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A martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by open... Read allA martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by opening casinos and trapping people in debt.A martial artist seeks revenge after his master and his entire Kwoon are wiped out by Japanese Karate masters who're in cahoots with a vile martial artist seeking to control the area by opening casinos and trapping people in debt.
Jimmy Wang Yu
- Lei Ming
- (as Yu Wang)
Lung Yu
- Greeting student
- (as Yu Chung Chieh)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Saw this as HAMMER OF GOD @ Loew's DELANCEY with Mario Bava's HATCHET FOR THE HONEYMOON-- -one of the *best* twin-bills I ever saw and I saw hundreds from the mid-1950s till the *end of the double-bill*, as a movie-going fact-of-life, mid-late 1970s.
The DELANCEY was a huge old "movie palace"-style theater, with humongous screen, super sound system, balcony, full-service concession stand in a big-BIG lobby, *the works*.
The big screen is absolutely *vital* to the peak enjoyment of the rich color, speed-of-light action of HAMMER.
The impact of HATCHET on a small home screen must be terribly attenuated, the atmosphere sharply reduced, surely.
BOTH these films were made with *big screens* in mind. The film-makers of that bygone era could not have foreseen today's cracker-box 'plex "theaters" (*hawk-ptooi*) which generally seat >500, in malls built in the ever-popular Birkenau style of architecture.
I'm High Church about the big-theater films of that era ---I simply won't see them again: My *memory* serves me well enough.
It is simply too depressing, too degrading to see the scratched and pitted prints with their bleached-out "colors" and raggedy soundtracks on a tiny home screen.
I wouldn't accept THE LAST SUPPER or LA PRIMAVERA as thumbnails, and that's what watching vintage movies of happy memory is to me today.
Cheers !
The DELANCEY was a huge old "movie palace"-style theater, with humongous screen, super sound system, balcony, full-service concession stand in a big-BIG lobby, *the works*.
The big screen is absolutely *vital* to the peak enjoyment of the rich color, speed-of-light action of HAMMER.
The impact of HATCHET on a small home screen must be terribly attenuated, the atmosphere sharply reduced, surely.
BOTH these films were made with *big screens* in mind. The film-makers of that bygone era could not have foreseen today's cracker-box 'plex "theaters" (*hawk-ptooi*) which generally seat >500, in malls built in the ever-popular Birkenau style of architecture.
I'm High Church about the big-theater films of that era ---I simply won't see them again: My *memory* serves me well enough.
It is simply too depressing, too degrading to see the scratched and pitted prints with their bleached-out "colors" and raggedy soundtracks on a tiny home screen.
I wouldn't accept THE LAST SUPPER or LA PRIMAVERA as thumbnails, and that's what watching vintage movies of happy memory is to me today.
Cheers !
For fans of Lo Lieh (Five Fingers of Death) this is a chance to see him as the evil Japanese karate master. In the US, advertising hyped this as "the most blood-spurting" martial arts film. It's hardly that; but the fight scenes are wild.
In the last few months, I've become reacquainted with Jimmy Wang-Yu, whose movies I hadn't seen since Friday nights at the drive in back in the 70's. An authentic Asian superstar, Wang-Yu's movies usually have a simple plot familiar to any chop-socky fan. What sets him apart is that he had an appreciation of fighting styles from other countries that really liven up the fight scenes. (A great example of this is the movie "The Chinese Professionals".) This movie is one of the few to explain why karate fighters had an easy time with kung fu students but would always fall to the masters. If you're looking for a representative kung fu movie, this is the one. The plot is a template for most every kung fu flick that came after. Not as spectacular as his later films, but the climactic battle with Lo Lieh (star of another classic, "Five Fingers of Death") is well worth the price of the movie. Recommended.
The late, great Jimmy Wang Yu wrote, directed, and starred in this martial arts classic with an appreciably simple, straightforward story. A swaggering heel named Diao Erh-yeh (Hsiung Chao) comes to a school of Chinese boxing to throw his weight around. But the wise teacher (Mien Fang) sends him packing. Soon, the villain has returned with brutal karate fighters from Japan, and they slaughter almost everybody in the school. But our hero survives, and spends time recuperating and training for what he knows is going to be a tough quest for revenge.
This viewer would agree that "The Chinese Boxer" only gets better as it goes along. The fighting is top-notch, of course, and the film has a definite energy and flow to it. It's also quite amusingly violent, with a lot of bright red movie blood oozing from various mortal wounds. Our hero, Lei Ming, is a calm, steady, soft-spoken type, and the villains are absolutely classic in their unsubtle nastiness. (To add insult to injury, Diao Erh-yeh takes over the whole town, turning it into a hotbed of corruption.) Best of all is when the climactic action is taken outside, and our opponents start tangling in the snowy wilderness. But the training scenes are also as cool as can be, as Lei Ming learns to practice "weightlessness" and creates "hands of iron". Interestingly, in this saga, karate is portrayed in a largely negative way, with the teacher explaining the difference between karate and Chinese boxing to his students.
The music is good, the widescreen photography excellent, and the cast solid; this viewer did watch the English-language version, but the dubbing really didn't bother him that much. Overall, this is quite engaging, and clearly influenced later films such as Quentin Tarantinos' "Kill Bill" saga.
Eight out of 10.
This viewer would agree that "The Chinese Boxer" only gets better as it goes along. The fighting is top-notch, of course, and the film has a definite energy and flow to it. It's also quite amusingly violent, with a lot of bright red movie blood oozing from various mortal wounds. Our hero, Lei Ming, is a calm, steady, soft-spoken type, and the villains are absolutely classic in their unsubtle nastiness. (To add insult to injury, Diao Erh-yeh takes over the whole town, turning it into a hotbed of corruption.) Best of all is when the climactic action is taken outside, and our opponents start tangling in the snowy wilderness. But the training scenes are also as cool as can be, as Lei Ming learns to practice "weightlessness" and creates "hands of iron". Interestingly, in this saga, karate is portrayed in a largely negative way, with the teacher explaining the difference between karate and Chinese boxing to his students.
The music is good, the widescreen photography excellent, and the cast solid; this viewer did watch the English-language version, but the dubbing really didn't bother him that much. Overall, this is quite engaging, and clearly influenced later films such as Quentin Tarantinos' "Kill Bill" saga.
Eight out of 10.
Chinese Boxer is one of the best kung-fu movies,In Chinese Boxer the Japanese with the help of a kung-fu master beat the hero's village,school and throw him out so he trains and learns new amazing techiniques such as the Iron Palm and the Weightleness and then takes revenge
Did you know
- TriviaThis is the first chinese martial arts movie where they dont fight with swords but rather with hands
- Alternate versionsUK video versions were cut by 1 min 3 secs by the BBFC to edit lethal body blows and to heavily reduce the rape scene.
- ConnectionsFeatured in Trailer Trauma Part 4: Television Trauma (2017)
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Details
- Release date
- Country of origin
- Language
- Also known as
- La vengeance du tigre
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 27m(87 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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