My Sweet Charlie

Very touching. This makes a nice point about prejudice without being preachy. I'd like to show this one to my daughter -- and to kids growing up around racial prejudice... I saw this film over 30 years ago and I still remember the story, acting, etc., as being wonderful. (Watch the trailer!)

I remember this from my Childhood here in England. Its a film that makes you cry at the end. I don't mind admitting it. I have searching for this film for 30 years (* The title of it) And it was only yesterday that a a person who uses this website helped me find the film's title.

That person is - ladyboss1717 - (*That's her code name!!!). I wish to thank that person in helping me find a classic, classic movie that could easily be made into a blockbuster - (She helped me on the 1st Nov, 2005 - to find this film). Its got that "Green Mile, Captain Courageous and Shawshank Redemption" vibe about it. Its that good. Trust me!

Basicially its about - A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive. THey eventually would you believe it fall in Love.

You need to see the story to see what I mean about "Eventually fall in Love"...

Its another tear jerkier!! If anyone who works in Hollywood. Please, please serioulsy consider re-making this film. But do it properly!! Treat with care!! This is a classic....

Carl Brown - Ipswich, England

The chemistry between Patty Duke and Al Freeman Jr. is merely fascinating. Freeman was primarily a stage actor who got all too few chances on film. He was given his best role here, and makes quite an unforgettable impact. Duke is totally believable in her naivete and her ability, to learn, albeit slowly, even in the face of bleak desperation. Ford Rainey is unforgettable in a small role.

Though Patty Duke is probably best known for her Oscar-winning work as Helen Keller in "The Miracle Worker", this extraordinary made-for-TV movie contains what is easily her finest screen performance. She is never less than believable as the frightened, immature, uneducated Southern girl who, pregnant with her lover's child and abandoned by both him and her family, takes refuge in a deserted seaside house. There, her solitary wait for the birth of her child is broken by the unexpected arrival of Al Freeman Jr., a black militant on the run for killing a white man. Their relationship, at first defined by mutual contempt and hostility, slowly evolves into a touching love story. The ending is unforgettable. Duke and Freeman share a wonderful chemistry and both were deservedly Emmy-nominated (Duke won; Freeman, regrettably, did not). Patty Duke was as talented as any leading actess of her generation and her work here confirms that.

Naive, pregnant white teen and black lawyer hide in an abandoned house to escape racial and social prejudice in the 1960's South. Theatrical-quality main performances, solid supporting cast and still-relevant theme. Elements of "In the Heat of the Night" (1967) and "Badlands" (1973). (Rating: A)