A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive... Read allA pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive.A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive.
- Director
- Writers
- Stars
- Won 3 Primetime Emmys
- 5 wins & 5 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Granted, I am biased in that I have been a long-time fan of Ms. Duke's, dating back to 1962. But I am objective enough in my observations as a student of film, and a video producer myself, to realize - and highly recommend - the excellence of this splendid television production, adapted from the novel by David Westheimer.
The writing, acting, direction and production values are quite above-norm. Filmed entirely on location in Texas, the film captures the realistic flavor of the novel, which focused on the conflict naturally evolving between an uneducated, white, pregnant teenager and a black Northern attorney, drawn fatefully together by circumstances and differing forms of social prejuidice.
The characters, as portrayed by Ms. Duke and Mr. Freeman, emerge as possibly one of the finest two-character studies ever produced for television.
Ms. Duke won her first Emmy award (1970) for her exceptional work in this production. Producers Levinson & Link (who were then novices), also received an Emmy for their script, as did Ed Abroms for editing. Director Lamont Johnson was awarded the coveted DGA for Best TV Director. In total, the film received 8 Emmy nominations.
This was not only a critically acclaimed production; CHARLIE received a 31.7 rating and 48 Nielsen share. It represents a "breakthrough" effort in the TV industry arena. Due to its unprecedented success, writers and producers were encouraged to develop other serious-subject, controversial projects for the networks, vs. Hollywood. CHARLIE laid the groundwork for other TV productions, like ROOTS, THE EXECUTION OF PRIVATE SLOVIK, and many more above-par TV productions, to occur.
Although now 30+ years old, the film stands as an important work that honestly reflected our society's (still-existent) racial tensions and misunderstandings. It remains a brilliant hallmark in the evolution of better television fare.
The writing, acting, direction and production values are quite above-norm. Filmed entirely on location in Texas, the film captures the realistic flavor of the novel, which focused on the conflict naturally evolving between an uneducated, white, pregnant teenager and a black Northern attorney, drawn fatefully together by circumstances and differing forms of social prejuidice.
The characters, as portrayed by Ms. Duke and Mr. Freeman, emerge as possibly one of the finest two-character studies ever produced for television.
Ms. Duke won her first Emmy award (1970) for her exceptional work in this production. Producers Levinson & Link (who were then novices), also received an Emmy for their script, as did Ed Abroms for editing. Director Lamont Johnson was awarded the coveted DGA for Best TV Director. In total, the film received 8 Emmy nominations.
This was not only a critically acclaimed production; CHARLIE received a 31.7 rating and 48 Nielsen share. It represents a "breakthrough" effort in the TV industry arena. Due to its unprecedented success, writers and producers were encouraged to develop other serious-subject, controversial projects for the networks, vs. Hollywood. CHARLIE laid the groundwork for other TV productions, like ROOTS, THE EXECUTION OF PRIVATE SLOVIK, and many more above-par TV productions, to occur.
Although now 30+ years old, the film stands as an important work that honestly reflected our society's (still-existent) racial tensions and misunderstandings. It remains a brilliant hallmark in the evolution of better television fare.
The chemistry between Patty Duke and Al Freeman Jr. is merely fascinating. Freeman was primarily a stage actor who got all too few chances on film. He was given his best role here, and makes quite an unforgettable impact. Duke is totally believable in her naivete and her ability, to learn, albeit slowly, even in the face of bleak desperation. Ford Rainey is unforgettable in a small role.
Naive, pregnant white teen and black lawyer hide in an abandoned house to escape racial and social prejudice in the 1960's South. Theatrical-quality main performances, solid supporting cast and still-relevant theme. Elements of "In the Heat of the Night" (1967) and "Badlands" (1973). (Rating: A)
10DorrieCh
Very touching. This makes a nice point about prejudice without being preachy. I'd like to show this one to my daughter -- and to kids growing up around racial prejudice... I saw this film over 30 years ago and I still remember the story, acting, etc., as being wonderful. (Watch the trailer!)
I was roughly 11 when this movie hit the TV, it was a clean direct to the point first time view of what life was really like in regards to race from that time period. It was a classic eye opener, and yes what a heart warming story, I would love to see it again. I was not even sure who starred in it until I finally started punching in movie names with Charlie in it and found it on this site. Sadly I think only my generation could appreciate such a movie back then, this generation would turn it off. Seeing these comments on this movie reminds me that I grew up at the very best time anyone could, the 60's and 70's. Thank you
Did you know
- TriviaWhile onstage accepting her emmy for this film, Patty Duke announced she also wanted to address the hard of hearing with sign language. However, the camera didn't show her hands, just her face, leading TV audiences to think she was just standing there doing nothing.
- ConnectionsFeatured in The Universal Story (1996)
Details
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
Contribute to this page
Suggest an edit or add missing content