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A martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by open... Read allA martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by opening casinos and trapping people in debt.A martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by opening casinos and trapping people in debt.
Jimmy Wang Yu
- Lei Ming
- (as Yu Wang)
Lung Yu
- Greeting student
- (as Yu Chung Chieh)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Jimmy Wang Yu, an authentic Asian superstar, directed and wrote this film which I have only seen in a dubbed videotape version. The widescreen (Shaw Scope!)shape was lost and the original actor's voices absent but this is still good to watch. The story is the usual martial arts school fights villains from Japan plot with our young hero winning out in the end by beating up loads of assorted thugs.
The combat gets better as the film unravels. Early in the film it looks stiff and dull but later there is a great scene where Wang Yu fights hordes in a gambling joint then walks out into a snowy scene and takes some more villains on with knives, sword and fists. That part is very exciting.
Quite good then but it would be interesting to see a non dubbed widescreen version if there is one.
The combat gets better as the film unravels. Early in the film it looks stiff and dull but later there is a great scene where Wang Yu fights hordes in a gambling joint then walks out into a snowy scene and takes some more villains on with knives, sword and fists. That part is very exciting.
Quite good then but it would be interesting to see a non dubbed widescreen version if there is one.
Saw this as HAMMER OF GOD @ Loew's DELANCEY with Mario Bava's HATCHET FOR THE HONEYMOON-- -one of the *best* twin-bills I ever saw and I saw hundreds from the mid-1950s till the *end of the double-bill*, as a movie-going fact-of-life, mid-late 1970s.
The DELANCEY was a huge old "movie palace"-style theater, with humongous screen, super sound system, balcony, full-service concession stand in a big-BIG lobby, *the works*.
The big screen is absolutely *vital* to the peak enjoyment of the rich color, speed-of-light action of HAMMER.
The impact of HATCHET on a small home screen must be terribly attenuated, the atmosphere sharply reduced, surely.
BOTH these films were made with *big screens* in mind. The film-makers of that bygone era could not have foreseen today's cracker-box 'plex "theaters" (*hawk-ptooi*) which generally seat >500, in malls built in the ever-popular Birkenau style of architecture.
I'm High Church about the big-theater films of that era ---I simply won't see them again: My *memory* serves me well enough.
It is simply too depressing, too degrading to see the scratched and pitted prints with their bleached-out "colors" and raggedy soundtracks on a tiny home screen.
I wouldn't accept THE LAST SUPPER or LA PRIMAVERA as thumbnails, and that's what watching vintage movies of happy memory is to me today.
Cheers !
The DELANCEY was a huge old "movie palace"-style theater, with humongous screen, super sound system, balcony, full-service concession stand in a big-BIG lobby, *the works*.
The big screen is absolutely *vital* to the peak enjoyment of the rich color, speed-of-light action of HAMMER.
The impact of HATCHET on a small home screen must be terribly attenuated, the atmosphere sharply reduced, surely.
BOTH these films were made with *big screens* in mind. The film-makers of that bygone era could not have foreseen today's cracker-box 'plex "theaters" (*hawk-ptooi*) which generally seat >500, in malls built in the ever-popular Birkenau style of architecture.
I'm High Church about the big-theater films of that era ---I simply won't see them again: My *memory* serves me well enough.
It is simply too depressing, too degrading to see the scratched and pitted prints with their bleached-out "colors" and raggedy soundtracks on a tiny home screen.
I wouldn't accept THE LAST SUPPER or LA PRIMAVERA as thumbnails, and that's what watching vintage movies of happy memory is to me today.
Cheers !
Chinese Boxer is one of the best kung-fu movies,In Chinese Boxer the Japanese with the help of a kung-fu master beat the hero's village,school and throw him out so he trains and learns new amazing techiniques such as the Iron Palm and the Weightleness and then takes revenge
For fans of Lo Lieh (Five Fingers of Death) this is a chance to see him as the evil Japanese karate master. In the US, advertising hyped this as "the most blood-spurting" martial arts film. It's hardly that; but the fight scenes are wild.
Just watched it on Prime Video. At a time when Jimmy Wang-Yu, David Chiang, Ti Lung and Lo Lieh were superstars, tons of more or less similar movies were made based on more or less the same plot, with two arms, one arm, two fists, one fist, one guillotine and so on...
This one is another vehicle of the superstar of that beloved era. You got some dude and in particular our hero, pupils in a kung-fu school, that is threatened by bad guys. Japanese bad guys, yeah!
What happens next leaves no place for surprise but let's admit it: it's still fun and efficient.
The cinematography, as usual for a Shaw Brothers, is beautiful, with nice snow, beautiful scenery, cool casinos... The thing is there are some flaws. When Jackie Chan seeks revenge, he finds a funny old master to train with and it occupies the second act almost entirely. Here, Jimmy's training is on his own, and lasts for way too short. It looks too easy.
Anyway, what bothers me the most, is I can't stop thinking about the uber-superstar that will shatter the world a couple years later. No wonder, sadly or not, that all the superstars of that time were sent to the closet.
Jimmy hadly can rise his legs very high. His blows don't look very powerful. He is more like a dancer rather than an invicible fighter.
Don't misunderstand me, he likes him very much and his fellows as well.
Trouble is, well, there is a unbeatable master who is the only one martial artist in history. Jimmy, here, looks like an artist only. A very good one though, capable of the best, see for instance GOD OF WAR:
What happens next leaves no place for surprise but let's admit it: it's still fun and efficient.
The cinematography, as usual for a Shaw Brothers, is beautiful, with nice snow, beautiful scenery, cool casinos... The thing is there are some flaws. When Jackie Chan seeks revenge, he finds a funny old master to train with and it occupies the second act almost entirely. Here, Jimmy's training is on his own, and lasts for way too short. It looks too easy.
Anyway, what bothers me the most, is I can't stop thinking about the uber-superstar that will shatter the world a couple years later. No wonder, sadly or not, that all the superstars of that time were sent to the closet.
Jimmy hadly can rise his legs very high. His blows don't look very powerful. He is more like a dancer rather than an invicible fighter.
Don't misunderstand me, he likes him very much and his fellows as well.
Trouble is, well, there is a unbeatable master who is the only one martial artist in history. Jimmy, here, looks like an artist only. A very good one though, capable of the best, see for instance GOD OF WAR:
Did you know
- TriviaThis is the first chinese martial arts movie where they dont fight with swords but rather with hands
- Alternate versionsUK video versions were cut by 1 min 3 secs by the BBFC to edit lethal body blows and to heavily reduce the rape scene.
- ConnectionsFeatured in Trailer Trauma Part 4: Television Trauma (2017)
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Details
- Release date
- Country of origin
- Language
- Also known as
- La vengeance du tigre
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 27 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was Karaté à mort pour une poignée de soja (1970) officially released in India in English?
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