La chouette et le pussycat

It's great to see "Pussycat" in widescreen at last. Streisand and Siegel make a good team and the movie is still pretty racy, even by today's standards, although it would have been racier still if some bluenose hadn't removed one of Barbra's more notorious expletives from the soundtrack. Fans of the original well remember the scene in which she tells a bunch of hooligans that are harassing her and Siegel to "F---- off!" Amazingly, this line has now been dropped from the DVD version so that the two scenes that come next make little sense, including her follow-up line, "people are so touchy these days, you have to watch every word." The cropped VHS tape may have looked terrible but at least it did retain the line with the F-word, probably the first time it was ever uttered by a big female star in a major motion picture. (Of course, now screenwriters have over-used it to such an extent that you suspect they wouldn't be able to get along without it if it were ever banned from use.) Some aspects of the film would probably be politically incorrect today, such as certain homophobic slurs the hooker screams at the writer, and it's pretty hard to imagine this relationship lasting too much longer after the fadeout. Still the stars are compulsively watchable.

Comedy/drama taking place in NYC about meek, mild Felix (George Segal) ending up stuck with loud, obnoxious prostitute Doris (Barbra Streisand). Naturally they hate each other and naturally fall in love.

This movie is VERY loud (basically because Streisand yells nonstop), the humor is pretty caustic (Streisand thinks Segal is gay and throws quite a few homophobic jokes at him) and is pretty risqué--it was edited from an R rating but there's still plenty of swearing and sexual sequences. Still it is fun. Segal and Streisand work well together--the script is full of one liners that they throw at each other full tilt. And it might seem strange that Streisand could convincingly play a prostitute--but she actually looks very attractive here and pulls it off (she played another one in "Nuts" in 1987).

This isn't perfect however. It seems a little bit too long and some of their arguing gets repetitive. Also there is annoying edit when Streisand says the word "f***". I'm guessing it was cut to get a PG rating but it renders one scene incomprehensible and I DID hear it in the video version released in the 1980s. What's the story? Also there's a very ugly scene at the end where Segal humiliates Streisand in Central Park. Segal also shot some nude scenes which never made it into the final print.

Still this is worth catching. I wouldn't let the kids see it though. This is pretty strong for a PG film.

Adaptation of the Broadway play casts George Segal as an uptight New York City book-clerk who hopes to be a writer but can't get anything published; after calling the landlord one night on prostitute-neighbor Barbra Streisand, he finds her on his doorstep. She tells him she's a model and an actress--her third time on TV is in front of the elevator security camera! The two lovable losers banter back and forth before falling into uncertain love, and you could say the film is either nicely devoid of major plot devices or is an exceptionally thin romantic comedy. Streisand, her Brooklynese so thick she sometimes lapses into Cockney, wears tacky, hilarious hooker-outfits, but her shrillness isn't modulated (at least not in the first act) and she can sometimes be grating. The sex-talk is dated now, and the picture tends to look like a relic from a bygone era, yet it's an often funny film about opposites. Although too soft in its final scenes, director Herbert Ross changes speeds enough to keep things bubbling, even though his rhythm may put some viewers off. *** from ****

I also read the play. Streisand and Segal have great on-screen chemistry. This film will keep you laughing non-stop. Barbara Streisand's performance of the character being "neurotic" is excellent. George Segal's character is equally good in his response to her behavior. If you like this, it is one you may want to watch over and over again.

"The Owl and the Pussycat" is an uneven but generally enjoyable mix of comedy and romance, with a few dramatic undertones. There are some genuine laughs and some touching moments, but the movie's loudness occasionally goes over-the-line. Streisand is alternately appealing and annoying, sometimes both in the same scene. Segal is very enjoyable in his "everyman" role, and he makes the picture worth watching, although it does run out of steam in the second half.