IMDb RATING
5.9/10
1.6K
YOUR RATING
The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.
- Awards
- 3 nominations total
Noah Beery Jr.
- Seally Fauss
- (as Noah Beery)
Ben Archibek
- Rick Nifty
- (as Benjamin Archibek)
Sharmagne Leland-St. John
- Marcy
- (uncredited)
Erick Vinther
- Motorcycle rider #1
- (uncredited)
Beverly Yissar
- Short Spectator
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
With Robert Redford blending Brad Pitt & Burt Reynolds to a kick-ass Johnny Cash soundtrack in a tale of motorbikes, booze & womanising, 1970's "Little Fauss And Big Halsy" COULDA been iconically fun... but writer Charles Eastman & director Sidney J Furle made it a serious thesis on what's now known as 'toxic masculinity' with the misogyny, narcissism & crass selfishness that Redford's 'charming' character bleeds over all around him (like Michael J Pollard, Lauren Hutton & Linda Gaye Scott) as he uses them. Without humour, or the usual 'character redemption' it's a dark character study but an interesting view of that era that some may prefer not to remember.
Saw this in the drive-in back in '71 and thought it was pretty good! Saw it again on Speedvisions "Lost Drive-in" some time ago but some of the scenes were "edited for TV". I don't believe it was ever released on video...too bad!
If you've ever been on a motorcycle racing circuit or been around other real life circuits with those of the egotistical boaster class, you will love this movie. On both the motorcycle racing circuit and in business, I've met Halsey Knox; well, not really but a true to life, full blown, likeness thereof.
Having not really been a fan of motorcycle racing, but a fan of the scene, I immediately can identify with those of the "Halsey" genre, who not only know everything and been everywhere, but are the best and foremost authority on nearly every subject, let alone get all the women and nearly always screw up everyone's life around them by capturing the heart mind and soul of the unsuspecting and then "use" that person for what can be accomplished for the host.
Robert Redford plays the part like a pro. And poor unsuspecting Little Fauss is literally taken by the style and non-chalaunt attitude of Halsey. The two team up and when Fauss finally wakes up to the reality of being used by a bluffer and boaster, he finds the nerve to move on and locate success on his own.
Definitely a classic and no wonder Robert Redford didn't like the part, after all who wants to be seen as a loser with an egotistical "know it all" attitude, except of course for the part where he "gets all the women" :o)
Having not really been a fan of motorcycle racing, but a fan of the scene, I immediately can identify with those of the "Halsey" genre, who not only know everything and been everywhere, but are the best and foremost authority on nearly every subject, let alone get all the women and nearly always screw up everyone's life around them by capturing the heart mind and soul of the unsuspecting and then "use" that person for what can be accomplished for the host.
Robert Redford plays the part like a pro. And poor unsuspecting Little Fauss is literally taken by the style and non-chalaunt attitude of Halsey. The two team up and when Fauss finally wakes up to the reality of being used by a bluffer and boaster, he finds the nerve to move on and locate success on his own.
Definitely a classic and no wonder Robert Redford didn't like the part, after all who wants to be seen as a loser with an egotistical "know it all" attitude, except of course for the part where he "gets all the women" :o)
Had always been intrigued by this title ever since seeing the trailer 'arriving Sunday for seven days' almost half a century ago. Something in the voice-over resounded with me, which I was always reminded of when Ronnie Barker did his country and western skits. I never heard the film mentioned again, though believe it got a couple of airings with little fanfare on the BBC decades ago. Finally got a chance to see it courtesy of Talking Pictures TV - what would we do without them? Should like to say I loved it but it generally left me cold. Perhaps it is fair to say that along with one or two other films of the same period - Peckinpah's Junior Bonner springs to mind - it is essentially a slice of Americana with limited appeal outside the US except for the star. Still I did enjoy the songs from Johnny Cash.
I just got this movie on Blu ray from Blu ray.com/amazon and it looks fantastic! For a low budget movie in 1970, the transfer is amazing, crystal clear and the audio is great. It's funny because Redford wears sun glasses in about 60% of the film and you can see the reflection of the movie lights and even film crew in a number of scenes. You'd think they would have noticed this when filming. The movie isn't the greatest, but it is a cult classic. It's weird seeing Redford playing such a jerk of a character. He was actually really good at it in this movie. I found it interesting that Redford and Michael Pollard couldn't stand each other while filming this movie. I wonder what caused it?
Did you know
- TriviaIn Robert Redford's biography, he called Little Fauss and Big Halsy "the best script of any film I've ever done." He was, however, somewhat less than thrilled with the film when it did not live up to its expectations at the box-office. However, when the film premiered on television around the time Redford was shooting Les Hommes du président (1976), he confided in Alan J. Pakula that he resented its television broadcast because, after years of successful films, he was less than enthusiastic about Little Fauss and Big Halsy, which he considered a stain on his filmography. Pakula told Redford that the film showcases one of the best performances the star had ever given, stating that his performance in it was "the last unself-conscious revelation of the actor's real-life edge." The film is also Redford's son Jamie's favorite of all his father's films.
- GoofsWhen they are broken down and they are chatting at the back of the pickup, they are shown in profile with Halsey in the background. Past Halsey, deeper in the background, there is a constant stream of vehicles on what is obviously a major thoroughfare. Then the camera pans to a long shot showing them sitting in the rain. This long shot also shows the surrounding countryside and they are on an isolated dirt road with no major thoroughfare around.
- Quotes
Little Fauss: I was going faster than I ever went in my whole life, then I fell off.
- ConnectionsReferenced in Shaft, les nuits rouges de Harlem (1971)
- SoundtracksRollin' Free
Composed and Sung by Johnny Cash
- How long is Little Fauss and Big Halsy?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,755,485
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