L'évasion du capitaine Schlütter

Held in a Scottish POW camp, a group of German soldiers plot an escape while the Scots bring in an unorthodox Irish officer to work out what the Germans are plotting in this unconventional World War II movie. This is an unusual movie on a number of fronts. First off, the Germans are given more screen time and juicier characters than the Allies. Secondly, the Germans actually converse in German (with subtitles) rather than awkwardly speaking English (more common in war movies back then). Thirdly, the film attempts to show both sides of the incident, taking on the perspectives of both the German and Allied soldiers. For all its daringness to be different though, the film is not necessarily a success. It is hard to become emotionally involved in the story and find someone to root for due to the decision to show both sides in near equal depth. Also, try as Brian Keith does to make his Irishman interesting, Helmet Griem outclasses him every step of the way as the charismatic German Kapitän, which in turns makes the Germans' side of the tale more fascinating to view. Whatever the case, the film is very ably directed by Lamont Johnson, who would later go on to direct the classy likes of 'A Gunfight' and 'The Groundstar Conspiracy' and a solid supporting cast helps. Still, it is sometimes hard not to see 'The McKenzie Break' as more of a curio than anything else.

An interesting war film that differs from others in a number of ways. Firstly,the plot concerns German prisoners of war held in a POW camp in Scotland planning an escape. While many films have featured Allied POWs, it's quite rare to find one that focuses on Germans held in captivity (Hardy Kruger as "The one that got away" is another example). Secondly, the Germans actually speak in German as opposed to some studio manufactured pidgin English. This adds a welcome note of authenticity so often missing from big name war movies made around the same time. The cut that I've seen on British TV was certainly subtitled. I note that another reviewer had the misfortune to watch a non-subtitled version - he has my sympathy! Another interesting point is that - in a subplot - the film has a gay German POW being persecuted and subsequently murdered by his own compatriots. Whether this actually happened and how much of the film is based on fact I'm not sure. However, the Nazi persecution of homosexuals is well-documented, but not often seen on the screen. It must have been a fairly bold move for a film made in 1970 to address this. There are some loopholes, but it remains well-acted and intriguing.

Interesting and unusual story of a pack of German POWs plotting to break out of a prison camp in the UK and the new commanding officer's own plots to deal with them.

The British Army commander played by Brian Keith is hard-drinking, clever, Irish, cynical, shrewd, complex and street wise. The German Navy commander is fanatical, ruthless, confident, arrogant, intelligent and shrewd. Both of them spend some time trying to pull one over on the other, and they both know each other knows that, so they spend a little time playing a cat and mouse game while trying to gain the upper hand. Keith's captain drinks a little whiskey and plots with resolute calm. The German sings a few Nazi songs and plots with resolute calm. Then they both put their schemes into action.

I like all the acting here and the wet , cloudy , but bright green Irish landscapes. This is a fascinating World War II story that takes place neither on the battlefield or some goofy nostalgic homefront, but still contains plenty of action and thrilling suspense. When you watch it, emulate Brian Keith and drink a glass of whiskey.

Whereas many supposedly modern films such as `Saving Private Ryan' play along a clear black - and - white scheme (us = good decent chaps, Germans inhuman war robots), `The McKenzie Break' goes down a different path; neither of the central characters is readily likeable or even understandable. Captain Jack Connor is an Irishman fighting on the side of the British Army, a maverick by his personality and origin and yet a representative of the status quo. His antagonist Kapitän Willi Schlüter is a fanatical Nazi, yet we unwillingly sympathize with him because, young and sharp - witted, he is a prisoner desperately trying to break free.

Because the film does not force a constructed morality on the viewer, it is truthful and keeps us in suspense; we are never able to predict the ending or even the next turn of events. `The McKenzie' break is truly a neglected gem, an honest, engaging and intelligent movie that stands out among its genre.

The McKenzie Break refers to a prison in Scotland during World War II where some German prisoners are very anxious to get back to the fight as they see it. This is the early war years and the only prisoners there are Luftwaffe and Sailors, more specifically prisoners taken off captured U-Boats.

McKenzie Prison is in for some big trouble, commander Ian Hendry can smell it. It's due to the presence of U-Boat captain Helmut Griem who has taken over the leadership of the prisoners unofficially. Griem plays Captain Willy Schluetter as I conceive Reinhard Heydrich to be, a handsome charismatic leader, totally dedicated to the Nazi cause and one stone cold killer.

British Intelligence in trying to get to the bottom of things sends Captain Brian Keith who from his accent I'm guessing is an Ulster Protestant. Keith's a smart guy, but just maybe a bit too smart for his own good.

The McKenzie Break is dominated by Helmut Griem as well it should be. This man has to dominate or otherwise the film would make no sense at all. As charismatic as Griem is as Schluetter, he's both fascinating and repellent. His objective is to get as many U-Boat people back into the fight. He will sacrifice everything to achieve that objective and I do mean everything.

Sad to say this film is a forgotten gem and deserves to be better remembered than it is. Catch it by all means if it's broadcast, you will enjoy the surprise ending when neither Keith or Griem get everything they want.