IMDb RATING
6.4/10
8.4K
YOUR RATING
Seductive vampire Carmilla Karnstein and her family target the beautiful and the rich in a remote area of late eighteenth-century Gemany.Seductive vampire Carmilla Karnstein and her family target the beautiful and the rich in a remote area of late eighteenth-century Gemany.Seductive vampire Carmilla Karnstein and her family target the beautiful and the rich in a remote area of late eighteenth-century Gemany.
Pippa Steel
- Laura
- (as Pippa Steele)
Kirsten Lindholm
- First Vampire
- (as Kirsten Betts)
Featured reviews
This film gets a lot of ribbing for the casual nudity that bedecks it. Not fair. This film is in many ways another Hammer classic with its good solid acting, its lush photography and costuming, and general sense of horror. It is based in part on Sheridan Le Fanu's classic female vampire story Carmilla about a young girl that befriends other young girls only to vampirize them. Ingrid Pitt plays the toothy(and toothsome) vampire wench in all her busty splendour. She is magnificent on the screen and oozes sex appeal. Yes, she goes topless as do her female co-stars....but although one sees that these scenes feel forced...they do not detract from the film(and for me they enhanced it greatly). The rest of the cast is good with Peter Cushing as a general in a small role and Harvey Hall as a servant standing out. The best part of the film for me is the eerie graveyard of the Castle Karnstein that we are introduced to in the prologue and again visited to in the epilogue. It really sets the mood of the story and was a pretty inspired rendition of the Carmilla tale.
In Styria, Austria, General von Spielsdorf (Peter Cushing) gives a party and a countess explains to him that she needs to travel immediately to visit a relative that is ill. She leaves her daughter Marcilla (Ingrid Pitt) under the care of the General. Marcilla befriends his daughter Laura (Pippa Steele) and then the teenager has nightmares, where she is attacked by a dreadful creature. The doctor finds that Laura is anemic and soon she dies.
Marcilla leaves the house and the countess fakes a carriage accident to leave Marcilla, now known as Carmilla, with the wealthy Mr. Roger Morton (George Cole). Camilla befriends Emma Morton (Madeline Smith) and soon she starts having nightmares. Her governess Madame Perrodot (Kate O'Mara) is seduced by Carmilla and helps her to be close to Emma. Mr. Morton travels and the butler Renton (Harvey Hall) and the doctor suspect that Madame Perrodot might be a vampire but they do not suspect of Carmilla. Will Emma be saved from Carmilla?
"The Vampire Lovers" is a bold and sexy vampire movie by Hammer with the right dose of eroticism. In 1970, lesbianism was not a usual theme and a lesbian vampire was a novelty. This is the first time that I see a vampire associated to a shroud. The plot explores the sensuality of Ingrid Pitt and her female victims but is never sexploitation. My vote is seven.
Title (Brazil): "Carmilla, A Vampira de Karnstein" ("Carmilla, The Karnstein's Vampire")
Note: Last time I had seen this movie was on 07 December 2002.
Marcilla leaves the house and the countess fakes a carriage accident to leave Marcilla, now known as Carmilla, with the wealthy Mr. Roger Morton (George Cole). Camilla befriends Emma Morton (Madeline Smith) and soon she starts having nightmares. Her governess Madame Perrodot (Kate O'Mara) is seduced by Carmilla and helps her to be close to Emma. Mr. Morton travels and the butler Renton (Harvey Hall) and the doctor suspect that Madame Perrodot might be a vampire but they do not suspect of Carmilla. Will Emma be saved from Carmilla?
"The Vampire Lovers" is a bold and sexy vampire movie by Hammer with the right dose of eroticism. In 1970, lesbianism was not a usual theme and a lesbian vampire was a novelty. This is the first time that I see a vampire associated to a shroud. The plot explores the sensuality of Ingrid Pitt and her female victims but is never sexploitation. My vote is seven.
Title (Brazil): "Carmilla, A Vampira de Karnstein" ("Carmilla, The Karnstein's Vampire")
Note: Last time I had seen this movie was on 07 December 2002.
I tend to like the classic horror films of Hammer, Universal, and American International, and "Vampire Lovers" is an esteemed favorite. There are many elements skillfully blended in this fine production, but the central appeal is Ingrid Pitt who breathes passionate, undead life into her role. Her impressive acting ability is matched by her smoldering screen presence and beauty. She is perfectly cast in this role. Wow, did the people who made this movie ever know what they were doing. The costumery, the lighting and photography, the staging, the acting and direction, all combine seamlessly for a stunning spectacle to be savored over and over again. This is the movie that single-handedly minted the "lesbian vampire" as a major cinematic motif, and set the standard for comparison that later entries in this genre would forever be judged by. I doubt we would ever have had such films as "Vampyres," "Vampyros Lesbos" or various Jean Rollin movies (not to mention Hammer's other Karnstein trilogy entries) without this film. And this movie could never have been as good without Ingrid Pitt. Her command of acting nuance is really something. Check out her facial expression when she's in the broken-down coach and Laura, all excited, tells her: "You're to stay with us!"
_The Vampire Lovers_ is one of the most faithful adaptations of a story I have ever seen in a major production. Based on J. Sheridan LeFanu's _Carmilla_, Baker's film captures the essence of evil wrapped in feminine beauty. Ingrid Pitt plays Mircalla with great restraint; her character comes off cold and deceptive, but still driven by a need for love. The action is well timed and choreographed, and the nudity, though a bit gratutious at times, is photographed sensitively and with great appreciation for the actresses.
Yes, this is something of a guilty pleasure because of the leads' beauty, but if one looks beyond the titilation, the story, photography, and performances in _The Vampire Lovers_ hold up very well indeed! 8 out of 10.
Yes, this is something of a guilty pleasure because of the leads' beauty, but if one looks beyond the titilation, the story, photography, and performances in _The Vampire Lovers_ hold up very well indeed! 8 out of 10.
RELEASED IN 1970 and directed by Roy Ward Baker, "The Vampire Lovers" is a Hammer horror based on Irish novelist Sheridan Le Fanu's "Carmilla," which was published in 1872 and predated Bram Stoker's "Dracula" by 25 years. The story concerns a family of vampires, the Karnsteins, who prey on people in Austria by finding an excuse to leave their daughter at a rich manor. She then proceeds to patiently seduce the nubile woman of the abode as she drinks the blood of local peasant lassies and whomever else.
The main antagonist, Carmilla/Marcilla Karnstein, is played by Ingrid Pitt, who's effective, but a little too long-in-the-tooth for the role. While she prefers to prey on wealthy nubile girls and there are overt Sapphic undertones, she's just as willing to suck the blood of dudes when it suits her diabolic purposes. Her pretense of passionate romantic love is just that as she's intrinsically evil and referred to as a "devil" elsewhere in the movie. Make no mistake, she's solely out to find and feed off victims.
While vampires are fantastical, Carmilla is figurative of evil women who purpose to seduce or convert people and destroy them. This IS real life and I've seen it happen several times. The tale isn't for immature audiences because it's too convoluted, dramatic, weighty and mature. I saw it 15 years ago and wasn't impressed but, seeing it again, I now grasp it and it's virtually revelatory.
The female cast is superb, rounded out by: Madeline Smith (Emma), Pippa Steel (Laura), Kate O'Mara (The Governess, aka Mme. Perrodot), Janet Key (Gretchin, the maid), Kirsten Lindholm (the blonde vampire in the opening; also shown later), Olga James (Village Girl), Joanna Shelley (Woodman's Daughter) and Dawn Addams (The Countess/Karnstein matriarch). There's a little bit of tasteful top nudity and Pitt is shown totally nude on two occasions in a classy manner. She's a beautiful woman, for sure, but she doesn't trip my trigger.
As far as the male cast goes, Peter Cushing has a side role and Jon Finch is on hand as the gallant hunk. There are others.
FYI: "The Vampire Lovers" is the first part of the so-called Karnstein Trilogy, which includes the quasi-sequel "Lust for a Vampire" (1971) and the prequel "Twins of Evil" (1971).
THE MOVIE RUNS 1 hour, 31 minutes and was shot in Hertfordshire, England.
GRADE: B+/B
The main antagonist, Carmilla/Marcilla Karnstein, is played by Ingrid Pitt, who's effective, but a little too long-in-the-tooth for the role. While she prefers to prey on wealthy nubile girls and there are overt Sapphic undertones, she's just as willing to suck the blood of dudes when it suits her diabolic purposes. Her pretense of passionate romantic love is just that as she's intrinsically evil and referred to as a "devil" elsewhere in the movie. Make no mistake, she's solely out to find and feed off victims.
While vampires are fantastical, Carmilla is figurative of evil women who purpose to seduce or convert people and destroy them. This IS real life and I've seen it happen several times. The tale isn't for immature audiences because it's too convoluted, dramatic, weighty and mature. I saw it 15 years ago and wasn't impressed but, seeing it again, I now grasp it and it's virtually revelatory.
The female cast is superb, rounded out by: Madeline Smith (Emma), Pippa Steel (Laura), Kate O'Mara (The Governess, aka Mme. Perrodot), Janet Key (Gretchin, the maid), Kirsten Lindholm (the blonde vampire in the opening; also shown later), Olga James (Village Girl), Joanna Shelley (Woodman's Daughter) and Dawn Addams (The Countess/Karnstein matriarch). There's a little bit of tasteful top nudity and Pitt is shown totally nude on two occasions in a classy manner. She's a beautiful woman, for sure, but she doesn't trip my trigger.
As far as the male cast goes, Peter Cushing has a side role and Jon Finch is on hand as the gallant hunk. There are others.
FYI: "The Vampire Lovers" is the first part of the so-called Karnstein Trilogy, which includes the quasi-sequel "Lust for a Vampire" (1971) and the prequel "Twins of Evil" (1971).
THE MOVIE RUNS 1 hour, 31 minutes and was shot in Hertfordshire, England.
GRADE: B+/B
Did you know
- TriviaIngrid Pitt said in a 2009 column she wrote for Den of Geek that "When it came to the nude scenes, the director asked Madeline Smith and me if we wanted a closed set. It didn't bother me one way or the other because I've always been a bit of an exhibitionist so I had no problem letting people see me naked. Maddy Smith, being very British, was a little more nervous about prancing around in the nude. So we had a closed set. Producers Harry Fine and Michael Style were a bit peeved about this because they were barred from set too. They thought it was producer's perks to watch what was going on. Then one day I was walking to the set wearing just a dressing gown with nothing on underneath when I saw them coming in the opposite direction wearing a doleful look. As I went past them I open my dressing gown and said, Wheeeee! There was a spring in their step as they went on their way."
- GoofsThe fence around what looks like a tennis court in front of the mansion is chain link fencing.
- Alternate versionsThe UK cinema version was cut by the BBFC to reduce the opening decapitation and shots of Carmilla kissing Emma's breasts, and the same print was featured on video releases. The 2002 ILC DVD saw the cuts fully waived though the print used was an edited US one which missed a brief full frontal shot of Carmilla in a bathtub scene. The 2006 Optimum DVD featured the fully uncut and complete print.
- ConnectionsFeatured in The Return of Count Yorga (1971)
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Vampire Lovers
- Filming locations
- Wall Hall, Hertfordshire, England, UK(Roger Morton's mansion)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 31 minutes
- Aspect ratio
- 1.85 : 1
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