Toomorrow

This thing is a mess but a fun mess. A strange hybrid of sci-fi aliens, lame rock music and counter culture message film. Yes, a very young and darling Olivia Newton-John stars as the lone girl in a band called Toomorrow and they play the softest, non-threatening "rock" you've ever heard and yet the hippies and the stoners go crazy for them like they are hearing Hendrix at Monterey. The "special" effects are ridiculous and the movie really is entertaining for all the wrong reasons - jaw dropping dialogue (like when the band is zapped aboard an alien UFO "Hey man, I don't dig space!") and lame attempts to inject Beatles/Monkees type comedy with a few of them sharing bathwater and changing clothes in the car on their way to a big gig. So of it's time, so dated and yet real fun. Hard to find - the DVD we got had Japan subtitles and as someone else mentioned - when the movie ended - it also had Olivia appearing on Johnny Carson as a big new singing sensation in America (no mention of Toomorrow though - hmmmm). The whole script has that feeling of fifty year old writers typing away what they think "the long hairs" are saying and doing. Laff riot.

I absolutely love ONJ. She has always brought a smile to me and can't whisk me into a good mood. I was so excited to find a bootleg of this on Ebay (soundtrack disk included!) and rushed to watch it.

Ummm, It felt longer than Gandhi, the music was uber cheesy but catchy..i vaguely recall rolling in bed later that night, having nightmares to the tune of "Taking Our Own Sweet Time", one of the films stickier jams. The drummer has swing, Olivia feels underused and the music is competent, if uninspired.

Toomorrow's special effects were good though. Xanadu is my favorite of ONJ's films and this definitely pre-dates some of that neon blue post disco vibe with its trail effects.

My Disk came with some extra gifts, one being the CD soundtrack to the film. This thing is gonna collect some serious dust. If Aliens need the music of Tomorrow to survive, there surely isn't intelligent life out there.

My disk came with an Extra of her performing "Have You Never Been Mellow" on the Tonight Show with Johnny Carson. That was the point when I really felt I got my money's worth.

If you liked Grease and are curious about an older film of hers, don't bother. If you are a completest, feel free...but you have been warned.

Rating Breakdown: Story - 1.00 :: Direction - 1.50 :: Pacing - 1.25 :: Performances - 1.50 :: Entertainment - 1.25 :::: TOTAL - 6.50/10.00.

Imagine if 2001: A Space Odyssey threw on a paisley shirt and jammed with The Beatles, and you'll have some idea of the delightfully oddball charm of Toomorrow. Written and directed by Val Guest, this 1970 sci-fi romp is as groovy as it is inventive. A band of musicians creates a new electronic instrument whose vibrations attract a peaceful alien race. These extraterrestrials, long bereft of pleasure, discover that the band's music gives them a sensory buzz.

Guest's direction is sharp, crafting visually striking scenes that balance humour, wit, and an undercurrent of sci-fi wonder. The special effects may show their age, but they're brimming with creativity, from the crystalline alien spaceship to the moment an alien casually steps out of his human skin suit.

Olivia Newton-John, in one of her earliest roles, shines as the band's frontwoman, while Roy Dotrice and the rest of the cast bring infectious energy and charm to their roles. The interplay between the band members is a joy to watch, crackling with wit and camaraderie.

Though the third act drags slightly, Toomorrow remains a sunny, feel-good sci-fi adventure, complete with a 60s soundtrack that's guaranteed to lift your spirits. It's a hidden gem that's well worth discovering.

Although admittedly a higher quality picture than I had expected it would be, "Toomorrow" is hopelessly(no...make that wonderfully) dated and rather short on ideas (in fact, the ideas that are in play are pretty weak).

Olivia Newton-John is lovely here, not yet having made her breakthrough in music or films, as the sole female member of a young and very ambitious music band called "Toomorrow" (oooh, groovy!) Their happening tunes are picked up through radiowaves by an extraterrestrial race who are desperate for "new audio vibes". The aliens then embark on a sinister mission...to "kidnap" the band in order to interrogate them for the secrets of their unique "vibrations".

Chock full of twee but catchy bubblegum music interludes, "Toomorrow" was possibly designed to create a public introduction to the manufactured band of the title, a la THE MONKEES (hmmm....I assume Miss Newton-John is not displeased that this marketing strategy failed).

Neither especially satisfying nor entirely unappealing, "Toomorrow" is mostly watchable from a hindsight of four decades as a novelty...a film of its time which nostalgic types might find amusing. Too, it features some fairly decent special effects for a lower-berth picture of 1970.

4.5/10

Toomorrow is definitely not as bad as has been reported. It is actually an enjoyable movie. It is no "Grease" but definitely better than "Two of a Kind." It is equal to "Xanadu" and probably better.

To me Olivia was being natural with her perky personality. Her acting did not seem like acting as it did in Xanadu when she tells Sunny that she is a muse. Instead everyone in the Toomorrow group seem to be enjoying themselves as they go through the film.

Granted the movie is not Oscar material but considering how bad so much is today, I would love to see Toomorrow on the big screen or at least come out on DVD.

Definitely worth a look.