Yuma

Yuma is passable enough entertainment but something directed by Ted Post (Hang 'Em High) and produced by Aaron Spelling (who made some of the best low budget TV movies of the seventies) should have been a bit better. This seems like a television pilot that never materialized into a series.

Clint Walker, the new Marshall of Yuma is forced to deal with the two brothers of a powerful cattleman, shooting one in self defense and jailing the other. Later, two mystery men break him out and shoot him in the back, framing Walker for the death and leading to a confrontation with the cattleman and the uncovering of a larger conspiracy.

Some familiar stars and a good bit of intrigue make this worth watching if not a must-see.

The new sheriff comes to town and immediately happens to shoot down a hoodlum who happens to be the brother of the local tycoon on whom the whole town depends for its limited prosperity. This is Tombstone and O. K. Corral settings, and if you expect some gunfire you will not be disappointed. The intrigue is good and interesting, as it accelerates by complications, and you are in for some positive surprises. The most interesting part though is played by the Indians, who appear in two scenes, but that is enough to save the film. They are very convincing in their brevity, and Clint is sometimes reminding of both Henry Fonda and Gregory Peck, which brings back to memory other golden times of the very wild west.

Notable is the small part of the lieutenant and quartermaster White, the most sensitive part of the film and in some ways the most decisive, as he is the one who turns the tables. He is played by John Kerr, who excelled in equally sensitive parts in films like "South Pacific" (another lieutenant) and "Tea and Sympathy" with Deborah Kerr, who was not his mother.

Ted Post is also notable for his very few films, he was mainly a TV director, also this one was made for TV, but he has two major films to his credits, "Hang Them High" with Clint Eastwood and the tremendously clever thriller "Nightkill" with Robert Mitchum as the police lieutenant. He lived a long life to 95 years.

This was an obvious series pilot TV movie that wasn't picked up, most likely due to the fact that there were already Western series on TV and this one did not stand out as particularly unique in comparison. Plus TV westerns were on the way down, being replaced by cops and robbers action series, and such. As a TV movie, this is slightly above average than most, and entirely enjoyable and fairly fast-paced, especially if you like Clint Walker. The other actors are more than adequate for their parts, nothing awe-inspiring, and that's how it's supposed to be in these projects. Nobody shows up the lead. There is little on screen violence, as should be expected for a TV movie from 1971, and the "Indians" are once again pretty stereotypical, and reduced to welfare status as they wait for their dole of cattle from the Army. This part was probably pretty true. One thing that's nice is to see Edgar Buchanan as a weasel get taken down, like I wished he had been on the series Petticoat Junction, where he also played a weasel.

A sheriff named Harmon(Clint Walker) goes into a small town to impose peace and order .The picture deals an intrigue concerning livestock smuggling.Harmon confronts against corrupt owners,Indians and gunfighters.At the ending contains a little action and plot twists.

This mediocre and old-style TV western produced by Aaron Spelling is redeemed by its great stars and supporting cast. Good casting formed by Clint Walker(Dirty dozen), Western usual(Bounty man,None but the brave,Pancho Villa,White Buffalo),Barry Sullivan as mean proprietary of Decker's freighter company, Kathryn Hays as hotel's receptionist, Peter Mark Richman as colonel of cavalry, John Kerr as a captain, and Edgar Buchanan as deputy,he's an eternal secondary of uncountable Western.The movie was a pilot episode but its little success caused cancellation of series. Passable and some dull direction by Ted Post. He's a Western expert, in fact his best movie is still a Western called ¨The legend of Tom Rooley¨. Besides, he has directed Clint Eastwood many times , starting working on Eastwood's television Western series, ¨Rawhide¨. When Eastwood returned to America after his successful Sergio Leone movies , he called for Post who directed him in Western ¨Hang'Em high¨ and the second entry Dirty Harry pictures, ¨Magnum Force¨.Ted Post also directed acceptable Sci Fi(Beneath of the planet of apes,Harrard experiment) and horror movies(The Baby,Dr Cook's garden).

"Yuma" was a pilot movie for a television series that never was made. Apparently, it failed to convince the right folks that they should make another western television show...which isn't surprising since westerns were already falling out of fashion.

When the film begins, two of the King brothers come into town causing trouble...and firing their guns indiscriminately. When Marshall Harmon (Clint Walker) tries to get them to surrender their guns and come along peacefully to jail, the dumber brother takes several shots at Harmon...and Harmon blows him in half with his shotgun.

Later, that night, two guys sneak into the jail and free the other King brother. Are they members of his gang or just doing a bit of charity work? Nah...one of them shoots King dead with the Marshall's shotgun...hoping to get the Marshall blamed for it. A young boy saw what happened and identified one of the men as a soldier. Harmon investigates and finds that the nearby natives are about to rise up because the peace treaty has been broken--they were supposed to receive cattle to help them survive. It seems that the same officer in charge of taking care of this might just be the guy in on the murder. And what of the third King brother? Surely he'll want to pay someone back for the murder. How is Harmon to prevent the town of Yuma from exploding?

Clint Walker was a good actor and was just fine as the Marshall....which is hardly surprising. As for the plot, it's pretty good as well. But I really think the reason this never became a series was that westerns were huge in the 50s and 60s...but the 70s were big for realistic modern programming and not this sort of thing. Good and watchable but nothing more. I did, however, like watching Harmon cross-examining a guy who has broken into the jail.