode of CBS’ The Twilight Zone,...

Gone, but not forgotten.

Linda Lavin died Dec. 29, 2024, due to complications from lung cancer. At the time of her death, the beloved 87-year-old actress had filmed seven of 10 episodes of Mid-Century Modern, Hulu's new comedy starring Nathan Lane, Matt Bomer, and Nathan Lee Graham as gay best friends who decide to live together in Palm Springs.

Lavin's role of Sybil Schneiderman, the mother of Bunny (Lane), has been receiving Emmy buzz following the sitcom's premiere on March 28. She currently ranks among the top 10 for Best Comedy Supporting Actress, according to the Gold Derby odds. To date, only 11 actresses have received posthumous Emmy nominations, so Lavin would be in rare company, indeed.

Here's a clip of one of Lavin's final scenes from Mid-Century Modern. Sybil's spicy side is in full display as she yells at a stranger on the phone who's trying to con her, with Lavin delivering perfect comedic timing.

Netflix’s “The Crown” could be set to join an exclusive Emmys club by winning the award for Best Drama Series for its final season.

The period show wrapped up late last year by exploring the death of Diana, the Princess of Wales; the premiership of Tony Blair; and the wedding between Prince Charles and Camilla Parker Bowles. This sixth season saw the return of Imelda Staunton as Queen Elizabeth, Jonathan Pryce as Prince Phillip, Lesley Manville as Princess Margaret, Dominic West as Charles, and Elizabeth Debicki asDiana. The show earned rave reviews.

Aramide Tinubu (Variety) noted: “With this devastating first section of its final chapter, Netflix’s crown jewel bids farewell to an icon, and retakes its throne.”

Melanie McDonagh (Evening Standard) observed: “This season is even more plagued than the rest by us knowing what happens. The interest is in how we get there. And boy, Peter Morgan fills the gaps.

The 2024 Emmy Awards will feature a best drama series field that’s almost entirely different than the nominees for the last awards. But rather than a wholesale changing of the guard, the nearly unprecedented turnover is more a function of the way TV works now.

Of last year’s eight drama series contenders, two — HBO’s Succession (which won the award) and AMC’s Better Call Saul — were nominated for their final seasons. Five others aren’t eligible for this year’s Emmys: Andor, House of the Dragon, The Last of Us, The White Lotus and Yellowjackets didn’t air any new episodes in the eligibility period of June 1, 2023-May 31, 2024.

Only The Crown is a repeat nominee from the 75th Emmys. The last time only one drama series from the previous year was nominated was exactly 50 years ago, when The Waltons (which won the award in 1973) was nominated in 1974 alongside Kojak,...

Parting is such sweet sorrow, particularly when it comes to Emmy voters. In recent years, the TV academy has given goodbye hugs to four Best Drama Series contenders for their final seasons: “Succession” (2023), “Game of Thrones” (2019), “Breaking Bad” (2014) and “The Sopranos” (2007). The only other dramas to land on this farewell list all hail from many decades ago: “Upstairs, Downstairs” (1977), “Elizabeth R” (1972), “The Bold Ones: The Senator” (1971) and “Playhouse 90” (1960). Will “The Crown” now become the ninth such program at the upcoming 2024 Emmys?

According to Gold Derby’s early Emmy odds, “The Crown” is way out front to win Best Drama Series for its sixth and final season. Rounding out the likely Top 8 nominees are “The Morning Show,” “The Gilded Age,” “Slow Horses,” “Loki,” “3 Body Problem,” “The Curse” and “Sugar.” Netflix notably split up the last episodes of “The Crown” into two parts — the first part streamed November 16 and dealt...

"Mary Poppins" has been a beloved children's film since its release in 1964. The musical comedy was a veritable hit among British and American audiences alike and launched the career of the incomparable Julie Andrews, who became one of the brightest stars of the late 20th century.

The Disney classic swept the 1965 Oscars, earning Andrews an Academy Award for her performance and snagging additional awards for visual effects, editing, and music. The film was a great triumph for the studio as well as the stars. It was immediately recognized as the masterpiece that it is and has only retained and strengthened its legendary status with age.

Sadly, as the picture ages, so too do the actors that made it such an unforgettable romp. Very few members of the main cast are still alive today and the ones that haven't made it might surprise you. Glynis Johns, who played suffragette and mother...

“Succession” went out on top for its fourth and final season, ending up with six Emmys Monday night including the top prize. The HBO series took home the prize for outstanding drama series for the second consecutive year and third consecutive season. It joins other three-peaters like “The Defenders,” “Dragnet,” “Playhouse 90” and “Upstairs, Downstairs.”

While accepting the prize, series creator Jesse Armstrong said, “We want to thank HBO. This wasn’t necessarily an easy show to commission right at the very beginning.”

He went on to say hello to “Jeremy Strong, who’s making a movie and Lucy, who’s made a baby. We send our love to both of them.”

Armstrong then grimly joked, “This is a show about family, but it’s also about when partisan politics and news coverage gets intertwined with divisive right-wing politics. After four seasons of satire, that’s a problem I understand we have now fixed.

Carl Davis, who composed the scores for The French Lieutenant’s Woman, the BBC miniseries Pride and Prejudice and perhaps most famously Abel Gance’s epic 1927 silent film Napoléon, has died. He was 86.

Davis died Thursday after suffering a brain hemorrhage, his family announced.

“We are so proud that Carl’s legacy will be his astonishing impact on music,” they wrote on Twitter. “A consummate all-round musician, he was the driving force behind the reinvention of the silent movie for this generation, and he wrote scores for some of the most-loved and remembered British television dramas.”

Born in Brooklyn but living in the U.K. since 1961, Davis was hired by documentarians Kevin Brownlow and David Gill to create music for the 13-hour 1980 miniseries Hollywood: A Celebration of the American Silent Film and for Napoléon.

“My first score for a silent movie was Napoleon,” he said in 2010. “Five hours of it! It...

With its abundance of positive reviews and heaps of industry accolades, “Succession” can unequivocally be counted as one of the most highly revered series in TV history. Judging by the impression its final batch of episodes have made on viewers so far, it seems like it will be the show to beat at the upcoming Emmys. After winning Best Drama Series in 2020 and 2022, the HBO hit could now take the prize for its farewell installment, emulating just seven other programs.

The fourth and final season of “Succession,” which premiered on March 26, follows the fractured Roy family as they close in on the inevitable reality of patriarch Logan (Brian Cox) no longer being in charge of Waystar Royco. As hard as they try to distance themselves from him, Logan’s emotionally stunted adult children continually find it impossible to escape his powerful influence.

SEEExperts slugfest: Guessing the 2023 Emmy guest categories

The...

Logan Roy f—ing wins and so does “Succession.” The HBO hit has won Best Drama Series at the Emmys the last two times it was eligible and is the runaway favorite in the odds to snag a third trophy for its fourth and final season. Should that happen, “Succession” will join a quickly expanding list of shows to win the series honor for its last season.

Prior to 2000, only five shows that ran for multiple seasons managed to take home the top prize with its final outing: “Playhouse 90”, “The Dick Van Dyke Show”, “Upstairs, Downstairs”, “The Mary Tyler Moore Show” and “Barney Miller”. It’d be 23 years before another farewell coronation occurred. “Everybody Loves Raymond” won comedy series in 2005, its second total, for its ninth and final season. Two years later, “The Sopranos” cut to black with its second drama series statuette for the second part of its sixth and final installment.

As of this writing, all of Gold Derby’s Experts (our savvy pundits from major media outlets) and Editors (our staffers who write about awards year-round) are in agreement that Jennifer Coolidge (“The White Lotus: Sicily”) will win at the 2023 Emmys in Best Drama Supporting Actress. This would be her second consecutive Emmy Award for playing fan-favorite socialite Tanya McQuoid on the HBO show. However, her trophies would be in different categories, as “The White Lotus” is making a Tanya-esque leap this year (just use the ladder!) from a limited series to a drama series.

Amazingly enough, there is recent precedent for this exact scenario at the Emmys. Maggie Smith (“Downton Abbey”) won in the same supporting actress categories for playing Violet Crawley both before and after her PBS show swapped genres.

See‘The White Lotus’: What are its Emmy chances now that it’s competing as a drama series?...

After being consistently overlooked since 2016, “Better Call Saul” has finally received its first Best Drama Series Golden Globe nomination. This long overdue recognition comes for the AMC program’s sixth and final season, which aired in two parts over the spring and summer of 2022. The prequel and sequel series to “Breaking Bad” has already followed its predecessor by only catching the attention of the Hollywood Foreign Press Association with its bifurcated last batch of episodes, and it could now further emulate it by pulling off a last minute victory in the top category.

“Breaking Bad” won Best Drama Series in 2014 immediately after the first half of its fifth season came up short against “Homeland.” 13 years after first being introduced as Walter White’s sleazy strip mall lawyer, Jimmy “Saul Goodman” McGill’s story has come to an end, and Bob Odenkirk’s portrayal of the character has earned him his...

British author Fay Weldon, best known for “The Life and Loves of a She-Devil” and “The Cloning of Joanna May,” has died. She was 91.

Weldon’s agent tweeted a family statement on Wednesday. “It is with great sadness that we announce the death of Fay Weldon (Cbe), author, essayist and playwright. She died peacefully this morning 4th January 2023.” A cause of death was not revealed.

Fay Weldon – Family Announcement.

It is with great sadness that we announce the death of Fay Weldon (Cbe), author, essayist and playwright. She died peacefully this morning 4th January 2023. pic.twitter.com/1nsp4qHlHv

— Georgina Capel Assoc (@GeorginaCapel) January 4, 2023

Weldon’s works were adapted numerous times for the screen. “The Life and Loves of a She-Devil” (1983), where a woman who loses her husband to a romance novelist goes to extreme lengths to make their lives a misery, was adapted both as a multiple BAFTA-winning BBC...

Five seasons into its six-season run, “The Crown” has covered nearly two-thirds of Queen Elizabeth II’s 70-year reign over the United Kingdom. So far, the Netflix drama has racked up a slew of awards, including 21 Emmys from 63 nominations. Part of its appeal stems from its unique structure, wherein each season encapsulates a decade of British history and the principal roles change hands in order to reflect this passage of time. This version of the queen has been played to acclaim by Claire Foy, Olivia Colman and Imelda Staunton, but which actress has done the best job of embodying the monarch? Vote for your favorite Queen Elizabeth in our poll below and then defend your choice in the comments section.

See Editors’ slugfest: Reactions to 2023 Golden Globe TV nominations — ‘Abbott Elementary’ schools everyone [Watch]

Foy, who had previously appeared on such programs as “Upstairs Downstairs” and “Wolf Hall,” starred as Elizabeth II...

Mylène Demongeot in recent years and in the British comedy Upstairs, Downstairs made in 1959 and directed by Ralph Thomas Photo: UniFrance One of the last surviving French sex symbols from the Fifties and Sixties Mylène Demongeot has died at the age of 87 after a long illness.

Demongeot who spent her youth in Montpellier and adored the region around the town, latterly had devoted herself to animal rights in common with her contemporary Brigitte Bardot. Bardot wrote in one of her books that "Mylène was my little cinema sister, then became my combat sister, a libra like me, she has always loved animals”.

After the death of her long-standing companion Didier Raoult, the actress had her own battles with cancer and recently coronavirus against which she had declined to be vaccinated, claiming to have multiple allergies.

One of Mylène Demongeot’s last screen appearances with Gérard Depardieu in Retirement Home Photo:...

Love Actually actor Meg Wynn Owen had £65,000 stolen from her by friend and costume designer, a judge has ruled.

Owen died aged 82 in June this year. She suffered from dementia and was moved into a care home in Cardiff, Wales, in 2015.

According to Wales Online, her move came months after her friend Brian Malam, 60, was named her power of attorney due to her dementia in 2014.

Owen appeared in films including Love Actually, and Pride & Prejudice. She also made an appearance in Doctor Who, as well as the series Upstairs Downstairs.

Malam had pleaded guilty to fraud when he appeared in court for sentencing. He received a sentence of 32 months in prison.

Delivering Malam’s sentence, a judge said that the costume designer had abused the legal powers that he had been granted and “betrayed” a friend of his.

The Cardiff Crown Court heard that Malam’s visits to Owen...

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies shaking up the offshore marketplace. This week, we’re talking to Carnival Films executive chairman Gareth Neame, the producer behind the global British hit franchise Downton Abbey. The company, which Neame sold to NBC Universal in 2008, continues to be one of the heavy hitters when it comes to producing high-end dramas that have global reach.

Nothing in Gareth Neame’s career has been an accident. The veteran British producer is perhaps best known for the global phenomenon Downton Abbey, which he exec produced through his banner Carnival Films. The series, which won 15 Primetime Emmy Awards with 69 nominations (making it the most nominated non-u.S. show in Emmy history), has spawned six series and two films, the latest of which, Downton Abbey: A New Era, will begin its global rollout in the UK...

Originally published Jan. 26.

We are living in the age of the redemptionpic. It’s a more specific formula than your standard biopic — or bio miniseries, as the case may be. In such fare as “I, Tonya” and “The People vs. O.J. Simpson,” we have discovered the joy of revisiting a famously well-covered tale, this time with the empathy and the hindsight of modern times. It’s a wildly satisfying cocktail. Current actors impersonate famous people of yore for our pleasure. We get hits of nostalgia via the styling and references of a more innocent era. And we wallow in the smug satisfaction that we are much better people now; we are not, say, as ignorant of sexism or racism or economic disparity as those rubes from a past decade were. We might not come out forgiving O.J. Simpson, but we now appreciate the forces at play — and, man, do we feel for Marcia Clark.

When Chilean filmmaker Pablo Larraín reached out to meet Steven Knight, he had never met the virtuosic British screenwriter behind Oscar-nominated “Dirty Pretty Things,” series “Peaky Blinders,” Tom Hardy vehicles “Locke” and “Taboo,” and most recently, Doug Liman’s pandemic drama “Lockdown.” Inspired by a photo of the filmmaker’s mother from the ’90s when she was the same age as Princess Diana, Larraín wanted to dig into why this famously unhappy royal touched so many people around the world. “I wondered why Diana had created such a level of empathy,” Larraín told IndieWire. “It’s a very complex answer.”

The filmmaker met the screenwriter for breakfast at the Covent Garden Hotel. “It hadn’t been a subject that preoccupied me at all previously,” Knight told me in a Zoom interview. “And it isn’t the sort of thing I would normally do, which made me attracted to it immediately.

When Chilean filmmaker Pablo Larraín reached out to meet Steven Knight, he had never met the virtuosic British screenwriter behind Oscar-nominated “Dirty Pretty Things,” series “Peaky Blinders,” Tom Hardy vehicles “Locke” and “Taboo,” and most recently, Doug Liman’s pandemic drama “Lockdown.” Inspired by a photo of the filmmaker’s mother from the ’90s when she was the same age as Princess Diana, Larraín wanted to dig into why this famously unhappy royal touched so many people around the world. “I wondered why Diana had created such a level of empathy,” Larraín told IndieWire. “It’s a very complex answer.”

The filmmaker met the screenwriter for breakfast at the Covent Garden Hotel. “It hadn’t been a subject that preoccupied me at all previously,” Knight told me in a Zoom interview. “And it isn’t the sort of thing I would normally do, which made me attracted to it immediately.

Kate Winslet is currently in first place in our early Emmy odds to win Best Limited/TV Movie Actress for “Mare of Easttown.” It would be her second Emmy and second win in the category — a perfect 10 years after her first.

The Oscar winner took home her first statuette for her performance on Todd Haynes‘ HBO miniseries “Mildred Pierce,” her first collaboration with the network. She beat out Taraji P. Henson (“Taken from Me: The Tiffany Rubin Story”), Diane Lane (“Cinema Verite”), Jean Marsh (“Upstairs Downstairs”) and Elizabeth McGovern (“Downton Abbey”). Remember when “Downton” competed as a miniseries? Good times. That’s how long ago this was.

“Oh, I didn’t think we were gonna win anything. Oh, look, I really did win it!” Winslet exclaimed upon accepting the trophy (watch above). “This means such a great deal to all of us because this really, I feel like, had nothing to do with me.

Nicola Pagett, who portrayed the rebellious daughter Elizabeth Bellamy on the acclaimed 1970s British miniseries Upstairs, Downstairs, died Wednesday of complications from a brain tumor, The Guardian reported. She was 75.

Pagett’s notable small-screen work also included a turn as Elizabeth Fanschawe in the 1973 telefilm Frankenstein: The True Story and as the star of the 10-episode 1977 miniseries Anna Karenina.

On the big screen, Pagett appeared in such films as Anne of a Thousand Days (1969), There’s a Girl in My Soup (1970), Operation: Daybreak (1975), Privates on Parade (1983) and Mike Newell’s An Awfully Big Adventure (1995).

A West End regular, Pagett starred with Michael ...

Nicola Pagett, who portrayed the rebellious daughter Elizabeth Bellamy on the acclaimed 1970s British miniseries Upstairs, Downstairs, died Wednesday of complications from a brain tumor, The Guardian reported. She was 75.

Pagett’s notable small-screen work also included a turn as Elizabeth Fanschawe in the 1973 telefilm Frankenstein: The True Story and as the star of the 10-episode 1977 miniseries Anna Karenina.

On the big screen, Pagett appeared in such films as Anne of a Thousand Days (1969), There’s a Girl in My Soup (1970), Operation: Daybreak (1975), Privates on Parade (1983) and Mike Newell’s An Awfully Big Adventure (1995).

A West End regular, Pagett starred with Michael ...

Lucy forgot her glasses, CBS was the king of the networks with 55 major nominations and three film legends found love among Emmy voters. The 27th Emmy Awards was held on May 19, 1975, and was the first of four ceremonies in its 72-year history without a host; however, the evening was not without laughs. Let’s flashback to the Emmys 45 years ago.

Leave it to the first Queen of Television Comedy to provide some entertainment for the host-less evening. Lucille Ball was given the honor of announcing the winner for Best Comedy Series, but the 63-year-old forgot her eyeglasses. After fumbling with the envelopes, she despaired that she was “really in trouble.” But an old friend and fellow comedy legend came to her aid — Milton Berle jumped onstage and offered an empty wine glass to look through. Did our favorite redhead forget her glasses, or did this comic duo plan the laughs?...

Whenever modern times become troublesome, Emmy voters love to escape to those corseted glory days when the world bowed sensibly to British aristocracy. They heaped awards on “Downton Abbey” (15 Emmys) “Upstairs, Downstairs” (7) and their TV peers and now, at this time of coronavirus, here comes “Belgravia” on Epix courtesy of “Downton” creator Julian Fellowes and his team of fellow Emmy faves like music composer John Lunn and production designer Donal Woods.

Voters can now get luxuriously lost in costumes that sparkle with silver brocade and pearls as they spin in the dim candlelight struggling to illuminate a duchess’ ball. Grand dames get huffy, of course, servants scheme, soldiers fall for empire and there are whispers of a bastard heir hovering in this elegant neighborhood (Belgravia) of London in the 1840s.

But, wait, it’s important not to lose sight of the fine details in this TV production: how the color...

“Parasite,” a twisty look at a poor family’s attempts to insinuate itself into the lives of its rich employers, is a worldwide box office phenomenon, a critical sensation and a bona fide awards contender. It’s also the rare Korean film to be embraced in the United States, where it has racked up $12.5 million and counting to become the highest-grossing foreign language film of the year. Globally, it has sold more than $109 million in tickets. Clearly something remarkable is going on here, and it’s partly attributable to the way the movie’s subversive portrait of class tensions resonates at a time when economic inequality has become a dominant political issue.

It’s not just the politically driven fall film of choice for Bernie Sanders supporters. “Parasite” has exponentially raised the profile of writer-director Bong Joon Ho, who has earned a cult following over the past two decades with the likes of “Mother,...

Elizabeth McGovern stars as Lady Grantham and Hugh Bonneville as Lord Grantham and in Downton Abbey, a Focus Features release. Credit: Jaap Buitendijk / © 2019 Focus Features, LLC

Fans of the highly-praised British historical TV series will welcome the return of Downton Abbey but this return to the lavish, high-fashion1920s and the entertaining aristocratic Crawley family, and their equally-entertaining resourceful servants, delivers delights for those who are not familiar with the popular show as well. The movie picks up not too long after the end of the series, as the Crawley family prepares for an overnight visit by the king and queen, a treat that sends everyone, upstairs and down, scrambling to make sure everything is perfect. The royal visit creates a focus to revisit the characters, and once again experience the show’s mix of snappy dialog, colorful personalities, and social commentary in a time of momentous change.

A lot...

Most Oscarologists are aware that half of the Best Picture winners so far this decade have been biopics or truth-based tales featuring real-life people. The titles? “The King’s Speech,” “Argo,” “12 Years a Slave,” “Spotlight” and “Green Book.”

But did you realize that Emmy’s limited series contest also has a long-held fondness for truth-based tales. Looking at the Gold Derby combined odds list, I realized that five out of the top six contenders are either biopics or accounts of an impactful real-life event. Showtime’s “Escape at Dannemora,” the front-runner for now before the Emmy nominations are announced on Tuesday, is based on a 2015 prison escape in Upstate New York (see photo above). HBO’s historical drama “Chernobyl” zeroes in on the 1986 nuclear disaster in the Soviet Union.

SEEWhat is the secret behind Patricia Arquette’s riveting ‘Escape at Dannemora’ performance

Netflix’s “When They See Us” is...

The final season of “Veep” (*sniff*) will begin airing Sunday, March 31 on HBO. Since this political satire won the Emmy for Best Comedy Series the last three times it was eligible (2015-17), it’s sure to be a force at the upcoming 2019 ceremony. If “Veep” prevails yet again, it’ll be the first time in 14 years that a show won Best Comedy Series for its final season, since “Everybody Loves Raymond” pulled off this rare feat in 2005. Prior to that, “The Mary Tyler Moore Show” (1977) and “Barney Miller” (1982) were the other two laffers to take home the top prize for their final hurrahs.

Over the course of its first six seasons “Veep” has been nominated for 59 Emmys and won 17, including a record six in a row in Best Comedy Actress for Julia Louis-Dreyfus as one-time bumbling vice president Selina Meyer. Other major victories through the years came in Best Comedy...

For the first time since 1976, the Golden Globe Awards did not nominate any past nominees for Best Drama Series. The nominees are four new dramas and one returning drama that the Hollywood Foreign Press Assn. had not previously acknowledged in the top category (“The Americans”).

Incumbent nominees “The Crown,” “Game of Thrones” and “Stranger Things” were ineligible because they did not air in 2018; fellow incumbent “The Handmaid’s Tale” was relegated to nominations for its actresses and the other incumbent “This is Us” was shut out for the first time.

Eligible past winners “The Affair,” “Grey’s Anatomy” and “Mr. Robot” were also snubbed as were eligible past nominees “Empire” and “House of Cards.” “Outlander” and “Westworld” were the only past Best Drama Series nominees other than “The Handmaid’s Tale” to factor into the nominations; they also received recognition only for their actresses.

SEEour editors react to the Golden Globe television nominations.

This year’s Best Drama Series race has awards pundits on the edge of their seats as it notably showcases the first-ever Emmys face-off between TV’s two most recent winners: “Game of Thrones” claimed victory in 2015 and 2016, but “The Handmaid’s Tale” prevailed last year as “GoT” was ineligible, so they’re both defending champions in a sense. According to Gold Derby’s Emmy predictions, Hulu’s streaming hit will overwhelmingly dethrone HBO’s fantasy epic in their first head-to-head battle, despite “Game of Thrones” earning more trophies (seven) than “Handmaid’s Tale” (three) at last weekend’s Creative Arts Emmys.

“The Handmaid’s Tale” has leading 1/2 odds to win Best Drama Series on Monday night. Of Gold Derby’s 26 Emmy Experts from major media outlets, a whopping 16 of them think the show will win a bookend trophy. In addition, eight of our nine staff Editors think the show will prevail,...

“Bodyguard” has stellar launch ratings to protect as it continues its run on BBC One in the U.K. The pubcaster has heralded the series opener as its biggest new drama, and best scripted launch on any U.K. channel, since 2006.

The U.K.-set series stars Richard Madden (“Game of Thrones”) as a war veteran turned cop, assigned to protect a senior politician, Keeley Hawes, whose politics he despises. The show generated a consolidated viewing figures of 10.4 million, with a 40.9% share. In the coveted-after 16-34 demo, it won 1.2 million viewers.

The BBC said Tuesday that the first episode also broke records on its iPlayer catch-up service with 2.2 million requests in its first seven days and three million requests to date. The pubcaster has made the first three episodes of the six-part drama available on iPlayer. The figures make the series the number one U.K. drama of 2018.

The show...

Of the seven Best Drama Series Emmy nominees, only one is competing for the final time: “The Americans.” The espionage drama, which wrapped its six-season run in May, is sitting in third place in our predictions behind frontrunners “The Handmaid’s Tale” and “Game of Thrones.” If it manages to pull off the upset, it’d join a small club of shows that won the top prize for its final season.

Logic dictates that voters might want to give a departing series a farewell hug, but that’s a human, real-world response. Emmy voters are quite ruthless and not very sentimental; they hand out the nominations for last chance contenders, but the wins are harder to come by. That’s because they tend to latch onto a series early and keep rewarding it before moving on, so by the time the old favorite ends, they already have a new toy to play with.

The Best Drama Series Emmy is “Game of Thrones”‘ — in 2019. In a recent poll, 61 percent of our readers are more confident in the show taking the top prize next year — for its eighth and final season — than they are this year.

That jibes with our current predictions, which has “Game of Thrones” sitting in second place in our odds behind reigning champ “The Handmaid’s Tale.” “Game of Thrones” leads the field with 22 nominations, boding well for it to reclaim the award it won in 2015 and 2016 before it took a year off. But “Handmaid’s” is only two behind with 20 nominations. And if you believe in telling stats, only one other show has won Best Drama Series for its seventh season, which is what “Game of Thrones” is trying to do: “Law & Order” in 1997.

See Best Drama Series Emmy episode submissions revealed for all 7 nominees (Exclusive)

Should “Game of Thrones...

“Game of Thrones” had to cede its Emmy throne last year after sitting out the eligibility cycle, paving the way for “The Handmaid’s Tale” to claim Best Drama Series. It’s back with a vengeance, earning a leading 22 nominations, so it could pick up right where it left off, with its third series statuette. If it does, it would only be the fourth series to reclaim the prize.

“Upstairs, Downstairs” first achieved this, winning Best Drama Series in 1974, 1975 and 1977. It competed in Best Limited series in 1976 and won that too. “L.A. Law” prevailed for its inaugural season in 1987, lost to “thirtysomething” the next year before winning three in a row. “The Sopranos” finally took home the top prize in 2004 and nabbed a second one for its final season in 2007. All the other 13 multiple Best Drama Series winners — including “Game of Thrones” so far and four-time champs “Hill Street Blues,...

FX’s “The Americans” went out with a bang this spring, drawing rave reviews for its final season. Will the Emmy Awards now give the acclaimed spy drama a farewell salute in terms of a victory for Best Drama Series? Throughout Emmy history we’ve seen various examples of voters giving hugs to departing shows, but only three dramas walked off with the top series award for their final season: “Breaking Bad” (2014), “The Sopranos” (2007) and “Upstairs, Downstairs” (1977).

SEEHere’s why ‘The Americans’ will kill the competition at the Emmys for its final season

“The Americans” was not an instant hit at the Emmys, managing only three nominations for its first two seasons: Best Main Title Theme Music for Nathan Barr and two bids in Best Drama Guest Actress for Margo Martindale. Then in Season 3, Joshua Brand earned a nom for Best Drama Writing as Martindale won an Emmy for her...

Can “Game of Thrones” take back the Emmy throne? The HBO series was on an Emmy roll, taking two Best Drama Series prizes en route to becoming the most awarded primetime series ever before it skipped last year’s cycle. That opened the door for “The Handmaid’s Tale” to snag the top award, but trying to reclaim what was once theirs hasn’t historically been easy for past champs.

Only three Best Drama Series winners have scored non-consecutive awards. “The Sopranos” finally won Best Drama Series in 2004 for its fifth season and then bagged a bookend Emmy for its last season in 2007. “Upstairs, Downstairs” took home two straight in 1974 and 1975, sat out 1976 and won its third Emmy in 1977. “L.A. Law” earned the top honor for its first season in 1987, lost to “thirtysomething” the next year and then won three in a row.

See Emmys: Will Peter Dinklage (‘Game of Thrones...

“Game of Thrones” had a long hiatus between seasons six and seven, so it didn’t have any new episodes eligible to compete at the 2017 Emmys. But its seventh season finally aired last summer, so it’s eligible to return to the 2018 Emmy lineup. Given its dominance in previous years, including consecutive victories for Best Drama Series in 2015 and 2016, most of our users predict that it will at least be nominated again in the top category, and if it does it will join an elite list of shows that have been nominated for Best Drama Series seven times.

Seven bids for Best Drama would tie “Game of Thrones” for third place on the list of the most nominated shows in the history of that category. “Studio One” (1951-1956), “ER” (1995-2001), “The Sopranos” (1999-2001, 2003-2004, 2006-2007) and “The West Wing” (2000-2006) also earned seven bids during their runs. And “Game of Thrones...

Here's something crazy: It's going to be difficult for Sunday's 59th Primetime Emmy Awards to top last weekend's Creative Arts Emmy extravaganza that found Kathy Griffin managing to use Christ's name in vain during an acceptance speech and Elaine Stritch declaring, "I'm a recovering alcoholic, a riddled diabetic and I've got laryngitis -- but I just won an Emmy!"

Indeed, Tony Soprano has nothing on Griffin, whose outstanding reality series triumph for her Bravo series My Life on the D-List inspired her to utter remarks that are being censored from Saturday night's taped telecast on E! even though a Saturday Night Live parody tune titled "Dick in a Box" earned its own Emmy the same night.

By contrast, decorum is expected to carry the night Sunday at the Shrine Auditorium -- along with 15-time nominee The Sopranos. It would, to be sure, prove a monumental upset were the iconic HBO mob hour somehow to be denied the statuette for outstanding drama series in its much-hyped swan song campaign.

However, if these confounding awards have taught us anything, it's that the Emmys are rarely anyone's rubber stamp. Were a long shot to derail the Sopranos coronation, it would prove on a par with Michael Chiklis' shocking victory in 2002 as lead drama series actor for FX's The Shield. This, despite the fact a victory would make Sopranos the first drama in 30 years -- since PBS' Upstairs, Downstairs in 1977 -- to win in the category in its final season.

Of the four other nominees for outstanding drama, ABC's Grey's Anatomy is given the best shot at pulling the upset, more so than ABC's Boston Legal, Fox's House or NBC's freshman hit Heroes.

The race looks to be significantly more wide open for top comedy series, where there is no true heavy favorite and a case can be made for each of the five nominees.