Texas

Based largely on the Kennedy Assasintion, Director Valerii's The Price of Power is quite a hard going, albeit very well made, film.

President James Garfield (Van Johnson) arrives by train in the state of Texas to debate his political reforms. His anti-slavery stance is extremely unpopular with the locals, particularly the corrupt Sheriff and the banker Pinkerton (Fernando Rey), who secretly plot his assassination, knowing that his probable successor can be bribed by incriminating evidence that they hold.

Ben Willer (Giuliano Gemma) discovers that his father has been murdered by the Sheriff, because he knew of the plan to kill the president. Despite his efforts to provide some protection, the assassination is successful, with Willer's Negro companion (a staunch believer of the President's cause) blamed and imprisoned. Willer attempts to seek justice, assisted by the President's aide Arthur Macdonald (Warren Vanders).

In truth, Valerii's film is an outstanding piece of Italian cinema, with a fine performance from Gemma, and an enjoyable Bacalov soundtrack. Despite this, I struggled to be really convinced by the movie, even though it is so highly respected in euro-western circles. I think in particular I found that some of the more typical Spaghetti Western fare (such as the rifle hidden in the crutch of the disabled newspaper employee) sat uneasy within the context of the film.

That said, there were a handful of great scenes, such as the failed initial assassination attempt as the President's train arrives, the flashback and the court sequence. But in the end, I couldn't help but find the whole thing disappointing - probably because I expected so much.

In post civil war America the President, (Van Johnson), travels to Dallas and is assassinated by corrupt officials and businessman interested in installing the vice President whom they can blackmail due to incriminating documents. A gunman (Guiliano Gemma) convinced that his black friend is wrongly accused of the assassination aims to uncover the truth. Tonino Valeri directed this fascinating, if flawed film which obviously is an allegory for the Kennedy assassination. The film may wrongly present blacks as slaves working on plantations in Texas but the film is nonetheless enjoyable and presents an interesting interpretation - that Kennedy's death was the result of a coup de tat- which many Americans could not accept at the time. Oswald's murder is replayed here as the black accused of the assassination is murdered by the men responsible, on route to Fort Worth prison. This moment in the film is more melodramatic than Oswald's death with his various escorts shot down before his over the top death scene. Nonetheless this is definitely one of the more interesting and worthwhile spaghetti westerns. Worth a look!

Out of the 600 or so Spaghetti Westerns made this has got to be in the top twenty somewhere. Can not believe this hasn't received any reviews! Gemma is excellent in this. Van Johnson is good too though his dubbed voice is a little off killter but that's the charm of the Italian style. Beautiful photography and some excellently staged action. All the supporting characters are well played. The severity of the racist streak in the bad guys is pretty tough even by todays standards which creates an emotional depth to Gemmas character in some of the situations that take place. Absolutely FANTASTIC score by Luis Bacalov. See this is in the wonderful Wide screen DVD from Japan. A spaghetti must have.

"The Price of Power" (1969), directed by Tonino Valerii, is a Spaghetti Western starring Guiliano Gemma, Van Johnson, Fernando Rey and Benito Stefanelli. Made six years after the assassination of US President John F. Kennedy, it seeks to comment sharply on the situation, perhaps more bitingly than Hollywood wanted or was able to do at that time.

The plot is thus, with their 1963 equivalents blatantly obvious: in Dallas, Texas, 1883 an unpopular liberal President (Johnson) visits the city and is assassinated in a crossfire of lead. A black patsy is quickly found by the corrupt sheriff (Stefanelli) and is killed while in transit between prisons. The framed man's friend (Gemma) seeks to find out the truth, variously aided and set back by a mysterious government agent (Warren Vanders).

Reading the synopsis, it's pretty clear where Valerii is heading, and he does so with style and tension. Well-acted, photographed and edited, with some excellent gunfights, this is a Spaghetti Western that deserves a much wider reputation that the one it currently holds.

This movie uses the assassination of President Garfield as a plot device. The makers never intended to tell a historical story. It's an allegory to explore the JFK assassination and the Viet Nam war. Garfield's assassin was an erstwhile ally turned insane. He died because of incredible medical incompetence, 12 weeks later, and it happened in D.C. So, it's a plot device, not an historical movie.

And it works as a Spaghetti Western. It's among the best of the genre. I'm the kind of anorak that sits there and thinks about every detail, every shot, and I put this in the top 10 most important of the genre. The Italian version is much better than the English one, imho. I've never seen an Italian version of it with English subtitles, so good luck with that one. Bottom line, if you like to sit there and be a know-it-all and pick historical holes in what isn't a historical movie, or like something mindless, you probably won't like it. If you understand the complex cultural statements coming out of 1960's Italy about politics and violence, you will love it.

The Italians loved it. It's total revenue puts it at the 28th biggest grossing Spaghetti Western in history, 1.273 billion lire (no clue what year's lire that might be). That's about 1/3 of each of the Man With No Name trilogies receipts, which is pretty darn good for one that is virtually unknown here.

The reviewer that said it was a brain dead version of Stone's JFK has missed the point so many ways...well, the person must be a contortionist to get one's head so far up their own backside. I'm imaging some gen Y twerp that yells "Nu-uh!" to everything. And the length...those type usually love the sound of their own voice.