Le mystère des douze chaises

"Hope for the best, expect the worst", as the title song goes, is exactly how I felt when I picked up my copy. Having read the original Russian novel and being a fan of Mel Brooks, I was curious how the two would come together. I was rather apprehensive, knowing how Russian literature usually suffers in translation, but hopeful that Brooks would somehow make something of it anyway. The film disappoints on both counts - there's precious little of the original in it, and Brooks isn't at his best here either. Moody is actually OK as Vorobyaninov, but the casting of Langella as Bender is just plain wrong, as he cannot possibly convey the depth and subtlety of the original character. Langella alone is enough to kill this film for anyone familiar with the book. None of the uproarious humor of the novel is anywhere to be found, while the few semi-funny visual gags are merely typical Brooks slapstick and have nothing to do with the source material. And even those aren't among Brooks' best. However, having expected the worst, I wasn't exactly disappointed. An OK little comedy, if you don't expect too much. If you want more, read the book.

A "serious comedy" from Mel Brooks. "The Twelve Chairs" borders on farce but is relatively restrained. This restraint is all the more remarkable in light of Dom DeLuise's manic attempts to take over. Ron Moody (who is best remember as Fagin in 'Oliver' on film and on the West End and Broadway)is superb. Frank Langella is less impressive, but he does bring the necessary character to the role. If you expect and want "Blazing Saddles" this movie is not for you. Nor is it as perfect a picture as "Young Frankenstein". But this Brooksian take on a Russian comedy of errors is well worth your attention. The belly laughs are few and far between, but the tugs on the heartstrings (along with some slapstick) suffice. If I am spare on the details, it is only because I have not seen this motion picture since its theatrical release in 1970; it's definitely one to which I have to renew my acquaintance.

In his lifetime Mel Brooks has created many motion pictures which have established him as an artistic genius. "The Twelve Chairs" is another milestone for him. From the very beginning of this film, to its ending, there is a sense of serious, but humanistic brilliance. The era is the aftermath of the Russian Revolution and a dying woman wants to clear her conscience and reveal her greatest sin. As thousands of the nobility are fleeing for their lives, she decides to hide her family's fortune inside the lining of a set of handcrafted chairs. That secret is her dying revelation and is said unfortunately into more than one set of ears. This initiates a mad dash for the lost treasure. Seeking the cache of jewels are three intrepid, but greedy set of characters. The first is incredibly talented Ron Moody who adroitly and brilliantly plays the legitimate, greedy and opportunistic son, Ippolit Vorobyaninov. Once a Marshall of the nobility, he is now reduced to a minor banking clerk and opportunistic son-in-law. Frank Langella is superior as Ostap Bender, a handsome, street-wise, traveling Gypsy, who also wants in on the treasure hunt. Finally there is Dom DeLuise who plays Father Fyodor, an Orthodox but impoverished monk who believes, God will help him find the elusive chair first. What the trio soon discover is that the chair is one of Twelve which have been scattered across the vast twelve thousand miles of Russia. If Mel Brooks sought to create an amusing memorable movie, he succeeded. By the time one reaches the end of this film, we realize . . . . a Classic has been born. ****

I rented this film because it was the only Mel Brooks movie I hadn't seen. I had enjoyed all of his other movies and thought,"Why not see 'em all?" I thought since I hadn't heard of it it would be stupid. And, Man, was I wrong. This movie could be described as hilarious. I loved it. And it's not exactly like all other Mel Brooks movies. If you like Mel Brooks I recommend this film to you. Dom DeLuise is hilarious in this. Now go watch it with your family.

THE TWELVE CHAIRS is a different kind of Mel Brooks comedy. Its story, from a Russian novel by Ilf and Petrov, will seem very tasteful and human to those who are acquainted with Brooks' usual raunchiness. This movie is a nice change. Ron Moody and Frank Langella star, with Dom DeLuise and a special appearance by Mel Brooks as Tikon.